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Indigenous Shakespeare

updated: 
Monday, October 22, 2018 - 12:15pm
Native American and Indigenous Studies Association Conference
deadline for submissions: 
Saturday, October 27, 2018

Seeking papers or presentations of scholarly argument and projects/teaching strategies that bring Shakespeare into an Indigenous context or an Indigenous context to the study of Shakespeare.  Panel will be proposed for the 2019 Native American and Indigenous Studies Association (NAISA) conference, to be held in Hamilton, New Zealand at the University of Waikato campus, 26-29 June 2019.

Please send 250 word abstract of 15-20 minute presentation, including argument or context, any specific Shakespeare plays or texts included in your work, and a one-page abbreviated c.v. that focuses on relevant qualifications as well as academic position (or equivalent), current institution, and degrees and/or other relevant information.

 

Cultures of Toxicity

updated: 
Monday, October 22, 2018 - 3:33pm
University of Warwick
deadline for submissions: 
Sunday, March 31, 2019

Cultures of Toxicity

  

Digital and Archival Approaches to Theater History

updated: 
Monday, October 22, 2018 - 3:31pm
Laura Aydelotte, University of Pennsylvania
deadline for submissions: 
Friday, December 7, 2018

The University of Pennsylvania’s Kislak Center for Special Collections, Rare Books and Manuscripts is calling for papers for the conference on Digital and Archival Approaches to Theater History.  The conference will take place in honor of the first year of the NEH funded Philadelphia Playbills Project on January 17-18, 2019.

Caryl Churchill: Top Girls and more

updated: 
Monday, October 22, 2018 - 3:29pm
Comparative Drama Conference
deadline for submissions: 
Saturday, November 3, 2018

 

The Comparative Drama Conference will be attending Mad Cow Theatre's production of Caryl Churchill's Top Girls on Thursday night (April 4th).  In honor of that event, the Board announces a call for papers that discuss Top Girls or any other Churchill play, so that our conversation about Churchill continues onwards from the performance itself.

A Political Hwang: David Henry Hwang Society Call for Papers

updated: 
Monday, October 22, 2018 - 3:29pm
Comparative Drama Conference
deadline for submissions: 
Saturday, November 3, 2018

 

David Henry Hwang's latest work, Soft Power, which is, as he describes it, a play with a musical, had its world premiere in Los Angeles in May of this year.  Undoubtedly, Soft Power, which tells of a love story between a Chinese movie producer and Hillary Clinton, is Hwang's most overt piece of political theatre, written in response to the election of Donald Trump to President.  The David Henry Hwang Society invites asbtract proposals that examine Hwang and his plays in relation to his and their engagement with politics.  In other words, just how political is Hwang as a playwright?

In addition, the David Henry Hwang society invites any proposals that cover Hwang and his works in general.

CFP--Essays for book on Edward Albee and influence

updated: 
Monday, October 15, 2018 - 11:52am
New Perspectives in Edward Albee Studies (Brill)
deadline for submissions: 
Thursday, January 10, 2019

We invite proposals for essays to be published in EDWARD ALBEE: INFLUENCE, which will be Volume 4 of NEW PERSPECTIVES IN EDWARD ALBEE STUDIES, to be published by Brill. Essays can focus on theatrical, literary or cultural influences on Albee's work OR on Albee's influence on other writers, directors or genres.     In particular, we are interested in essays on any or all of the following topics:     Playwrights who influenced Albee's work and theatrical styles which influenced his work.     Albee and American history/culture. Eg.

Shakespearean Translations – Translating Shakespeare

updated: 
Thursday, October 11, 2018 - 9:18am
Shakespeare Seminar 2019
deadline for submissions: 
Friday, November 30, 2018

It is a critical commonplace that Shakespeare in many ways relied on and produced various forms of translations – translations of foreign words, translations of literary texts, translations from one medium into another, to name but a few. Over time, Shakespeare’s works themselves have become some of the most widely translated texts in world literature. As of today, his works have been translated into more than 100 languages. Moreover, his plays and poems have travelled across time and space, and they have been re-translated time and again in order to adapt them for contemporary audiences. More often than not, such translations also raise questions about the original works and their socio-cultural as well as literary contexts.

Moves Towards Modernism: The British Theatre Before WWI

updated: 
Wednesday, October 10, 2018 - 4:10pm
Comparative Drama Conference
deadline for submissions: 
Wednesday, October 31, 2018

This is a CFP for a panel proposal "Moves Towards Modernism: The British Theatre Before WWI," which will hopefully take place at the 2019 Comparative Drama Conference in Orlando, Florida from April 4-6, 2019. See the Comparative Drama Conference website for more information on the conference and keynote, Branden Jacobs-Jenkins. 

FOOT 2019: Equity & Diversity in Performance (Feb. 15-17, 2019)

updated: 
Wednesday, October 10, 2018 - 4:40pm
Centre for Drama, Theatre & Performance (University of Toronto)
deadline for submissions: 
Saturday, October 20, 2018

FOOT 2019: Equity & Diversity in Performance

CALL FOR PROPOSALS

Proposals Due: Saturday, October 13th, 2018

DEADLINE EXTENDED: SATURDAY, OCTOBER 20, 2019

 

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