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[UPDATE] Composting Culture ASLE-UKI 2012 Conference
full name / name of organization:
Association for the Study of Literature and Environment
Composting Culture: Literature, Nature, Popular Culture, Science – ASLE – UKI Biennial Conference, Wednesday 5th – Friday 7th September 2012
The website for this conference is now online with registration details to follow: www.worcester.ac.uk/compostingculture . Please note revised conference dates. The deadline for proposals for papers is 29th February 2012.
Keynote speakers include:
About the Conference:
Recent work in ecocriticism largely recognises the complexity of ecological science and philosophy and its social and political dimensions. This has resulted in an increased emphasis on paradigms and perspectives that embrace that complexity: posthumanism; biosemiotics; discordance; consilience etc. Consequently, with regard to its objects of study, ecocriticism might increasingly be characterised as a multidisciplinary act of ecological intervention that has fermented an array of possible reference points – globalisation, science, neuroscience, spirituality etc – into an expanding range of cultural texts, stretching far beyond the literary canon of romantic nature writing that shaped ecocriticism in its early years.
This conference will explore the extent to which correspondences between more complex ecological understanding and cultural forms might be evident, most particularly, in non-canonical texts, or previously unexplored linkages between theories and texts, or in the upcycling of established literary or cultural forms, movements, writers etc. Conceptualised by Jed Rasula as a process of composting where ‘interanimating tendencies’ converge into the possible emergence ‘of newness, of the unpredicted’, this ‘nutritive sensibility’ has recently traversed cultural theory and practice: in Harriet Tarlo’s identification of a conjunction between experimental poetics and radical landscape poetry; in the ‘new nature writing’ of ‘Edgelands’ (Paul Farley and Michael Symmons Roberts), or places like Essex, which acknowledges the blurring of human-nonhuman, rural and urban; even in popular culture, for example in a recognition of technology’s perhaps paradoxical ability to inculcate both deep ecological awareness and a scientific sense of nature as process (as aspired to in Bjork’s recent Biophilia project).
-Recycling, composting, fermenting, or junk as cultural tropes
Individual papers should be 20 minutes. Please send a title and 250 word abstract to David Arnold: email@example.com and John Parham firstname.lastname@example.org by the deadline, Wednesday 29 February 2012. Further details – including registration costs and accommodation – will be posted here in the Spring. Our intention is to offer video conferencing, allowing for the participation of international delegates unable or reluctant to travel.