[UPDATE] Reminder: Reframing Ekphrasis - Comparative Literature Conference

full name / name of organization: 
King's College London, Comparative Literature Programme
contact email: 
reframingekphrasis@gmail.com

“Reframing Ekphrasis”

Comparative Literature Conference, King’s College London

Friday, November 9th, 2012

Keynote Speaker: Stephen Cheeke (University of Bristol)

Ekphrasis is a literary mode that spans the entire breadth of literature, from Achille’s shield to Auden’s ‘Musée des Beaux Arts’. Defined by James Heffernan as “the verbal representation of graphic representation,” the referential scope of ekphrasis has expanded and contracted according to critical taste. In the light of the increasingly complex way contemporary scholars have come to view visual literacy and culture, ekphrasis once again demands reconsideration. The “visual turn” in criticism, alongside the upsurge of interest in digital and material cultures, has enlarged the boundaries of what representation entails, and has questioned its stability. In an age of interdisciplinarity, ekphrasis could provide a model for comparison that moves beyond binary encounters between discrete categories, such as national literature, art history, and the classics? Rather than sublating image to word, might we resituate ekphrasis as a multi-media negotiation of meaning and form?

In this conference, we are interested in questioning not only the nature of ekphrasis, but also the supposedly essential nature of representation. What dualisms, such as literature/visual arts, subject/authority, are implicit in traditional modes of ekphrasis, and how might other creative forms, like music, subvert this? What kinds of power structures or hierarchies are embedded in ekphrasis, and how might we negotiate these, especially in the light of post-colonial and transnational theory? What type of gaze does ekphrasis entail, and is this related to anxieties about the form? What other art forms might be included in ekphrastic poetics that would contribute to interdisciplinary modes of thinking, such as architecture, performance art, or digital media? How far can ekphrasis provide a self-reflexive model for comparison?

Potential topics for papers might include, but are not limited, to:

- Literature as a translation of the visual
- Ekphrasis and the Modern Languages
- Ekphrastic hierarchies: word/image, dominant/submissive, etc.
- Taste and aesthetics
- Relations of space and time in ekphrasis
- Stasis and movement
- The reverse: art depicting literature
- Anxieties of ekphrasis
- Ekphrasis in the digital age reproduction
- Music and ekphrasis
- New media and ekphrasis
- Icononology and iconoclasm
- Metapictures
- Architecture and ekphrasis

We invite proposals for 20-minute papers exploring any aspect of ekphrasis as an inherently comparative mode. Please send 300 word abstracts plus a short biography to reframingekphrasis@gmail.com. Deadline for abstracts is 31st July 2012. We will inform participants of acceptance by 15th August 2012.

A selection of papers presented during the conference will be edited into a published collection of essays.

http://reframingekphrasis.wordpress.com/

Organising Committee:

Zoë Roth
Anne Mulhall
Jane Maxwell
Isil Cihan

cfp categories: 
american
bibliography_and_history_of_the_book
classical_studies
cultural_studies_and_historical_approaches
ecocriticism_and_environmental_studies
eighteenth_century
film_and_television
gender_studies_and_sexuality
general_announcements
graduate_conferences
humanities_computing_and_the_internet
interdisciplinary
international_conferences
journals_and_collections_of_essays
medieval
modernist studies
poetry
popular_culture
postcolonial
renaissance
rhetoric_and_composition
romantic
theory
twentieth_century_and_beyond
victorian