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Call for Papers
First Annual Cultural Studies Graduate Student Conference at the University of New Mexico
April 24-25, 2009
Fantastic Projections: Crisis, History and the Aesthetic Imagination
Crisis situations and the ways we respond to them shape our perception of reality. For example,
Reed Johnson opens his recent essay in the Los Angeles Times with the observation: â€œWe
shopped. Then we dropped. Then we started making culture againâ€”dancing on the rubble of our
own excesses, stitching together art from the ragbag of our desires.â€ In this case, culture
emerges in response to financial crisis, as a way of imaginatively â€“ and aesthetically â€“ dealing
with post-bust trauma. But just what does this â€œragbagâ€ consist of, and what role do our desires
play in the negotiation of crises and the creation of history in the realm of the aesthetic
We are seeking contributions that investigate past and present aesthetic negotiations of crisis
situations expressed in literature, the arts, film, or public debates.
Leading questions are: How have past times of crisis formed and informed cultural production?
How has cultural production created history in response to crises? Can we still mobilize the
emphatic belief in the power of aesthetic experience as a way to freedom, shared by
philosophers and writers of the Enlightenment and the Romantic Age? Is the kind of broad social
critique articulated in the grand rÃ©cit still possible? Do current forms of cultural production
resonate with, for instance, Brechtian attempts to render reality in a â€œform that it can be
masteredâ€? To what degree does the analytical power of art, the possibility to â€œmake us see,
perceive and feel that which alludes realityâ€ (Althusser) inform recent cultural production?
Possible session topics include but are not limited to:
â€¢ Aesthetics, Politics and Freedom: (Dis-)Utopian Visions
â€¢ The Role of Aesthetic Experience and Imagination in Negotiating and Dealing with Crises
â€¢ Political Debate Today: From a Politics of Power to the Aesthetics of Hope
â€¢ Fantastic Projections: Cultural Production and Reproduction in Film and New Media
â€¢ The Aesthetics of Pop-Culture: Who is the current Superhero?
>From Mr. Big to the Dark Knight
â€¢ Imagining History: Mobilizing Tradition or Seeking Innovation
â€¢ Imagining the Self: Imagination and Identity Formation in the Arts
Limited travel funding is available, please inquire!
Please send a 500 word abstract along with a brief biographical statement David Hartwig
March 23, 2009. You can also visit our webpage for additional information about the conference:
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Received on Tue Feb 17 2009 - 14:28:39 EST