International Journal of Humanities, Art and Social Studies
International Journal of Humanities, Art and Social Studies [IJHASS]
http://deepublisher.com/Jnl/hass/Home.html
ISSN : 1831-622N 2974-5862 (Print)
*** April Issue***
Call for papers
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International Journal of Humanities, Art and Social Studies [IJHASS]
http://deepublisher.com/Jnl/hass/Home.html
ISSN : 1831-622N 2974-5862 (Print)
*** April Issue***
Call for papers
44th Annual West Indian Literature Conference
Freedom, Creative Spirit, & the Poetic Imagination
Where: University of Puerto Rico, Río Piedras Campus
When: October 7-11, 2026
Abstracts: Proposals are to be submitted by June 1, 2026
How can you free people? . . . When every move you make is to get them to accept conditions of unfreedom, when you use power to twist and corrupt what it is to be human, when you ask people to accept shame as triumph and indignity as progress? —Earl Lovelace, Salt (1996)
“Home-Making: Reinventing Home
in Anglophone Literatures and Cultures”
November 20-21, 2026
Venue: Sousse, Tunisia
Call for Papers
Panel proposal #6 for the ASAP 17 Conference
Madison, WI | October 15-17, 2026
How Soon is Now? Co-Constructing Hope for the Collective Present
Tentative Title- Cross Imagination and Literary Production: African Writers and Indian Characters, Indo- African Writers and African Characters
Globalectics is the interrelationship of all things, the mutual containment of the local and the global.”
— Ngũgĩ wa Thiong’o, Globalectics: Theory and the Politics of Knowing (2012)
The American Literature II: Literature after 1870 Permanent Section of the Midwest Modern Language Association (MMLA) is seeking proposals for this year’s in-person convention in Chicago, Illinois. This year’s theme for the conference is “After the Archive”; accordingly, the Permanent Section encourages presentations that focus on the notion of the archive. Some questions to be considered in context of American literature after 1870 are:
Seeking on papers about opacity in contemporary literature and art for a panel at ASAP (Association for the Study of Arts of the Present) 2026 Convention. Please send an abstract and a short bio to Sané Bhattarai (bhattsan@gvsu.edu) or Moya (Moyang) Li (moyang.li@csulb.edu) by April 24.
Session Abstract: The genre of African American poetry has a long legacy of both preserving tradition and evolving to suit current times and places. This session invites discussion of the defining features that have been maintained over time as well as patterns of bold experimentation. Rather than seeing tradition and innovation as opposing aesthetic directions, this session hopes to examine ways they have co-existed in this genre and been mutually fruitful.
29th Southern Writers/Southern Writing Graduate Student Conference
University of Mississippi
August 8th—9th, 2026
Call for Submissions
Supernatural South(s): The Monstrous, The Fantastic, The Grotesque, The Speculative and So On…
The Southern Writers/Southern Writing Conference (SW/SW) is an interdisciplinary conference, welcoming graduate students, creative writers, activists, and community members with interest in the U.S. or Global South from all departments and fields of study. The 29th meeting of SW/SW will be held at the University of Mississippi from August 8th-August 9th, 2026.
CFP: The Midwest Modern Language Association (MMLA)
2026 MMLA Convention—12-14 November 2026—Chicago, IL
Convention Dates: November 12-14, 2026
Convention Location: voco Chicago Downtown-Riverwalk (350 W. Wolf Point Plaza Building 1, Chicago, IL 60654)
2026 Convention Theme: “After the Archive.”
Convention Panel: Postcolonial and Decolonial Studies Permanent Section
Theme: After the Archive: Archival Recovery, BIPOC Pedagogical Labor, and Lived Resistance
Archives are not neutral: they tell stories about who counts, whose experiences are remembered, and whose are erased. For centuries, racial hierarchies have shaped the preservation of knowledge, leaving silences where Black, Indigenous, and other marginalized voices should be. The Antiracism Permanent Section of the MMLA invites submissions that move beyond critique, asking how we can reimagine, rebuild, and transform the archive to reflect justice, equity, and shared humanity.We are especially interested in work that explores:
Please consider submitting abstracts for a guaranteed stream of panels on Early American Environments to be held at next year’s Society of Early Americanists conference (March 18-20, 2027, Chicago; https://www.societyofearlyamericanists.org/conferences/upcoming). We are interested in scholarship that considers questions of environment and ecology in the early Americas, broadly defined to include the transatlantic, Caribbean, and Pacific worlds. How are concerns such as climate change, extractivism, and environmental justice or methodologies such as ecocriticism shaping our reading of early American texts and materials?
Conference Dates: June 1–2, 2026
Location: North Carolina A&T State University
Proposal Submission Deadline: April 23, 2026
CALL FOR ABSTRACTS
Book project: Sinners Reader: The Blues, Black Horror, and the Jim Crow South Editor, DuEwa M. Frazier (editor of Introduction to Afrofuturism: A Mixtape in Black Literature & Arts)
~Call for FULL Chapters:
Update: The manuscript is nearly finished however some planned chapters have fallen through. Replacement chapter needed in short order. Please review the details below and contact me with any questions and with your proposed chapter: maureen.fadem@gmail.com
The Routledge Companion to Toni Morrison
Editor: Maureen E. Ruprecht (Fadem), CUNY
This is a call for chapters for The Routledge Companion to Toni Morrison, a new companion volume intended for a scholarly audience, as support for newer Morrison scholars approaching their research, as well as graduate students working on Morrison.
