"AI and Society: Ethics, Creativity and Power in the Digital Age"International Conference30-31 January 2027 – London / Online

organised by

London Centre for Interdisciplinary Research

Artificial Intelligence is no longer a speculative horizon — it is an active force reshaping how we work, create, govern, communicate and understand what it means to be human. From generative AI and automated decision-making to algorithmic governance and digital surveillance, AI technologies are transforming social structures, cultural production and everyday life at an unprecedented pace.

This session focuses on British literature and culture of the long 19th century. Particularly welcome are proposals on underrepresented works, on the 150th anniversary of Queen Victoria’s proclamation as Empress of India and on the 125th anniversary of her passing, on Neo-Victorianism, and on the conference theme “Our Ruling Classes: Culture, Power, Conflict.”

While any proposals dealing with British literature and culture of the long 19th century are welcome, these topics related to the conference theme are of special interest:

Spring 2026 'Theory Today' Workshop w. Prof. Eugenie Brinkema. 

Eugenie Brinkema’s research in film and critical theory focuses on violence, affect, sexuality, aesthetics, and ethics in texts ranging from the horror film to gonzo pornography, from the body of films dubbed “New European Extremism” to works of literature and continental philosophy. She is the author of The Forms of Affect (2014) and Life-Destroying Diagrams (2022), among many other essays and articles.   

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In our current postdigital condition, digital technology is so deeply embedded in everyday life that the distinction between technical and natural is becoming increasingly blurred and images have become mere byproducts of our embodied co-existence with digital media. At the same time, we see that visual forms are continuously rendered obsolete by the rapidly evolving algorithmic processes. In new media, we are no longer even looking at “the image” any more, but rather always only at a version of an image that can be infinitely modified. Cameras are regularly used to connect the eye and the machine in a way that serves no aesthetic goal, creating purely “operational images” (Harun Farocki).

We’re delighted to announce a new online event to mark Dickens’s passing. On this occasion, our theme does not dwell on the Inimitable’s death, but focuses instead on his ever-expanding life on the big and small screen. Dickens was first adapted for silent cinema in 1901, and since then his work has appeared countless times on film and television. Since Dickens’s Bicentenary in 2012, a number of significant screen adaptations have appeared, including Armando Iannucci’s Personal History of David Copperfield (2019), Steven Knight’s Great Expectations (2023), two Artful Dodger character adaptations, and multiple versions of A Christmas Carol.

This is a call for paper for an edited volume “(Re)Imagining Gender in Post-Covid Times: Transformations and Possibilities” which looks into the transformations that have occurred in gender relations in the aftermath of the COVID-19 pandemic. The pandemic, which was a global crisis, had a considerable impact in different aspects and reinforced pre-existing inequalities across gender, sexuality, class, caste, and other spheres of marginality. This edited volume aims to closely examine these transformations through the lens of gender as the primary variable in understanding post-pandemic societies.

I am writing to invite you to consider submitting a chapter proposal for consideration to be included in The American Research Handbook on Diversity, Equity & Inclusion, an edited scholarly volume that examines the evolving role of diversity, equity, and inclusion within American democracy and educational institutions. I encourage you to invite friends/colleagues outside of the Appalachian region, too.

International Conference for Student Researchers:

Organizer:

AAB College

In partnership: 

Department of Journalism and Communication, University of Tirana
Algebra Bernays University, Zagreb
Communication Institute of Greece, Athens
Faculty of Massmedia Communication, University of SS. Cyrila and Methodius, Trnava, Slovakia

Advertorial

Modernist Nationalisms Conference

St John’s College, University of Oxford

Thursday 10th September 2026

link for abstract submission: https://docs.google.com/forms/d/e/1FAIpQLScFPhqcIfUje5A_VuJjReJHlwjtc_Tz...

