Translation, Travel Writing, and Excess  (Rountable)

Chairs:

Sanjukta Banerjee (York University)

Elisa Leonzio (Università di Torino)

Experiencing War Memorials: Place, Feeling, and Public Memory

Editor: Dr. Jennifer K. Ladino

The Review of English and American Literature

Call for Papers

Special Issue: Mapping Care

Deadline for Submissions: Jan. 10, 2024

Call for Papers

Special Issue: 'European-Based VoDs: Models, Alternatives and Predictions for a Sustainable European Streaming Culture'

Journal of Digital Media & Policy  

Guest Editors 

Lucian Georgescu, UNATC Bucharest, lucian.georgescu@unatc.ro 

Constantin Parvulescu, Babes-Bolyai University, Cluj-Napoca, constantin.parvulescu@ubbcluj.ro 

Deadlines  

Abstracts (400 words): 15 July 2023  

Full manuscripts (6–8000 words, including references): 15 November 2023 

The Call

Call for Papers, "Exploring the Nexus of Healing, Stories, and Illness in the Nineteenth Century and Today” for “The Nineteenth Century Today: Interdisciplinary, International, Intertemporal" IN-CSA Conference (Durham University in Durham, UK from July 10 - July 12, 2024).

Please submit a 250-word abstract and a 2-page CV by August 1, 2023 to Melissa Rampelli at mrampelli@holyfamily.edu

Journal of Indo-Canadian Studies (ISSN 0972-3307) invites submissions for a special issue exploring the theme "Beyond Maple Leaves: Unveiling the Canadian Dream." This issue aims to delve into the multifaceted aspects of the Canadian Dream, shedding light on its complexities, evolving nature, and the diverse experiences of individuals within the Canadian context.

Though the idea of ‘Canadian Dream’ has not been subjected to the same level of theoretical analysis or scholarly discourse as the "American Dream," Journal of Indo-Canadian Studies, (ISSN 0972-3307), intends to explore the essence of the Canadian Dream through the lens of Indian immigrants, highlighting their unique experiences, challenges, and triumphs.

Climate change and impending ecological crises make clear, we are running short of time. The UN Intergovernmental Panel on Climate Change (IPCC) argues that we have until 2030 to limit global warming to 1.5C. Assuming that the status quo endures, at the start of this conference, we will have fewer than six years remaining on that deadline to make significant changes. Much of the damage we now need to recover from is a direct result of a myopic view of time:the greed for quarterly profits and how much wealth an individual can accumulate during their own lifetime. But what if we could think of the future not as a scarcity of time, but an abundance?

In Animal Rights: Considered in Relation to Social Process (1892), Henry Salt argues that “Oppression and cruelty are invariably founded on a lack of imaginative sympathy,” which purports the notion of the “tyrant or tormentor” from ever having a “true sense of kinship with the victim” (16). In a similar way, Donna Haraway states in When Species Meet (2007), that “we are a knot of species coshaping [sic] one another in layers of reciprocating complexity all the way down” (42). Taking cues from Salt and Haraway, our panel will take up key features of human and animal relations and their intersection with the queerness of imaginative sympathy.

Call for Panel Proposals

Renaissance Conference of Southern California (RCSC)-Sponsored Panels for RSA Chicago

Renaissance Society of America Conference

Chicago, IL, USA March 21-23, 2024

CFP Deadline: August 1, 2023

Novels, Then and Now, an area of the Mid-Atlantic Popular & American Culture Association, is currently accepting proposals for the 2023 Mid-Atlantic Popular & American Culture Association (MAPACA) conference in Philadelphia, PA to be held November 9-11, 2023.

Call for Abstracts/Proposals for Essays for an Edited Collection 
SCREEN STORYTELLERS: The Works of Jon Favreau
Edited by Guy Nicolucci

deadline for submissions: 

August 15, 2023

full name / name of organization: 

Guy Nicolucci/Montclair State University

contact email: 

guynicolucci@gmail.com

Ted Lasso (2020-) is (ostensibly) a half-hour comedy that follows a basic fish-out-of-water plot: its titular American football coach coming to manage fictional English Premier League team A.F.C. Richmond – despite knowing nothing of the sport. But over its (so far) three-season run, the show morphed into a dramedy and eventually, an hour-long ensemble piece rivalling many other “prestige TV” productions. A pandemic sleeper hit, it put streaming service Apple TV+ on the map, winning it many loyal subscribers and countless awards; a curious feat for a show based on a series of humorous ads to promote football (soccer) on NBC Sports.

On love being analogous to a battlefield, Roland Barthes writes: “From what language, one wonders, did these lovesick, melancholy grenadiers draw their passion (scarcely in accord with the image of their class and profession)? What books had they read–or what stories been told?” Following Barthes’ indicative questions, this panel inquires into the connection between love–as an idea, experience, or emotion–and the stories we have been telling about it over the long course of history. Can one imagine love without stories? What is the relationship between different forms of desire and the literary forms that bear their weight? How do changes in global storytelling practices transform our ideas of love?

Throughout his legendary career, Cormac McCarthy has dealt with existential insecurities at all levels of human experience.  This panel proposes to foster dialogue about this theme in McCarthy’s work.  Abstracts dealing with any of McCarthy's works are welcome for consideration, but we do seek a special focus on McCarthy’s last two published novels: The Passenger and Stella Maris.  Please send a 250-word abstract, a brief bio or CV, and any A/V or scheduling requests to Jay Ingrao (jingrao@utdallas.edu) and Justin Brumit (justin.brumit@tccd.edu) by July 24th.