Homonationalism has typically been used to name a late-twentieth and twenty-first century phenomenon in which gay and lesbian rights discourse has achieved power, in part, by donning the rhetoric of U.S. exceptionalism. Yet Jasbir Puar’s 2013 re-articulation of homonationalism as a “facet of modernity and a historical shift” also points to an underexplored set of questions pertinent to nineteenth-century American Studies: What are the deeper genealogies of homonationalism? What forms does it take in periods prior to the popularization of the “homosexual” as a type in Euro-American sexology? What earlier iterations of nationalist homosociality also comprise something like a sexual politics?
CALL FOR PAPERS
CFP: A Peaceful Place to Lay My Weary Body: Race, Ethnicity, and the Home
An area of multiple panels for the 2017 Film & History Conference:
Representing Home: The Real and Imagined Spaces of Belonging
November 1-November 5, 2017
The Milwaukee Hilton
Milwaukee, WI (USA)
EXTENDED DEADLINE for abstracts: August 1, 2017
Society for the Study of Southern Literature
15-18 February 2018
South By and By
Whenever someone tells me that they “hate” Kanye West I immediately ask them if they are familiar with his music, most of the time the answer is an emphatic: “no!” Granted, West seems to almost fetishize this self-created divide between his abrasive and confrontational public persona, and his introspective and heartfelt musical lyrics. However, this is due to his insistence on having both his public appearances and music act as provocations that actively question norms around masculinity, the black experience in America, and the life of an artist.
In 1967, Emeritus Professor Dr. Velma F.
Teaching American Literature: A Journal of Theory and Practice (TALTP), a peer-reviewed open source online journal, is accepting articles for our Winter 2014 special issue, Who Is Teaching U.S.? We are interested in articles by instructors and their experiences in teaching American literature in countries outside the United States. How are the classic and contemporary American authors taught and received in other countries? What are the difficulties? The benefits? Any issue pertaining to teaching American literature is welcome, from assignment creation, gender issues, difficulties with translations, to first-hand accounts of both successes and failures.
Matters of Sensation
Call for Submissions - Graduate Conference
Georgia State University
November 2-4, 2017
Keynotes: Dr. Amber Jamilla Musser (Washington University in St. Louis)
Angela Washko (Carnegie Mellon University)
This session welcomes papers that will investigate the range of comedic forms embedded within African American literature. On the heels of the twentieth anniversary of the release of Saidiya Hartman’s seminal monograph Scenes of Subjection, this panel’s exploration of the use of humor in black literature offers a new critical framework for exploring the ways that spectacles of violence have continued to undergird representations of black performance in contemporary critical thought. From the auction block to the jazz stage, “blackness” manifests epidermally and externally, often through public articulations of shared racial grief. As such, recent critical work has often framed humor as a tactical response to racial violence.
CFP: Cinema Journal In Focus Section on "Comedy and Humor"
When Objects 'Write Back': Rethinking Material Culture in the Tricontinent