Call for papers Gender in series : cinema, television and the media
Call for papers
Gender in series: cinema, television and the media
Call for papers
Authors can submit anytime they want:
- A proposal for a special issue that would include a call for papers, a list of potential contributors and a presentation of the stakes and perspectives.
- A book review (research monograph or edited volume).
- An article dealing with cultural, intercultural or interdisciplinary approaches of cinema, television and media in the fields of art, humanities and cultural studies.
Every article, in English or French, will be peer-reviewed anonymously. We may ask the authors to amend, rewrite or correct their papers.
If you provide visuals, they must be copyright-free.
Articles should range approximately between 25.000 and 45.000 characters, including references and bibliography. Book reviews should range approximately between 6.000 and 10.000 characters.
Presentation of the Journal
Gender in series: cinema, television and the media is an online Scientific Journal based on both an international scientific committee and a double-blind peer review policy. It is sustained by the French Maison des Sciences de l'Homme d'Aquitaine and it focuses on gender in media cultures. Gender Studies were born in the UK in the 1950s and 1960s. They developed extensively in the USA and the English-speaking world. They contributed to the renewal of approaches and corpuses. The Journal Gender in series: cinema, television and the media can be considered as a pioneer in the French context as it articulates Gender and Media Studies. The Journal's goals can be encapsulated into two key points. First, it contributes to the late appropriation by the French Media and Film Studies' fields of theories and methods. Secondly, the increasing importance of the media in social life, as a specific resource for the making of identities and gender relationships, entails us to analyze collectively the power relationships, social structures and norms at work in media cultures.
Issues are released on a semi-annual basis. They provide articles to a large academic public (students, teachers and researchers), hence facilitating the spreading and teaching of these approaches in the French-speaking world.
To find out more : http://genreenseries.weebly.com/
Honorary Patron: Geneviève Sellier
Ien Ang, Director of the Institute for Culture and Society, University of Western Sydney, Australia
Marie-Joseph Bertini, Professor of Media Studies, LIRCES, Université de Nice Sophia-Antipolis
Pierre Beylot, Professor of Film and Media Studies, MICA, Université Bordeaux Montaigne
Noël Burch, Professor Emeritus of Film Studies, Université de Lille 3
Sabine Chalvon-Demersay, Sociologist, Research Director EHESS-CNRS, CEMS
Marlène Coulomb-Gully, Professor of Media Studies, LERASS, Université Toulouse-Mirail
Béatrice Damian-Gaillard, Associate Professor in Media Studies, CRAPE, Université de Rennes 1
Teresa De Lauretis, Distinguished Professor Emerita, University of California, Santa Cruz
Jean-Pierre Esquenazi, Professor of Media Studies, ERSICOM, Université Lyon 3
Laurent Jullier, Professor of Film Studies, IRCAV/IECA, Université de Lorraine
Ann Kaplan, Distinguished Professor of English and Cultural Analysis and Theory at Stony Brook University, New York
Éric Macé, Professor of Sociology, Centre Émile Durkheim, Université de Bordeaux
Éric Maigret, Professor of Sociology, CIM, Université Paris 3
Cécile Méadel, Professor of Sociology, CSI, École des Mines - Paris Tech
Tania Modleski, Professor of English, University of Southern California
Raphaëlle Moine, Professor of Film Studies, IRCAV, Université Paris 3
Laura Mulvey, Professor of Film and Media Studies, Birkbeck College, University of London
Dominique Pasquier, Sociologist, Research Director EHESS-CNRS, CEMS
Geoffroy Patriarche, Associate Professor at Saint-Louis University, Brussels
Hilary Radner, Professor Department of History and Art History, University of Otago
Geneviève Sellier, Professor of Film and Media Studies, MICA, Université Bordeaux Montaigne
Sarah Sepulchre, Associate Professor in Media Studies, SSH/ILC, Université Catholique de Louvain
Edward Turk, Professor Emeritus of French and Film Studies, MIT
Ginette Vincendeau, Professor of Film Studies, King's College, University of London