Special Issue on Contemporary Drama [July 15, 2013]
Special Issue on Contemporary Drama
In the past twenty years Irish society has experienced a range of cultural, political and, centrally, financial upheaval. To what extent has Irish theatre responded to these tumultuous events? How far have traditional forms and subjects maintained their position? Or have experiment and innovation become the new distinguishing features? The guest editors of this special issue of Breac, Lindsay Haney and Shaun Richards, invite submissions addressing any aspect of recent Irish drama. In keeping with Breac's interdisciplinary goals and digital form, we encourage submissions informed by any approach to drama and theatre and rendered as conventional essays or works in any audio or visual medium.
The issue will include essays from Brian Singleton on ANU productions, Emilie Pine on theatre's response to abuse revelations, Niamh Malone on theatre and urban regeneration, and Susan Cannon Harris on Conor McPherson's supernaturalism; an interview with Colm Tóibín, conducted by Paige Reynolds; and a video feature from Róise Goan, director of the Dublin Fringe Festival, on incubators and space in New Theatrical Dublin.
Breac is a peer-reviewed, open-access, paperless journal that publishes critical and creative work relating to Ireland and Irish Studies. Among its many features is a forum section that seeks to cultivate a global conversation around the published articles among its readers, students, and scholars. It also periodically streams live events through the website's BreaCam. Subscribing to the journal is entirely free, and we encourage you to visit the website at breac.nd.edu.
We suggest a length of 4000-5000 words, but will happily consider longer articles. Deadline is July 15, 2013.