UPDATE Illustration, Comics, and Animation Conference at Dartmouth College, April 19 – 21 2013
What is the future of illustration studies?
What can comics scholars learn from animation studies and vice versa?
Do illustrated books or graphic novels resist the supposed obsolescence of the book?
What do pictures want (now)?
These and related questions will be explored at the Illustration, Comics, and Animation Conference at Dartmouth College to be held April 19 – 21 2013.
Scholars interested in the illustrated image in all of its mediated forms are invited to participate in this interdisciplinary conference. Nearly all illustrated or drawn 'texts' are eligible for consideration:
*comics and graphic novels
*cartoons and animated films
And given the uniquely plenary nature of the conference, which brings together scholarship on static and moving illustrations, preference will be given to proposals that seek to bridge visual media.
Possible topics may include:
*Individual titles by prominent practitioners
*Identity, subjectivity, ideology, or culture in one or more type of illustration media
*The future of particular schools of criticism (psychoanalysis, critical race theory, phenomenology, Marxism, feminism, queer theory, post-colonialism, formalism, aesthetic theories, etc.) and one or more type of illustration media
The location of the conference may also be a source of inspiration for prospective participants. Not only does Dartmouth College lie in close proximity to the Center for Cartoon Studies in White River Junction, Vermont, but it is also the alma mater of Theodore Geisel, Dr. Seuss, whose illustrated books continue to inspire, befuddle, and provoke.
Key presentations will be given by Jeremy Love, whose critically-acclaimed serialized graphic novel BAYOU was nominated for an Eisner award and won five Glyph awards; and Milton Knight, a veteran artist whose credits include Ninja Turtles, Felix the Cat, and Graphic Classics.
Interested participants may propose individual papers or panels. Individual papers should be no longer than 20 minutes. Panels shall be ninety minutes long and should be comprised of three presenters and one (ideally separate) panel chair. Please send 300 word abstracts and a brief bio for each proposed paper no later than December 1, 2012.
Send all proposals and inquiries to
Michael A. Chaney
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