Women and Performance, Special issue, “The Haptic: Thinking Through Texture.”

full name / name of organization: 
Women and Performance
contact email: 
hapticissue@gmail.com, managingeditor@womenandperformance.org

Special Issue: Call for Submissions

Issue Guest Editor: Rizvana Bradley (Assistant Professor, WGSS, Emory University)

Submission Deadline: December 1, 2013

Women and Performance invites submissions for a special issue, “The Haptic: Thinking Through Texture.” We welcome scholarly articles and performative texts that directly take up and theorize the ways in which haptic negotiations like touching, folding, fingering, or tracing the texture of an object, offer themselves as feminist techniques of knowing in art and performance. We seek articles, texts and projects that are directly concerned with thinking about the texturized quality of performances which touch upon the specific feel and consistency of cultural practices, as well as the production and reproduction of daily life, broadly speaking.

Critical scholarship within media and film studies has stressed the ways in which the haptic denotes the tactile as a category of experience that provokes the sensorial conventions and conjunctions of touch, taste, smell and sight. This issue seeks to develop and expand the critical parameters as well as the lexicon of the haptic further. By de-instrumentalizing the haptic and its association with media and visual consumption, this special issue opens a discussion of the haptic to alternative archives of aesthetic and cultural production, including but not limited to art, poetry, and literature, in relation to Black studies, feminist, queer, and gender studies, disability studies, food studies, and sound studies. We are interested in artistic and intellectual projects that highlight performative experiments with objects, media, narratives and poetics that may be mapped and felt in excess of a phenomenology of experience, which maintains a certain equipoise between the object of perception and the subject of experience.

Some questions contributors might consider: How do the objects, sounds and substances we engage with, and/or the surfaces that both appear or do not appear to us, push back on us, and compel us to take on their particular texture or feel? How do these objects, sounds and substances ultimately provoke the limits of our engagements with them? How do these texturized, haptic dimensions challenge our physical comportment, as well as our conscious or unconscious interaction with objects and substances? Does haptic contact mark our vulnerability to a material world we presumably locate outside ourselves? Are these haptic intervals pursued as spaces of fugitivity or fugitive discovery for what some have called black study? Are the tentative avenues of sensing, touching and feeling opened up by the haptic intensified by an experimental black ontology that moves through and includes other bodies, forms and formations? Does starting from the haptic, produce alternative ways of knowing race, sex, and materiality, potentially enabling us to remap and relocate power and agency in something other than subjectivity?

We welcome essays, experimental writings, poetry or performances that mark haptic life as an avenue of discovery for black, feminist, queer, trans, or other epistemologies. Contributions that explore the haptic through forms of relational, non-normative, black, feminine and/or queer sense are especially of interest. We ask for work that explores the production and reproduction of historically specific somatic imaginations that make possible forms of knowledge and desire that were and perhaps still are inadmissible, impossible or illegible under the rubric of neoliberal subjectivity.

Potential topics/possible intersections including but not limited to:

Haptic Bodies: Queer, Black, Trans, Feminine and Disabled Bodies in Performance, Experimental Theater, Live Art and Dance
The Haptic as a means of theorizing Resistance, Fugitivity and Anti-Normativity
The Haptic in Black Aesthetics and Performance
Texture in Contemporary Art and Visual Culture
Food Studies
Sound Studies
Queer Sound
Poetry and Performance
Sound and Poetry
Disability Studies and the Haptic
Affect Studies
Theories of Touch
Theories of Embodiment
Non-Cognitive Modes of Expression
Surface and Surface Readings
New Materialisms and Object-Oriented Ontology
Post-Identity Subjectivity
Marxism and Materiality/Haptic Consumption, Production, Reproduction and Labor
Haptic Temporalities, Duration, Endurance, Exhaustion
Article submissions should be 6-8,000 words in length and adhere to the current Chicago Manual of Style (CMS), author-date format. Performative texts should be 2-3,000 words and in any style the author chooses (same CMS style as above if using citations). Photo essays are welcome. Questions and abstracts for review are welcome before the final deadline.

Complete essays and texts for consideration must be submitted by 11:59 PM EST, December 1, 2013.

Please send all work to the editor via email (MSWord attachment): hapticissue@gmail.com.

Further submission guidelines may be found below. Women and Performance is a peer reviewed journal published by Routledge, Taylor & Francis.

cfp categories: 
african-american
american
classical_studies
cultural_studies_and_historical_approaches
ecocriticism_and_environmental_studies
eighteenth_century
ethnicity_and_national_identity
film_and_television
gender_studies_and_sexuality
general_announcements
graduate_conferences
humanities_computing_and_the_internet
interdisciplinary
journals_and_collections_of_essays
modernist studies
poetry
popular_culture
postcolonial
religion
rhetoric_and_composition
romantic
science_and_culture
theatre
theory
travel_writing
twentieth_century_and_beyond
victorian