WisCon, the world's leading feminist science fiction convention, invites scholars of all descriptions to propose programming for its academic track. We invite proposals from anyone with a scholarly interest in the intersections of gender, sexuality, race, class, and disability with science fiction – broadly defined – in literature, media, and culture. We would especially welcome scholarship on the work of 2015's guests of honor, Alaya Dawn Johnson and Kim Stanley Robinson, and on the histories and cultures of feminist and social-justice-oriented fan communities.
We invite proposals for an MLA special session on "Peripheral Aesthetics and World Literature" – Annual Convention of the Modern Language Association, Austin, Texas, January 7-10, 2016. In addition, a journal special issue/edited volume on the topic is being considered. An outline of the project is given below. Please send 300-400 abstracts and queries to Auritro Majumder (email@example.com) and Sourit Bhattacharya (firstname.lastname@example.org) by March 10, 2015.
This year's MMLA Animals in Literature and Film panel invites papers engaging this year's conference theme "Arts and Sciences," and especially the connection between the history of science and animals.
Papers might consider eighteenth- or nineteenth-century natural history writing and/or collection practices; contemporary or historical discourse around animal experimentation; conceptual issues of animacy, animality, and/or "life"; taxidermy; issues of animality or personhood in contemporary science, medicine, literature, or film; issues of extinction and/or species revival; or figures of "monstrous animals" produced by science, from Frankenstein to Godzilla to the dinosaurs reanimated to populate Jurassic Park.
This panel seeks interesting and innovative papers in the field of adaptation studies. As Linda Hutcheon writes in A Theory of Adaptation, adapters "are just as likely to want to contest the aesthetic or political values of the adapted text as to pay homage." Our panelists will explore the political uses to which adaptation is put, considering why and how authors adapt specific texts for political purposes. We will consider the possibilities and limitations of using adaptation as a political tool.
The University of Seville (Spain) will host a Conference on Literature, Language, and Translation "liLETRAd" on 7 and 8 July 2015. Bringing together the three most important facets of language transmission and teaching in a multidisciplinary event, experts from a variety of countries and continents will meet to discuss the scientifically-relevant topics that are of interest to students, teachers and other professionals. In this spirit, the Conference covers a wide range of emblematic points of discussion. For registration information, please see the links below. Papers may be presented in Spanish, English, French, German, Italian and Portuguese.
Comparative Literature is a dynamic, interdisciplinary field with a global reach. Its roots can be traced to classical philology, but its modern incarnation can probably be found in Goethe's early 19th-century concept of "world literature" (Weltliterature), in which he refers to the international circulation, reception, interpretation, and influence of ideas and the arts beyond cultural boundaries, an idea both poignant and prescient in our age of global communication.
Abstracts are being accepted for the regular Comparative Literature session at the South Central MLA meeting in Nashville, TN, October 31-November 3, 2015. The conference theme is "Sound and Story: The Rhythms of Language" but papers on any topic are encouraged. Successful papers may be considered for publication in the Lamar Journal of the Humanities, a peer-reviewed interdisciplinary journal. Please submit abstracts to the session chair, Amy Smith, at email@example.com by March 25, 2015.
From Langston Hughes' 1955 collaboration with photographer Roy DeCarava in The Sweet Flypaper of Life, Wallace Thurman's 1929 collaboration with William Jourdan Rapp in Harlem: A Melodrama of Negro Life in Harlem, and the infamous collaboration of Langston Hughes and Zora Neale Hurston in Mule Bone: A Comedy of Negro Life, the Harlem Renaissance era was a time of flourishing inter-arts collaborations under-examined in contemporary criticism. This panel therefore welcomes papers about the inter-arts collaborations of the Harlem Renaissance inspired by the SAMLA 87 theme, In Concert: Literature and the Other Arts.
There has been a striking turn towards the dystopic in contemporary American literature, often related to racial anxieties. In Native Speaker (1995), for instance, Chang-rae Lee describes an assembly of protestors outside of a Korean-American politician's house, demanding their "future back" (Lee 332). Similarly, in Almanac of the Dead (1990), Leslie Marmon Silko introduces us to men obsessed with racial purity in light of what they view as the process of "[b]rown people [inheriting] the earth like cockroaches" (Silko 561). This panel explores how racial tensions inform literary renderings of the future.
CULTURES OF (IN)SECURITY IN COMPARISON
Dedalus Journal: Issue edited by Susana Araújo | Susana S. Martins | Carlos Garrido Castellano