"Let me tell you something. There's no nobility in poverty. I've been a poor man, and I've been a rich man. And I choose rich every time" – Leonardo DeCaprio as Jordan Belfort, The Wolf of Wall Street (2013)
Aporetic Press is inviting the submission of proposals for edited collections and scholarly monographs in the fields of literary criticism, philosophy, media and cultural studies, as well as fiction and poetry related to the Gothic, horror, weird, speculative, cyberpunk and science fiction. In the case of literary works a sample chapter or an indicative selection is preferred in lieu of a proposal. Full manuscripts should not be sent unsolicited.
The comics and graphic narratives session of PAMLA 2015 invites your proposal on any theme or topic of study pertaining to comics and/or graphic narratives. Papers utilizing media specific analysis, and papers with a connection to this year theme of "Literature and Time" are highly encouraged. A visual component to the paper/presentation is also encouraged.
Submit proposals of roughly 500 words as well as a 50-word abstract by May 15, 2015. Proposals must be submitted through the PAMLA online system: http://www.pamla.org/2015/proposals.
Classics and Early American Literature and Culture
Adam Goldwyn, North Dakota State University
Matthew Duques, North Dakota State University
Abstract: The literary and political culture of the early U.S. republic drew heavily from Greek and Roman models. This panel seeks to move beyond previous scholarship, which has focused on the influence of the Classics in North American political discourse, to a wider array of literary and non-literary texts and material cultures.
The "Linqua – International Journal of Linguistics, Literature and Culture" (Linqua- LLC) is a peer reviewed journal which accepts high quality research articles. It is a quarterly published international journal and is available to all researchers who are interested in publishing their scientific achievements. We welcome submissions focusing on theories, methods and applications in Linguistics, Literature and Culture, both articles and book reviews. All articles must be in English.
CALL FOR PAPERS
Unity and Division in the History of Art
41st Annual Cleveland Symposium
Friday, October 23, 2015
The Cleveland Museum of Art, Cleveland, Ohio
In what ways can the visual arts unite or divide humanity? How can their subjects and functions stir us to collaboration or lead to disagreement, apathy, or even war? How do objects themselves change when their relationships to one another, or to the viewer, are altered or rearranged?
Evolutionary Love: Relations and Identities in a Virtual World
Belonging and possession have long been treated as foundational to the missions and activities of museums and archives in how they connote, establish, explain, and demonstrate the ways collections belong to them; determine and express who possesses custody, ownership and control of artifacts; and, by extension, consider the knowledge surrounding objects, makers, places of origin and residence that they supply. Typically, museums and archives express their interests in possessing collections through practices of acquisition, loan, attribution, provenance, exhibition, scholarship, conservation, and rights and reproductions.
For its 2015 SAMLA panel, the Georgia and Carolinas College English Association seeks proposals that address the theme of carnivalization and the carnivalesque. As articulated by Mikhail Bakhtin, "carnival celebrated temporary liberation from prevailing truth and from established order; it marked the suspension of all hierarchical rank, privileges, norms, and prohibitions. Carnival was the true feast of time, the feast of becoming, change, and renewal. It was hostile to all that was immortalized and completed." Topics include but are not limited to:
• the liberating subversion of popular humor on the literary and cultural tradition
• the overturning of hierarchies in popular carnival
(dis)junctions 2015: Strange Bedfellows
"Misery acquaints a man with strange bedfellows."-Shakespeare's The Tempest (2.2)
University of California, Riverside's (dis)junctions conference invites papers and panels that push at the boundary of contemporary scholarship. Our critical focus, "Strange Bedfellows," is geared specifically toward innovative and interdisciplinary approaches to cultural, literary and theoretical texts. We are looking particularly for scholarship that emerges from the disjunction of incongruent forms, that thrives on the border of the unfamiliar, and that transgresses the boundary of the expected.