Literature and Physical Culture, April 10-11 2014
For George Bernard Shaw's gentleman prizefighter Cashel Byron, sport was the perfect hybrid of physical and moral science and art, yet despite Shaw's constant assertion through the novel that boxing is an art form, the common perception is that sport and art are ultimately antagonistic, as aesthetes and athletes are pitted against each other in a battle of brains versus brawn. So whilst sport and physical culture is an integral part of social and cultural history, of all cultural pursuits sport is often considered incompatible with the more artistic of those such as literature and theatre.
This interdisciplinary two-day conference re-examines the idea of sport in textual culture and seeks to reappraise the significance of physical culture beyond the traditional historical frameworks. The conference is interested in the inclusion of sport and physical culture within textual culture, and seeks to reassess sport's place within the wider cultural landscape. It asks how sport and sporting lexis is transformed in subsequent cultural outputs from novels, poetry, theatre, films and television, and how its importance to the wider population is reflected and developed in these outputs. It is also interested in exploring the broader context of the changing nature of sport's inclusion within literature from the late eighteenth century to the present.
Topics might include, but are not restricted to:
◦The social, political and cultural context of sport in textual formats
◦Class and sport
◦Representations of physical bodies
◦Criminality and Sport
◦Sport as business
◦Sport and postcolonialism
◦Sport and gender
◦Physical activity and children's literature
◦Anti-Sports Sentiment in literature and film
◦Depictions of sport in theatre and drama
◦Literary personalities and their involvement in sporting organisations
Abstracts focusing on the pre-1800 period are also invited.
The conference committee (Chair: Victoria Dawson, Professor Tony Collins, Dr Claire Westall, Nicola Stead) welcomes abstracts of 250-300 words for 20 minute papers. Please send your abstract, plus a short biography to Victoria Dawson at email@example.com by 31 October 2013.