From I, Claudius, to Private Eyes: the Ancient World and Popular Fiction. 16-18th June 2014

full name / name of organization: 
Bar-Ilan University, Israel
contact email: 
lisa.maurice@biu.ac.il

From I, Claudius, to Private Eyes: the Ancient World and Popular Fiction.
16-18th June 2014

Bar-Ilan University, Israel

Keynote speakers:
Professor Edith Hall, Kings’ College, London
Dr. Nick Lowe, RHUL
Authors confirmed as participating:

Steven Saylor (Gordianus the Finder series)
Caroline Lawrence (the Roman Mysteries series)

Over the last few years work, has begun on the subject of classics and children's fiction, with conferences being held in Lampeter (Hodkinson and Lovatt, 2009) and Warsaw (2012), and three publications presently forthcoming on this subject. Yet there has been surprisingly little sustained consideration of adult fiction and the ancient world, or indeed of children's literature within the wider context of popular fiction, despite the fact that this is a vast and rich field. The forthcoming conference, therefore, by way of setting about rectifying this situation, will be the first serious consideration of the full range of receptions of classics in popular fiction. It will bring together scholars from a range of disciplines (classics, English and other modern languages, comparative literature etc.) with popular modern authors, in order to acquire a range of perspectives on the subject.

Abstracts (up to 300 words) are invited for papers (20 minutes in length) on any aspect of the reception of the ancient world in popular fiction. Papers may focus on broader issues and overviews of the subject in general or more specific reading and interpretations of individual texts or collections.

Possibilities of subjects include, but are not limited to the following questions and issues:

What role does popular fiction play in contributing to general impressions of the ancient world? What (other) roles should it play?
What makes ancient Greece and Rome attractive as a setting for popular fiction? What are the difficulties inherent in utilising the ancient world?
What differences are there between Greece and Rome in popular fiction?
What role do ancient Greece and Rome play in popular fiction in different societies and countries in the modern world?
Changing trends in historical fiction concerning the ancient world.
The overlap between historical fiction set in the classical world and other genres: detective novels, mystery novels, romance etc.
Classical mythology and popular fiction.
How does popular fiction interact with other media (film, television, computer games, the internet etc.)?
How does juvenile fiction about the ancient world differ from, or overlap with, adult fiction in the same field?

Please send abstracts to lisa.maurice@biu.ac.il, citing full name and title, institution, provisional title of the paper, by 31st December 2013.

cfp categories: 
childrens_literature
classical_studies
general_announcements
humanities_computing_and_the_internet
interdisciplinary
international_conferences
poetry
popular_culture
postcolonial
romantic
twentieth_century_and_beyond
victorian