CFP: [African-American] CFP. Spike Frames: The Cinema of Spike Lee Conference. New York City (2/1/2009; 11/12-15/2009)

full name / name of organization: 
Keith Corson
contact email: 
kmc403@nyu.edu

Spike Frames: The Cinema of Spike Lee

In 1993, the Departments of Cinema Studies, Film and Television, and
Africana Studies collaborated in staging a major international conference
focused on Pan-African Cinema, which uniquely showcased the contributions
of film critics, academics, and industry professionals and explored the
achievements of black cinema in a global context. Building on the success
of that conference and the insights and debates it inspired, we propose a
major international conference to critically survey and celebrate the
work of preeminent film-maker Spike Lee. The objective of this conference
will be to revisit and discuss anew the remarkable achievements of Lee,
as producer, director, film-maker, actor, and teacher in the context of
the history of American cinema and, more specifically, within the
developmental trajectory of ‘Black American Cinema,’ and its complex,
tangled histories and debates. The conference title “Spike Frames” was
chosen to suggest the diverse ways in which the outstanding quantity and
flow of Lee’s films have ‘framed’ or influenced American film-making from
the mid-‘80s into the 21st century. We will also interrogate the ways
the ‘Spike Lee phenomenon’ has often directly challenged the expectations
and exclusionary practices of the dominant commercial film industry. As
well, we will look at the ways Lee’s work has played with the seemingly
contradictory ‘double bind,’ of what it means, exactly, to be
an ‘independent’ film-maker while being a successful
commercial ‘mainstream’ director. Moreover, it is our aim that the
conference contribute to the research, debate, and scholarship on black
American cinema, while also considering it in the broader context of
global filmmaking the 21st century. It is our goal that this conference
will create support for the archiving and preservation of African
American film through the Tisch School of the Arts Moving Image Archiving
and Preservation Program, with every expectation that this will
significantly contribute to building strong institutional structures for
the study of black film-making, its debates, issues and images.

Spike Frames: The Cinema of Spike Lee is scheduled for November 12–15,
2009. The conference will consist of a series of screenings of key Spike
Lee films, plenaries featuring Lee’s collaborators and leading
scholars/critics, and panels focusing on various themes. Panels will be
comprised of a chair/moderator and three-to-four speakers, presenting
papers of 30-minutes each.

The program committee invites proposals for 30-minute papers focusing on
one of the following themes:

Spike Lee and American film (industry; aesthetics; politics);
Spike Lee and International Cinema (influenced by; influences on);
Spike Lee and film aesthetics (cinematography; montage; sound; narration);
Spike Lee and genre (revision; hybridity; polyphony);
Spike Lee and authorship (as a director; as a producer; as an advertising
executive);
Spike Lee and marketing (of himself; of others {through bio-pics and
public endorsements]; of products {Nike, Pepsi, etc.});
Spike Lee and the city (Brooklyn, New York, Birmingham, New Orleans);
Spike Lee and music (as soundtrack; as narrative inspiration; as
metatext; music video);
Spike Lee and performance (performativity; stardom; ensemble and
improvisation);
Spike Lee and documentary (documentary use of fiction conventions;
fictional use of documentary conventions; performance films);
Spike Lee and the politics of culture (class, gender, religion, nation,
race);
Spike Lee and new technologies (film vs. digital video; webstreaming;
social networking);
Spike Lee and African American film (legacy of early filmmakers, such as
Oscar Micheaux; legacy on contemporary filmmakers, such as John Singleton
or Kasi Lemmons).

Send a 500-word proposal and a short curriculum vitae in word format to

Keith Corson
kmc403_at_nyu.edu

Deadline for proposals: February 1, 2009

===================================
 From the Literary Calls for Papers Mailing List
            cfp_at_english.upenn.edu
             more information at
         http://cfp.english.upenn.edu
===================================
Received on Tue Oct 14 2008 - 13:48:40 EDT

cfp categories: 
african-american