"The Means, Ends, and Representation of Radical Political Experience"
This panel will focus on modernist literature that represents the means of radical or revolutionary political movements – instinctual repression, iron discipline and eclipse of personal freedom, hierarchical organization, etc. – in opposition to their manifest goals of personal freedom and equality.
"Legacies of the Sexual Revolution"
Papers sought for a proposed special session for MLA 2016. This session invites papers that explore representations of women during the Sexual Revolution.
Possible topics include: motherhood, marriage, sexuality, feminism, and work, among others.
This panel will interrogate the era's legacy in our understanding of gender, both then and now.
Please submit a 300-word abstract of your proposed presentation and a cv by March 15th to email@example.com
The 2016 MLA Convention will take place in Austin, Texas from January 7-January 10.
liquid blackness is undertaking a long term research project on the legendary yet seldom seen film: Larry Clark's 1977 Passing Through. Studying the potential of the arts and politics of the jazz ensemble, we are developing an experimental project of collective research that will unfold throughout the year, and culminate in a public screening and symposium in Fall 2015.
This edited collection will contain critical, interdisciplinary essays addressing the complexity of multicultural identity-making, politics and practices in relation to transnational and transracial adoption. Our collection aims to undo the image of a 'monolithic' Western adoption experience by exploring the particularities and commonalities of diverse adoptive countries, cultures, and contexts. We encourage essays that focus on adoption issues in places with highly contested to under-explored approaches to multiculturalism—including Europe, the Americas and the Pacific.
3rd Annual Black Doctoral Network Conference
Theme: Paying It Forward: Transforming Research into Practice
October 8 - 10, 2015
Invitation for paper proposals for a possible special session panel at the 2016 MLA Conference in Austin, TX, Jan. 7 - Jan. 10
Award-winning Nigerian author Chimamanda Ngozi Adichie has just been nominated for a Grammy. Yes, a music award. A sample from her Ted Talk "We Should All Be Feminists" is featured in Beyoncé's hit song "Flawless." Adichie's nomination, a first for a Nigerian writer, is an exciting demonstration of contemporary intersections of the literature of the African Diaspora and other arts. Adichie first gave her talk to a live audience, it later "went viral" on the video sharing platform Youtube (where Beyoncé accessed the work so inspirational to her developing feminist identification), it was initially published via Kindle, and is forthcoming as a paperback.
It is assumed that in today's mass media, "free speech" is everywhere. We have access to an endless stream of images, words, thoughts and ideas on a daily basis. However, these opinions and pieces of news are filtered through official media outlets (trained journalists, career academics) or independently available through social media, without the benefit—or the detriment, perhaps—of professional vetting, thus raising questions about how "free" our access to information actually is. This means that the framing of news stories is all too often problematic, as a single event may be portrayed in irreconcilable ways by ideologically-motivated purveyors of information.
Originating from old Latin se- ("apart") and cernere ("sift"), "secret" means "hidden, concealed, and private," thereby signifying the distinction between the true and the false, the light and the dark, the self and the other, and the private and the public. This definition has its history and origin, and yet it is questioned and challenged nowadays by post-modernism and post-structuralism, as when Derrida considers in "Literature in Secret," "Pardon for keeping the secret, and the secret of a secret . . . of not meaning at all." If the secret one keeps is a secret "of not meaning at all," unveiling the secret simply reveals its nothingness. And yet, without the endeavor to unveil the secret, how can one know that there is nothing behind it?