CFP: Music, Sound, and the Moving Image (8/1/06; journal issue)

full name / name of organization: 
Music, Sound, and the Moving Image
contact email: 
journal@liv.ac.uk

* * *
  CALL FOR ARTICLES

*Music, Sound, and the Moving Image* will be the first international
scholarly journal devoted to the study of the interaction between music and
sound with the entirety of moving image media =96 film, television, music
video, advertising, computer games, mixed-media installation, digital art,
live cinema, et alia. To be published by Liverpool University Press and
co-edited by Anahid Kassabian (Liverpool University) and Ian Gardiner
(Goldsmiths College), the journal will be truly interdisciplinary, inviting
contributions across a range of critical methodologies, to include
musicology and music analysis, film studies, popular music studies, cultura=
l
theory, aesthetics, semiotics, sociology, marketing, sound studies, and
music psychology. It is hoped that the journal also will provide an
important focus for the similarly diverse and expanding community of media
music scholars.

The journal will be published twice a year, beginning January 2007, and its
first issues will be open, embracing this diversity of topics and
approaches. As it progresses it is intended that themed issues, under a
guest editor, will alternate with open issues, perhaps encouraging writers
to explore areas under-represented in current literature. The editors
welcome contributions offering the broadest interpretation of the journal's
title, not only seeking to build upon the existing scholarship on film musi=
c
and film sound, but also to challenge its theoretical assumptions, and to
extend its boundaries to include the full variety of moving image media and
traditions.

We would particularly welcome articles in these areas:

=B7 Music in Television

=B7 Computer Games

=B7 Bollywood and other Asian Cinemas

=B7 Cross-cultural perspectives

=B7 Modern Accompaniments to Silent Film

=B7 Live VJ-ing and Re-soundtracking

=B7 Genre and the Industry

=B7 Dubbing and sound mix strategies

=B7 The Film Musical

=B7 Gender and Performativity

=B7 Music and Sound in Early Sound Film

=B7 Music / Sound Strategies in Avant-Garde Cinema

=B7 Orchestration / the Role of the Orchestrator

=B7 Synaesthesia / Visual Music

=B7 Music, Sound, and Subjectivity

=B7 Library / Stock Music

=B7 Soundtrack Fan Cultures

=B7 Music and Advertising

*Submissions* for the inaugural issue should be e-mailed, by *1 August 2006=
*,
as Microsoft Word documents to:
*journal_at_liv.ac.uk*

Enquiries or requests for style guidelines should also be directed to this
address.

--Music, Sound, and the Moving ImageLiverpool University PressProf. Anahid Kassabian, Ian Gardiner (editors)Markus Wyrwich (editorial assistant)School of MusicUniversity of Liverpool80 Bedford Street SouthLiverpool L69 7WW+44 0151 794 3098+44 0151 794 3141 (fax) ========================================================== From the Literary Calls for Papers Mailing List CFP_at_english.upenn.edu Full Information at http://cfp.english.upenn.edu or write Jennifer Higginbotham: higginbj_at_english.upenn.edu ==========================================================Received on Mon May 08 2006 - 08:42:39 EDT

cfp categories: 
film_and_television