Papers and panel proposals focused around the cultural framing or representation (in comics, film, literature, religious and medical practices, etc.) of birth or the birthing process are welcome. I welcome any theoretical or critical approaches that address birth (understood broadly). Having said that, here is a particular issue of interest:
If you don't have time or an article to submit, perhaps you have the time to spare to be a peer reviewer? Please email Maureen.firstname.lastname@example.org and let me know you would be interested in being a peer reviewer. Include your main interests or the topics you would feel most confident reviewing.
In almost a reactionary response to New Criticism and a development from Historicism, literary researchers are using archival research more and more to develop textual analysis. Whether this research is more historically based or is textual to the point of analysing printing ink and the construction of a text, special collections, museum, and archives are considered a valuable resource. Even in the abstract, the idea of 'the' archive, while being embraced is simultaneously being challenged both for its exclusions and its very definition. How has the/an archive or the very idea of an archive affected/enhanced your own work?
CALL FOR PAPERS
"Black Masculinity in the 21st Century"
North Carolina Central University's Departments of Language and Literature and Mass Communication will host the eighth African American Literature/Studies Symposium on Thursday, November 12, 2015. This year's theme is "Black Masculinity in the 21st Century". This symposium will explore contemporary approaches to the study of Black Masculinity in African American Studies.
Our keynote speaker is Dr. Mark Anthony Neal, Professor of African & African-American Studies and Director of the Center for Arts, Digital Culture & Entrepreneurship at Duke University.
Possible paper topics include, but are not limited to, the following:
Call for Papers, Abstracts, and Panel Proposals:
RACE & ETHNICITY AREA
2015 Midwest Popular Culture Association/American Culture Association
Proposal Submission Deadline: April 30, 2015
Thursday-Sunday, October 1-4, 2015
Hilton Cincinnati Netherland Plaza, 35 West Fifth Street, Cincinnati, OH, 45202
Phone: (513) 421-9100
Invited are papers that address any aspect of literature and conflict, literature and war, literature and peace, or that address work by any of the following authors:
Chimamanda Ngozi Adichie
Bloomsbury C21 Writings Annual International Conference 2015
Writing And Insecurity: Writing the Twenty-first Century
24-25 September 2015, University of Brighton, UK
In the impasse induced by crisis, being treads water; mainly, it does not drown. Even those whom you would think of as defeated are living beings figuring out how to stay attached to life from within it, and to protect what optimism they have for that, at least. - Lauren Berlant, "Cruel Optimism"
Pomona Valley Review is looking for poetry, short fiction, and artwork for our 9th issue this June. PVR needs quality work from undergraduates, graduates, and professionals alike from any college campus, but all are welcome to submit. Quality is our only criterion. Please see our website for details on submitting online and for free versions of previous issues. Deadline is May 1st.
We are pleased to announce a CFP for submissions to the Third Annual Fandom and Neomedia Studies (FANS) Conference in Dallas, TX, on 6 and 7 June 2015.
Fandom for us includes all aspects of being a fan, ranging from being a passive audience member to producing one's own parafictive or interfictive creations. Neomedia includes both new media as it is customarily defined as well as new ways of using and conceptualizing traditional media.
This issue aims to elicit discussions about the literary and cultural productions that have emerged from the process of colonization and post-colonial experience in English-speaking countries, as well as the expansion of these historical experiences through cross-cultural dialogues. It is, therefore, the investigation of the transits of literary, artistic, and cultural repertoires in English, aiming to comprehend the networks and flows of critical or theoretical references about these productions in the various stages of the colonization and post-colonial period.