Annual Congress of the French Shakespeare Society

“Shakespeare in focus: the art of small things”

March 14-16 2024

Fondation Deutsch de la Meurthe, Cité Internationale, Paris 14e

In the academic world, there is a constant exploration of new forms, genres, philosophies, and directions—reworking established concepts and creating new ones. While storytelling initially existed in verbal speech and gestures, modern mediums such as novels, comics, films, and video games have expanded the narrative landscape. Focusing on novelistic fiction, this panel explores their evolution, and more particularly, the proliferation of genres within them.

While traditional novels consist of a single story, short story collections, and anthologies diverge from this format, offering a unifying theme and a unique, flexible format that allows ideas and themes to be conveyed from different angles without the need for a cohesive plot.

“Rather than…‘What is the attitude of a work to the relations of production of its time?’ I would like to ask, ‘What is its position in them?’” Ninety years on, Walter Benjamin's question in “The Author as Producer” (1934) still poses a central challenge for literary studies. For Benjamin, the key idea for locating this structural “function [of] the work” is “literary technique,” a “concept…[by] which the unfruitful antithesis of form and content can be surpassed.”

We invite paper proposals on the connection(s) between any text’s “technique” and its position within its historical relations of production—of various forms of surplus, of literature, and/or of social difference. Motivating questions might include:

This panel aims to explore the latest developments in horror film and/or horror film culture in the new millennium, ranging from emerging new themes to new auteurs to new modes of filmmaking and film production. Comparative studies among American, European, and/or non-Western cinema are encouraged.

https://www.cfplist.com/nemla/Home/S/20373

 SUMMER SYMPOSIUM 2023

Queer Nineteen is a free, online resource dedicated to sharing queer stories from the Long Nineteenth Century (1789-1914). Join us for our debut #Queer19 Summer Symposium on 15th August 2023, 09:30 - 16:30 (BST) where we're opening the virtual doors to anybody with a Queer19 story to tell. This free, online, one-day event is aimed at postgraduate and early career
researchers working on any aspect of long nineteenth-century queerness.

​

Poetry and anthropology, poets, anthropoets and anthropologists: crossing, borrowing, influencing, returning home in the Americas and the Pacific Rim (1960s-)

Médiathèque du patrimoine et de la photographie (Charenton-le-Pont, France)

| September 18-19, 2023

Organizers : Peggy Pacini, Gérald Peloux, Anne-Marie Petitjean (CY Cergy Paris Université, UMR Héritages)

Consider submitting an abstract to the permanent Italian Cinema session for PAMLA 2023.  Please upload your file (300 words max) directly to the Session CFP linked below. 

CFP Deadline: June 30th, 2023

Session CFP: https://pamla.ballastacademic.com/Home/S/18828

Decision Date: July 2023

Conference Dates: Oct. 26-29, 2023

Location: The Hilton Portland Downtown Hotel

This panel invites papers focusing on various aspects of Italian film history and contemporary film culture. 

“There’s something uniquely exhilarating about puzzling together the truth at the hands of an unreliable narrator,” Maria Semple.

Convenors: Dr. Kalindi Sharma, Assistant Professor, IHBAS

Email: kalindi1sharma@gmail.com; kalindi.ihbas@delhi.gov.in

Co- Convenor: Dr. Urfat Anjem Mir, School of Liberal Studies, Dr B R Ambedkar University Delhi, India

Email: urfat@aud.ac.in

This session emerges from an attunement to the excess of grief and trauma that have recently marked being and belonging for so many of us. In doing so, it aims to hold room for where grief and trauma meet literature and creative writing, asking first: what literature can we engage and look to for support on writing through grief and trauma, both our own and that of others we have come to know intimately? Other key questions that the session seeks to explore include, but are not limited to: How do we straddle writing about the “damage” of the everyday while also writing about what Toni Morrison calls awe and reverence?

This panel invites papers that explore the various engagements with surplus—specifically as in excess, excessive, leftover, or unwanted—in the novels of Tiphanie Yanique. This exploration may take a variety of forms, spanning from the emotional to the spatial and intergenerational. For instance, such an analysis might examine excessive or unwanted emotions, such as love, desire, anger, in Monster in the Middle (2021) and what one couple inherits from their ancestors.

Date: 27th April 2024

Location: University of Warwick (in-person)

Keynote speaker: Professor Janet Carsten (University of Edinburgh)

Submission deadline: 30th November 2023

Screen Bodies invites submissions to be considered for a forthcoming issue. We welcome work that focuses on matters of embodiment in media arts from any of the approaches described below. Areas of focus include but are not limited to: cinema, media arts, photography, gaming, internet culture, artifical intelligence, virtual reality, augmented reality, performance art, trans studies, queer theory, feminist theory, curatorial studies, new materialism, science and technology studies, philosophy of technology, cyborg studies, robotics, SciArt, and digital humanities. 

7th November 2023

“nothing in life now ever seems to end. Chemists tell you matter is never completely destroyed, and mathematicians tell you that if you halve each pace in crossing a room, you will never reach the opposite wall, so what an optimist I would be if I thought that this story ended here.”

– Graham Greene, The End of the Affair