UPDATED CFP

full name / name of organization: 
University College Dublin Ireland
contact email: 
bernardshawindublin@gmail.com

G. B. SHAW: BACK IN TOWN
Dublin: May 29th-- June 1st, 2012
University College Dublin
Co-sponsored by UCD Humanities Institute
&
The International Shaw Society
CALL FOR PAPERS EXTENDED DEADLINE
This conference is focused on Shaw’s return to Dublin, so to speak, to revist his Irish identity, and papers discussing his Irish qualities, interrelationships with other Irish, and contributions to Ireland would be welcomed, along with testimony to his stature in and influence on world drama, and other topics as well. If you choose to write on Irish themes, the following summary may be useful. Dubliner Bernard Shaw was a personal friend of a long list of Irish writers, the most important of whom were Oscar Wilde, W.B. Yeats, Augusta Gregory, George Russell ("AE"), and Sean O'Casey. With his Irish wife, Charlotte Payne-Townshend, they sought to encourage younger Irish writers, particularly playwrights, including Norreys Connell ("Conal O'Riordan"), James Hannay ("George Birmingham"), Lennox Robinson, St. John Ervine, and Dennis Johnston. Shaw was closely involved with the Abbey Theatre through Yeats and Gregory right from 1904 through the late 1920s; he was president of the Irish Academy of Letters during the 1930s. Through his friendship with Horace Plunkett, the founder of the Irish Co-Operative movement, Shaw worked hard behind the scenes during the 1917 Irish Convention to produce a constitutional basis for an independent Ireland. Also through Plunkett and A.E. he was a major supporter (both in terms of writing and finance) of the major cultural journal in the new Irish Free State during the 1920s, the Irish Statesman. He supported James Connolly and the Dublin workers during the 1913 Dublin Lock-Out; he worked for the defense of Roger Caement in 1916; he met Michael Collins; he corresponded with Eamon de Valera (about establishing an Irish film industry in the 1940s among other matters). And he left one third of his fortune to National Gallery of Ireland. Featured speakers are Professor Anthony Roche UCD, Professor Nicholas Grene TCD, Peter Gahan (Independent Scholar) and Nelson O’Ceallaigh Ritschel Massachusetts Maritime Acadamy.
Papers (maximum of twenty minutes) may be written from any critcal perspective
Abstracts of approximately 300 words should be submitted to bernardshawindublin@gmail.com for consideration, along with a c.v and brief letter of introduction. EXTENDED DEADLINE to submit abstracts is February 24th 2012. Further information can be found on the conference website http://bernardshawindublin.yolasite.com

cfp categories: 
bibliography_and_history_of_the_book
cultural_studies_and_historical_approaches
ethnicity_and_national_identity
film_and_television
gender_studies_and_sexuality
general_announcements
graduate_conferences
interdisciplinary
international_conferences
journals_and_collections_of_essays
modernist studies
popular_culture
postcolonial
religion
renaissance
rhetoric_and_composition
theatre
theory
twentieth_century_and_beyond
victorian