Art and Ephemerality, 26–27 June 2014, Bristol
The Association of Art Historians (AAH) and the University of Bristol invite proposals for papers for the 2014 annual AAH Student Summer Symposium
Art and Ephemerality
University of Bristol, 26–27 June 2014
Deadline for submissions: 1 April 2014
Artworks and objects that are not intended to last or only remain briefly in existence invariably accentuate the passage of time. In collaboration with the University of Bristol, this year's AAH Student Summer Symposium will explore the implications of ephemerality for art and its histories through a wide range of historical and critical perspectives.
How do ephemeral practices—from medieval and early modern rituals to contemporary site-specific and performance-based events—intersect with the history of art and exhibitions? How should art history negotiate methodologies and strategies of documentation and preservation, when the delicate nature of materials sometimes results in the transformation, deterioration, or even disappearance of the work? When objects are irretrievably lost, is it possible to access them through documents that attempt to instigate a sense of permanence that was denied at the time? And how have museums and other exhibition spaces attempted to collect, display and preserve ephemeral objects? In the wake of recent technological developments, how do the dialectics of permanence and impermanence related to momentary flickers of celluloid or transitory pixels on a screen differ from those of bygone times? How do (media) technologies invoke notions of ephemerality and contemporaneity across different historical times?
We welcome contributions from all periods and contexts that engage with the relation between art and ephemerality within aesthetic, cultural, social, and material frameworks. Topics may include, but are not limited to:
• Histories of and critical perspectives on ephemeral artworks and artefacts
• Ephemeral architectures: monuments, festivals, world fairs, expos and biennales
• Issues of documentation and conservation pertaining to ephemeral art
• Methodologies of studying ephemeral objects
• Relations between permanence and temporality in collections and exhibitions
• Ephemeral practices and their commodity status
• The afterlife of the artefact: recycling, transforming, rebuilding
• Prof. Simon Shaw-Miller, History of Art Department, University of Bristol
• Prof. Paul Binski, History of Art Department, University of Cambridge; more to be confirmed.
Abstracts of no more than 250 words for 20-minute papers plus a 100-word biography should be submitted as a single Word document to Anna Bonewitz, Tilo Reifenstein, Ruth Walker and Sophia Zhou at email@example.com by 1 April 2014. The symposium is open to all, however speakers are required to be AAH members.