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AAL Literature and Censorship conference 10-12 July 2012
full name / name of organization:
Nicole Moore University of New South Wales Canberra
Australasian Association for Literature Conference 2012: Literature and Censorship
Dates: 10-12 July 2012
Venue: University of New South Wales, Canberra.
Keynote speaker: Peter McDonald (Oxford University)
Please submit titles and abstracts for proposed papers by Friday 6 April, 2012 via the conference website: http://www.aal.asn.au/conference/2012/index.shtml
In 2012, the Australasian Association for Literature conference will address the long and traumatic relationship of literature and censorship.
Literature and censorship have been conceived as long-time adversaries, each opposed to the precepts of the other. This conference seeks to understand the degree to which they have been dialectic terms, rather, each producing the other, coeval and mutually constitutive. In 1994, Michael Holquist declared "To be for or against censorship as such is to assume a freedom no-one has. Censorship is. One can only discriminate among its more or less repressive effects." Articulating what was then a new poststructuralist take on censorship, Holquist posited it as not only inescapable but definitive; in fact foundational to speech itself.
After the opening of the USSR’s spekstrahn, the enormous collection of literature forbidden under the Soviets, containing more than one million items, this push to redefine censorship so expansively has encountered cogent criticism. German scholars describing the centralised control of East German print publication, for example, have wanted to insist on the substantive difference of pre-publication state censorship from such mundane forms of speech regulation in democracies. Work on South African apartheid censorship and the operations of censorship in colonial countries is also demonstrating its formative role in the institutional structures of literature beyond the metropole. Is literature ever without censorship? Does censorship need the literary? In a globalising era for culture, does censorship represent the final (failed) version of national control?
Offers for papers considering all aspects of literature and censorship are welcomed, but could address:
The website will host news of further speakers, panels and the program when confirmed.