This focus issue seeks papers offering critical and creative insights into representations of dead women, the dead female body and gendered death. The mounting demand for death-centric shows, films, music videos, and texts has made it obvious that death sells. However, as bell hooks argues, typically ‘the death that captures the public imagination . . . is passionate, sexualised, glamorised and violent’. (2021 [1994]) More often than not, it is the death of a woman.

Please plan to join us for the 2023 conference of the College English Association, March 30 - April 1, at the Sheraton Gunter Hotel in beautiful San Antonio, Texas (see link to CFP below).

We are excited to announce that two of San Antonio's own will be keynote speakers for the event: San Antonio's Poet Laureate, Andrea "Vocab" Sanderson, and San Antonio College's Juanita Lawhn.

International Journal of Body, Nature, and Culture

eISSN: 2950-9831

DOI: https://doi.org/10.23124

Dear all,

Authentic, scholarly, and unpublished chapters are invited from academician for publication in a book on New Literatures In English. The book will be published with an ISBN. Authors are requested to strictly follow the submission guidelines. Contributors can submit in the areas of drama, prose, poetry, fictional and non-fictional work of art broadly based on the works and writers from Children’s Literature.

We would charge no publication fee. The soft copy of the printed book shall be sent to the contributors after publication. They can buy the book from the publisher at discounted price if they want in hard copy.

The objective of this round-table session is to explore, examine, and discuss, in a variety of manners, particular literary protagonists and antagonists in world literary cultures. What seems to be their intrigue? What empowers them, or, perhaps, who do they empower? Consideration of and elaboration on points of view, themes, idiosyncrasies, heroisms, actions, styles, diction, and purpose(s) will be important to ascertain and reveal in a deliberate, inspirational, thought-provoking, as well as insightful dialogue with, hopefully, a sharing of esoteric discoveries. Contemplate how and in what ways certain protagonists and antagonists across world literatures continue to have tremendous value or a long-lasting effect in their specific roles.

February 22-25, 2023

Albuquerque, NM

The Area Chair of the Cormac McCarthy Area of the SWPACA conference is seeking paper proposals on any aspect of the work of Cormac McCarthy, including novels, plays, and television and film scripts and adaptations.  We invite presentations about all facets of McCarthy’s work in forms ranging from critical essays to analyses employing recognized research methodologies. The chair also welcomes pre-formed panels, but will need submissions to be uploaded individually as required by the SWPACA. Paper presentations should be 15 minutes and should present an arguable thesis or develop a compelling question.

Topics of interest include, but are not limited to:

From ancient Greek τραύμα (meaning “wound, damage”), the term trauma refers to a physical or psychological injury provoked by a violent event, and the very event causing this great distress. Traumatic events abound in early modern France, whether be caused by natural catastrophes (floods, storms, fires, harsh winter, plagues) or by human activity (warfare, sexual violence, religious persecution).

Print: Theories, Histories, and Futures

Comparative Literature Conference

February 23-25, 2023

University of South Carolina (Columbia)

The twenty-first century is lauded for the strides in progress that have encouraged the rights of individuals to flourish and succeed regardless of gender, creed, or race. Yet issues of disparity still abound relating to gender constructions and sexual orientations especially against the backdrop of ecological crisis that are plaguing the world. The myriad of challenges which include issues of gender representation, sexual orientation, climate and/or environmental challenges, and cultural difference have become topical within scholarly circles.

The Pennsylvania Literary Journal is seeking scholarly essays in all literary genres, periods, and types. PLJ is a generalist journal that welcomes all types of scholarly discussion. In other words, essays can be on 18th century British literature, or on 20th century Spanish literature. Essays can also explore professional topics in academia (such as conferences, job applications, teaching methodology or gender bias), or explore topics regarding archival research or hypertext accessibility. Essays of almost any size are welcome from 500-word reviews, to short 2,000-word commentary essays, to long critical essays up to around 16,000 words.

Aside from the transatlantic slave trade, the second darkest period of the history of Blacks and the black continent is the colonial period. Colonialism is the territorial domination and subjugation of a people by another group of people which encompasses political and economic exploitation. Among the factors that led to the imperial and colonial event in Africa was the industrial revolution with the need for a labor force, an expansion, new markets as well as the concept of white supremacy over other races. The colonial period has had profound effects on the African continent in all ramifications of human endeavor. The transatlantic slave trade as well as colonialism have brought Blacks in contact with Germany.

The panel, “The Intertext in Literature and Film”, aims at gathering papers that discuss the plurality of texts in literary genres and the film genre. Intertextuality is conceived of, in this discussion, from Kristeva’s coinage of the term. In her Semeiotike: Recherches pour une sémanalyse (1969), Kristeva develops the term after Bakhtin’s concept of dialogism in the novel. Kristeva’s seminal work on “intertexuality” may entail it as a concept that accentuates the intertwining feature of narratives. Added to that, the Bakhtinian concept is also paramount to the approach of this subject matter as his theory of the novel is intrinsic in fiction especially within “the multiple voicings of a text” (A Poetics of Postmodernism 126).

Modern Canadian poets and authors of fiction have incorporated aspects of First Nation cultures and characters in a range of works. In some cases portraits of First Nation individuals and communities are central to these literary works while in others they are less prominent. What are the similarities and differences between the depictions of First Nation peoples? Are the literary treatments of them reliable? What may we learn about Canadian historical and political realities in Canada, as well as gender roles, from these portrayals? Please submit 200-word abstracts through your new or previous user account by going to https://www.buffalo.edu/nemla.html and following the links.

Call for Papers

Literature-General

Southwest Popular / American Culture Association (SWPACA)

44th Annual Conference, February 22-25, 2023

Marriott Albuquerque

Albuquerque, New Mexico

http://www.southwestpca.org

Submissions open on August 15, 2022

Proposal submission deadline: October 31, 2022