Resources for American Literary Study (Penn State UP), a peer-reviewed journal of archival and bibliographical scholarship in American literature, invites submissions for our upcoming 2026 adn 2027 issues. Covering all periods and genres of American literature, RALS welcomes both traditional and digital approaches to archival and bibliographical analysis. We also welcome proposals for our "Prospects" series in which scholars forecast future developments (and identify scholarly gaps) in the study of major authors.
Instructions for submissions may be found @ http://www.psupress.org/Journals/jnls_rals.html.
Call for - Literary Musings Online - 2584-1459 - July 2026
Academic Journal
Research Academy
DEADLINE: April 5, 2026
Ngũgĩ wa Thiong’o stands as one of the most formidable literary and intellectual voices of the twentieth and twenty-first centuries. Novelist, playwright, theorist, memoirist, and advocate of linguistic decolonisation, Ngũgĩ’s work continues to shape debates on coloniality, nationalism, language politics, global capitalism, and epistemic justice.
Meditations on The Black Garden
Special Issue of African American Review, 2027
Guest-edited by Brandy Underwood (California State University, Northridge); Mia Alafaireet (The University of Texas at Austin); Samantha Pinto (The University of Texas at Austin)
Abstracts due to AARBlackgardensSI@gmail.com by May 1, 2026.
Call for Abstracts:
https://asap17.exordo.com/panels/79/contribute/dbf84dd0cbaee432095920794...
In her 2018 M Archive: After the End of the World, Alexis Pauline Gumbs writes: “you can have breathing and the reality of the radical black porousness of love (aka black feminist metaphysics aka us all of us, us) or you cannot. there is only both or neither. there is no either or. there is no this or that. there is only all" (7)
Afrofuturism in African Literature
Edited Volume — Call for Contributions
Concept Note
Research Scholar’s National Conference CFP – 22nd and 23rd April 2026
New Paradigms, New Epistemes: Literature and Criticality in the 21st Century
Children’s accounts of violence occupy a paradoxical space in public discourse: they are framed as both essential, unquestionable evidence, and, sometimes at the same time, as unreliable and prone to outside influence. Both framings rely on cultural constructions of the child’s “innocence.” This panel invites papers examining narratives of violence told by children, with a particular interest in experiences of institutional or state violence. How do these narratives complicate familiar tropes of children as voiceless victims in need of saving, or of certain topics as exclusively “adult” or “childish”? How do child narrators themselves exploit, resist, and play with or into these tropes?
Recent archival initiatives have made accessible significant bodies of media work by writers associated with the Black Arts Movement, including projects in film, radio, and television. These rediscoveries invite renewed attention to the movement’s engagement with broadcast and screen media and challenge the longstanding emphasis on poetry, theater, and print culture in scholarship on the period.
This is a guaranteed panel for the MLA's Teaching of Literature Forum. This roundtable discusses experiences and pedagogical approaches to teaching literature under authoritarianism and state violence widely conceived. Panelists discuss whitewashing and erasing literary histories, global efforts at repressing liberatory literacy, heightened classroom surveillance, teaching anti-fascist literature, and more.
Deadline for submissions: Friday, March 27, 2026
Please send 250-500-word abstracts and CVs to Danica Savonick (danicasavonick@gmail.com ) and Brandi Locke (blocke@udel.edu).
In the light of girl-centric third-wave feminism and critical regionalism, contemporary American and Canadian literary and cultural texts present innovative girlhoods enabling expansive and emancipatory processes. Please submit an abstract (250 words) and a short bionote.
Deadline for submissions: Friday, March 20, 2026
Mercedes Albert-Llacer, Universitat Jaume I (mllacer@uji.es)
https://mla.confex.com/mla/2027/webprogrampreliminary/Paper33899.html
This sessions welcomes 300-word abstracts that actively engage the ways that Black-girl centered literature (novel, poetry, media, etc.) reimagines modes of resistance, resilience, and world-making through historical and modern definitions of freedom and emancipation.
How might Black fatherhood be understood as an improvisational practice? Across histories of racial capitalism, displacement, surveillance, and social constraint, Black paternal life has often unfolded beyond the frames of patriarchal authority and normative domesticity. In these conditions, fatherhood may be enacted through adaptive, creative, and relational practices that exceed dominant frameworks of masculinity and family.
In “Thoughts on Late Style,” Edward Said describes how an artist’s late works
cannot be reconciled or resolved, since their irresolution and fragmentariness are constitutive, neither ornamental nor symbolic of something else. The late works are about ‘lost totality’, and it is in this sense that they are catastrophic.
The late works of James Baldwin have often been dismissed as evidence of decadence, of their maker’s exhaustion after too many years of activism, as a crude failure to synthesize his fiction and nonfiction, the novels too political, the essays too aesthetic. Yet this supposedly weak synthesis rhymes with Said’s meditations on the irresolution typical of an artist’s late works.