CALL FOR PAPERS
Humanities special issue: "Medical Narratives of Ill Health"
twentieth century and beyond
CALL FOR PAPERS
Call for Papers
Playing the Field II: Video Games, American Studies, and Space
May 15-18, 2019, Kulturwissenschaftliches Institut Essen (KWI) and University of Duisburg-Essen
50th NeMLA Convention, March 21-24, 2019
The Shadow Lines (1988) is Amitav Ghosh’s acclaimed masterpiece. The novel won the Sahitya Akademi award, India’s most prestigious annual literary prize, as well as the Ananda Puraskar in 1990. The novel has gained enormous resonance in postcolonial studies as it touches upon some of the major issues in the fields of colonial history, national identities, memory,time and space, hybridity, transnationalism and borders. It has been seminal in the definition and discussion of a postcolonial cartography.
Organizers: Sara Ceroni (University of Massachusetts Amherst) and Luke Mueller (Bentley University)
Open discussion of how women are portrayed in film should examine how those portrayals evolve over time to reflect changing cultural values. Women have fulfilled roles that exhibit their historically subservient or sexualized positions in society, among others. Over the decades the gender identity of women has fluctuated to include powerful women, emotionally strong women, lesbian women, and even neurologically atypical women. These identities reflect the expanding possibilities that society recognizes as more likely and more mainstream.
Annual deadline: October 1
Interactions (ISSN 1300-574-X) is an international journal in print format featuring essays on British and American Language, Literature, Culture and Translation Studies published annually by Ege University Depts. of British and American Studies (Izmir/Turkey).
It is blind refereed by international scholars and indexed in MLA International Bibliography, Gale Cengage Learning and EBSCO, subscribed by the British Library and the Harvard University Library.
Articles (4000-8000 words) and reviews (1000-2000 words) should follow MLA parenthetical citation format.
Please send submissions as word file attachments to the editor:
Since Fight Club earned Chuck Palahniuk notoriety, critical praise and derision and a committed cult following on the heels of the 1996 novel publication and 1999's David Fincher film adaptation starring Brad Pitt, Edward Norton, Helena Bonham-Carter and Jared Leto, the author and his work have struggled to find critical legitimacy. His reputation, especially at public readings, has been built upon accentuating all the ways grotesque horror can become comically absurd.
Carlos Reygadas is a twenty-first century Mexican auteur of international acclaim. His opera prima, Japón (2002), was awarded the Caméra d’Or Special Mention at Cannes. After his second and third features were nominated for the Palme d’Or, his latest feature, Post Tenebras Lux (2012), again nominated for the Palme d’Or, won the award for best director. Reygadas’s poetic and experimental use of images, along with his subversive approach to traditional cinematic representations of Mexican life, has opened up an array of possibilities of interpretation for audiences and critics alike.
Flannery O’Connor Society Call for Papers:
2019 Louisville Conference
The Flannery O’Connor Society seeks proposals for a pre-organized panel at the 2019 Louisville Conference on Literature and Culture after 1900, taking place February 21st-23rd, 2019, in Louisville, Kentucky.
The panel is open-topic, but the following areas are of special interest:
• O’Connor’s influence by and/or on other authors
• O’Connor and popular culture
-O'Connor's treatment of racism, particularly in light of Toni Morrison's recent reading of O'Connor in THE ORIGIN OF OTHERS.
• The treatment of gender in O’Connor’s fiction
-O'Connor and Public Humanities