Retold, Resold, Transformed? Crime Fiction in the Global Era

full name / name of organization: 
University of Leeds’ Faculty of Arts and the Crime Studies Network
contact email: 
c.gregoriou@leeds.ac.uk

Retold, Resold, Transformed? Crime Fiction in the Global Era

Faculty of Arts, Leeds University, U.K.

17-18 September 2013

PLEASE NOTE THE REVISED DATE

In recent decades crime fiction has enjoyed a creative boom. Although, as Alison Young argues in her book Imagining Crime (1996), crime stories remain strongly identified with specific locations, the genre has acquired a global reach, illuminating different corners of the world - from the downtown precincts of Baltimore to the South African peninsula to bleak Danish skies - for the delectation of international audiences. The recent fashion for nordic noir has highlighted the process by which the crime story may be franchised, as it is transposed from one culture to another. Crime fiction has thus become a vehicle for cultural exchange in the broadest of senses; not only does it move with apparent ease from one country to the next, and in and out of different languages, but it is also reproduced through various cultural media. But what is involved in these processes of transference? Do stories lose or gain value? Or are they transformed into something else altogether? How does the crime story that originates in a specific society or culture come to articulate aspects of very different societies and cultures? And what are the repercussions of this cultural permeability?

The University of Leeds and the Crime Studies Network invite scholars, practitioners and fans to attend an international, interdisciplinary conference dedicated to contemporary crime fiction. It is intended that the conference will attract delegates from different backgrounds and academic disciplines, including literary and cultural studies, stylistics, the philosophy of aesthetics, film, television and media studies, and sociology. Proposals for papers on any aspect of contemporary crime fiction are welcomed, particularly those which address aspects of cultural exchange and migration, the publishing industry (including translation and adaptation), reading, reception and rewriting (including fan fiction and the blogosphere) and philosophical and literary approaches to questions of cultural value.

Featured Keynote Speakers and Roundtable Panelists include Barry Forshaw, Francois von Hurter and Howard Curtis.

Barry Forshaw’s latest books are Death in a Cold Climate: A Guide to Scandinavian Crime Fiction and British Crime Film. His other work includes British Crime Writing: An Encyclopedia and The Rough Guide to Crime Fiction, along with books on Italian cinema, Film Noir and the first biography of Stieg Larsson. His next books are British Gothic Cinema, Nordic Noir, The Modern Adventure Thriller and a study of The Silence of the Lambs. He writes for various national newspapers, edits Crime Time, broadcasts for ITV and BBC TV documentaries, and has been Vice Chair of the Crime Writers’ Association.

Francois von Hurter co-runs Bitter Lemon Press, a small London-based independent publisher set up in 2003, and specializing in translated literary crime novels and noirs. The Press currently publishes novels by authors such as the Italian Gianrico Carofiglio, Swiss Friedrich Glauser, Dutch Saskia Noort, and the Cuban Leonardo Padura. Several of the novels published have gone on to win or be shortlisted for awards such as the Crime Writers' Association Gold Dagger and the Dublin IMPAC Award. Howard Curtis, who is Gianrico Carofiglio’s literary translator, will too join the discussion.

Please send an abstract of no more than 250 words to Christiana Gregoriou , one of the conference organisers, by 13 May 2013. The abstract should include a title, name and affiliation of the speaker, and a contact email address. Feel free to submit abstracts presenting work in progress as well as completed projects. Postgraduate students are welcome. Note that the conference room has a computer, data projector and screen; any further AV requests should be made on submission of the relevant abstract. Papers will be a maximum of 20 minutes in length, with a maximum of 10 minutes for questions.

Contact the conference organisers below for more details or, alternatively, see the Conference Website

The Crime Studies Network website is accessible at: www.crimestudies.net.

The conference organisers (including emails and affiliations):

Dr Christiana Gregoriou (c.gregoriou@leeds.ac.uk, English)
Prof David Platten (d.p.platten@leeds.ac.uk, French)
Dr Gigliola Sulis (g.sulis@leeds.ac.uk, Italian)

cfp categories: 
african-american
american
childrens_literature
cultural_studies_and_historical_approaches
ethnicity_and_national_identity
film_and_television
gender_studies_and_sexuality
general_announcements
interdisciplinary
international_conferences
popular_culture
theory
twentieth_century_and_beyond