Seminar to be held in Hybrid ModeConcept Note:

Guest Editors

Rüstem Ertuğ Altınay, University of Milan

Christina Banalopoulou, University of Milan

Religion, Politics, and Cognitive Warfare: Information, Interpretation, Conspiracy, and the Struggle for RealityCall for Papers and PresentationsDetails

An international workshop at Utrecht University (The Netherlands), 14 September 2026

Organized by Karin van Es (Utrecht University), Ramon Lobato (Swinburne University), and Mike Wayne (Erasmus University).

Powered by Special Interest Group Streaming Video.

Call for Papers
Benjamin Quarles Humanities and Social Science Institute
College of Liberal Arts, Morgan State University

9th Annual Conference

 Theme: 100 Years of Black History: Remembering the Past, Interpreting the Present, Envisioning the Future

Submit Abstract

Session Type: Special Session / Roundtable
Primary Area / Secondary Area: Professional and Pedagogy / Composition and Rhetoric
Presiding Officer(s): Shataparni Bhattacharya (Indiana University - Bloomington)
shabhat@iu.edu

Abstract

Eric Glover (Yale University) and Michelle Cowin Gibbs (CSULB)  invite participants for a working group that takes stock of Zora Neale Hurston’s legacy and impact as a vital yet still underexamined repertoire in theatre, dance, and performance studies. 
In conversation with the conference theme’s attention to retrospection and futurity, the group considers how Hurston’s work and that of her successors has been adapted, staged, studied, and taught, while asking what remains unfinished, underdeveloped, and newly possible. 

The year 2025 marked the 250th anniversary of Jane Austen’s birth, yet Austen seems to be only increasing in cultural relevance on a global scale. This edited collection explores new Jane Austen-related texts – including films, streaming series, prequel/ sequel novels, graphic adaptations etc. - of the twenty-first century, including…

Call for Papers: Dickens Day 2026 - ‘Dickens and Family’

Conference date: Saturday 10 October 2026

Format: in-person

Location: Senate House, London

Conference online (via Zoom): 28-29 May 2026

CFP: 

          It is widely known that ideologies of racism, nationalism, and xenophobia are dangerous and spread all over the world. We want to examine these terms as much as possible, from many perspectives and variable aspects: in politics, society, psychology, culture, and many more. We also want to devote considerable attention to how the phenomena of racism, nationalism and xenophobia are represented in artistic practices: in literature, film, theatre or visual arts.​      

Panel proposal #6 for the ASAP 17 Conference 
Madison, WI | October 15-17, 2026

How Soon is Now? Co-Constructing Hope for the Collective Present

Call for Chapters!

Using Popular Culture in the Classroom: Teaching Traditional Skill Sets with Popular Culture Artifacts

Editors: Laura Getty, University of North Georgia (lgetty@ung.edu) and Josef Vice, Purdue University Global (jvice@purdueglobal.edu)

Deadline for submitting chapter proposals (400 words): August 1, 2026 

Notification of acceptance: ongoing, no later than September 1, 2026

Provisional deadline for essay draft submission (approximately 5,000-8,000 words, including teaching resources): December 31, 2026

Voices from the Margins

British Nonconformity in the Long Eighteenth Century Day Conference

The John Rylands Library

Manchester

June 22, 2026

Call for Papers

Mapping the Impossible: Journal for Fantasy Research is pleased to announce an open call for papers on all things fantasy and fantastic!

Mapping the Impossible: Journal for Fantasy Research is a peer-reviewed, graduate student-run, open-access publication supported by the Centre for Fantasy and the Fantastic at the University of Glasgow. We publishe on all types of fantasy media! Our issues have included articles on topics from Bulgakov’s Master and Margarita to the Horizon video games. We accept academic articles between 3000 and 5000 words, excluding the bibliography.

Call For Papers: American Book Review Focus on “Drama and Resistance” I will be guest editing and contributing an introduction that situates a collection on “Drama and Resistance” within the postmodern/post-World War II era for the literary journal American Book Review. The topic is inclusive of contemporary American drama. For this collection, I’ve been asked to solicit 8-10 short essays and book reviews on this topic that are roughly 1,500 words each (or 6/7 pages double-spaced).