SAMLA - DEADLINE EXTENDED 

(Previously Jacksonville FL, now Digital - November 13-15, 2020)

Article proposals are sought for a special issue of a journal on Chaucerian resonances in early modern drama. At present, confirmed contributions for this issue focus primarily on Chaucerian resonances in Shakespeare’s works. We are potentially interested in further contributions focusing on Shakespeare's Chauceriana but would be especially interested to receive proposals relating to Chaucerian resonances beyond Shakespeare’s dramatic canon.

A Session at the Renaissance Society of America's Annual Meeting, Dublin, Ireland, 7-10 April 2021

This session aims to foster conversation about the relationship between Continental law (civil, canon, or Roman) and early modern visual culture. Chaired by Dr. Valérie Hayaert, it specifically probes how images of justice were adapted to conform to local custom in order to retain their effectiveness. However, any topic that addresses early modern European law and visual culture (including but not limited to painting, sculpture, book illustration, and public murals) is welcome and will be considered for inclusion on the panel.

Please send the following to Hayley Cotter (hcotter@umass.edu) by 15 July 2020:

Sport and the Power to Inspire Change: A Global Virtual Symposium

with Danny Crates, Phil Davies, Derek Peaple and Karl Spracklen

Tuesday 21st July 2020 - Wednesday 22nd July 2020

‘Sport’, as Mandela famously observed, ‘has the power to change the world. It has the power to inspire. It has the power to unite people in a way that little else does. Sport can create hope where once there was only despair. It is more powerful than government in breaking down racial barriers.’

Graduate students know they will have, at minimum, a chairperson for their dissertation, but the extent to which that relationship is cultivated as a mentorship, or the availability of other formal and informal mentorships, if often unknown or at best variable. Even within formal, department-directed mentorships, “[w]hile mentorship relationships can be generative and supportive of excellence, they often reflect the hierarchical boundaries of a traditional academic culture” (Dorland et al).

CALL FOR PAPERS

Resisting James Bond:

Power, Privilege, and Social (In)Justice in the Daniel Craig Era

Edited by Lisa Funnell and Christoph Lindner

NeMLA 2021: Philadelphia, PA. March 11-14, 2021

This heuristic panel seeks to examine the lived reality and creative representation of the political and ecological crisis in Kashmir. Spotlighting the voices of Kashmiri writers will continue the long and delicate process of shedding light on the current human rights crisis happening in Kashmir, as well as its global significance. This panel, therefore, solicits academic research that brings the persecuted voices of Kashmiri writers out of isolation (respecting anonymity on an individual basis) and into humanist discussions. The purpose of this panel involves both understanding the description of the Kashmiri lived reality, as well as providing space for hearing the specific tenants of their calls for change.

We are accepting submissions for academic research on anything "German" - be it a cultural issue, a literary analysis, or linguistic research on how to learn German, and more. We are an interdisciplinary journal and are looking to combine various topics in our publications. We publish in English and German and are looking for a word count of no more than 10.000 words. Submit your paper here https://dc.cod.edu/gj/, or click https://dc.cod.edu/gj/ for more information.

This panel explores forms of dissent adopted by twentieth-century transatlantic avant-gardes as a means of challenging traditional genres and social codes. Since the inception of European experimentalism during the first decades of the twentieth century, a series of art movements engaged in radical production that questioned the established state of affairs. From the Cubist adoption of multiple viewpoints, through the Futurist celebration of technology and speed, the Expressionist distortion of form, to the Dadaist sense of provocation and the irrational juxtaposition of images in Surrealism, avant-garde art and literature has set precedents on an international level of exchanges.

I will be chairing a panel on Disability Representation in Contemporary Media at the Northeast Modern Language Association (NeMLA) Convention in Philadelphia from March 11-14. I am currently accepting paper submissions.

Call for Papers, Panels, and PresentationsPage 23 Virtual LitConOctober 15-17 2020

500-word abstracts for papers, panels, creative presentations, roundtables, or any other appropriate event expanding and/or expounding on comics and pop culture are being accepted for an online scholarly conference.

Since its inception nine years ago, Denver Pop Culture Con’s Page 23 LitCon features presenters from numerous areas of focus, including comics and graphic novels, gaming, television, film, anime, wrestling, toy studies, and so much more. We love giving a platform to people who live in any pop culture realm (or at the intersections of multiple!).  

Teaching American Literature: A Journal of Theory and Practice, is currently accepting submissions for our Fall 2020 issue: Teaching Horror and the Weird in the American Literature Classroom, to be guest edited by Chris Brawley, author of Nature and the Numinous in Mythopoeic Fantasy Literature.

Submit articles to Patricia.Bostian@cpcc.edu.

Abstract This panel will seek to explore the changing relationship between scientific paradigms and society’s self-understanding as it is manifest in the novel form. If the novel itself has functioned as a record of the social imagination—a narrative ideologeme as Jameson describes it – this social imagination often borrowed its models from contemporary natural philosophy and later the social sciences. We see examples of this in Balzac’s use of taxonomical zoology, Sterne’s use of Cartesian “animal spirits,” or Joyce’s phylogenetic process in “Oxen of the Sun.” Some of the questions this panel will ask include: how do naturalistic sociological models help to mediate political and aesthetic theories? How do these models affect stylistic developments?