Call for papers for special issue of CR on (Stand-up) Comedy and Theory, due May 1, 2014

full name / name of organization: 
CR: The New Centennial Review
contact email: 
scshershow@ucdavis.edu

Essays are invited for a special issue of CR: The New Centennial Review, that consider the relation of comedy and theory, especially in relation to the contemporary phenomenon of stand-up comedy.

Is it possible to theorize humor and comedy in a new way? Or, to put the question differently, is our moment marked by a certain unmistakable conjuncture of theory and comedy? On the one hand, a number of notable texts have appeared in recent decades that theorize humor and comedy from radically different places on the philosophic spectrum (for example, books by Simon Critchley, Graham Harman, Alenka Zupančič and others). A certain Nietzchean “laughter,” inflected in particular by the readings of Bataille and Derrida, remains among the central themes of the thought known as deconstruction. On the other hand, in the same years a so-called “stand-up” comedy has emerged as a major form of contemporary cultural expression across the globe: one that unfolds not just in traditional live performances and recordings, but also in podcasts, websites, Twitter feeds, and a myriad other digital forms. Performances and recordings by stand-up comedians (a phrase the Oxford English Dictionary records for the first time as recently as 1962) are now reviewed as an independent category in the New York Times, the paper of record. It has also been widely observed (and deplored), that the line ¬between political comedy and politics itself is becoming blurred, and once again on a global basis — as one might suggest with reference not only to obvious American examples like The Daily Show but also to figures such as Abdi Marshale, the Somali stand-up comedian assassinated in August 2012. How and why has laughter seemingly become one of the fundamental modes of cultural expression of our times: at once a subject of intense renewed theoretical speculation and a cultural (or even quasi-political) force across the globe?

Abstracts by May 1, 2014, for a special issue to be published in 2016

cfp categories: 
american
journals_and_collections_of_essays
popular_culture
theatre
theory