Call for Papers

The Department of English at Banaras Hindu University, Varanasi, India, invites submissions for the upcoming issue on Literature and the Posthuman of its journal, Research and Criticism. 

The Conference for Young Adult Literature Louisiana (CYALL) is accepting proposals for papers, slide presentations, lightning talks, and 20x20 sessions. The conference is a forum to discuss, demonstrate, and champion learning strategies in teaching young adult literature. College faculty, graduate students, librarians, authors, K-12 educators, and scholars are invited to submit proposals for papers and presentations on all aspects of YA literature and media.

The deadline for submitting a proposal is February 15, 2025 

The conference will be held on April 11, 2025 and will be onsite.

Communities and the discourses they foster play a crucial role in shaping how games are both designed and experienced. Salen and Zimmerman (2004) describe how games are cultural artefacts engaged with dynamic exchanges of meaning with their surrounding cultural contexts. These open cultural contexts influence can transform both games and their environments. Consalvo (2007) expands this understanding by discussing how videogame paratexts, such as guides and fan-created content, serve as vital pedagogical tools that shape how players approach and engage with games.

There is no denying that contemporary audiences have an insatiable appetite for killers: myth, legend, and reality. The soaring success, and continued demand, for fictions and nonfictions that document the dealings of serial killers and murders provide ample evidence for this. We are fascinated by their narratives and by their psychologies, and it is perhaps this need or want to understand the killer’s thinking that, in part, makes them so attractive to read and view. However, delineation between fiction and nonfiction continues to be a greyscale area. There are no longer certainties in crime fiction, nor in true crime writing, when it comes to the factual and the fictive.

Panel at ASLE (Association for the Study of Literature and the Environment) 2025: Collective Atmospheres
July 8-11, 2025
University of Maryland, College Park

The Folklore Area of the Popular Culture Association is considering proposals for sessions organized around a theme, special panels, and/or individual papers related to Folklore Studies for the 2025 Popular Culture Association Conference by November 30, 2024. The conference will be held in New Orleans, Louisiana (April 16-19).

Sessions are typically scheduled in 1½ hour slots, with four papers per standard session. Presentations should not exceed 15 minutes. As always, proposals addressing any topic related to folklore or folklore studies are welcome, including but not limited to the following:

Call for Chapters in Edited Book

Dr. Prabhu Aloke N (O P Jindal Global University)

Dr. Lisa Thomas (Jesus and Mary College, Delhi University)

Untangling Bioethical Dilemmas: Narrative Ethics and Bodily Rights

In the recent past, the study of ethics has diversified into emerging branches with interdisciplinary areas of studies. While such studies require specialization in different disciplines, they also demand application of theoretical and empirical knowledge. In a quest to broaden the understanding of ethics to its sub- field of bioethics, this book proposal seeks to collate works that center on narrative ethics within the discourse of bioethics.

Terrifier 3 (in cinemas at the time of sharing this call) has defied all expectations, attracting widespread commercial and critical success, and becoming the number one film in the USA. Since the creation of Art the Clown in the short film The 9th Circle in 2008, the Terrifier franchise has gone from strength to strength, challenging some of the fundamental assumptions underpinning Hollywood filmmaking over this period. Damien Leone’s films, boasting low budgets, a grindhouse aesthetic and an impressive level of envelope-pushing gore (bolstered explicitly by practical effects), have turned Art and Sienna into modern horror icons and continued to unashamedly appeal to genre fans.

**Call for Papers*
*Literary vs. Legal Language*

AICED-26

THE 26th ANNUAL INTERNATIONAL CONFERENCE OF THE ENGLISH DEPARTMENT,

UNIVERSITY OF BUCHAREST

LITERATURE AND CULTURAL STUDIES SECTION

29-31 May 2025

CALL FOR PAPERS

Writing in a World on Fire:

Perspectives on War and Climate Change

University of Bucharest, Faculty of Foreign Languages and Literatures

7-13 Pitar Moș St., Bucharest, Romania

New Feminisms, Politics, and Pop Culture: An Intertextual Anthology This edited collection is interested in the intersections of feminism, American politics, and popular culture. Right now, as feminism in general is forced to shift back to a focus on reproductive rights, the fourth wave is being splintered into those prioritizing this issue and those still focused on empowerment, intersectionality, and other issues original to the fourth wave. As more and more strains of feminism emerge, how might we understand their origins and place them in conversation with each other? Is feminism finally intersectional? If not, how do we get there?

“In olden days a glimpse of stocking / Was looked on as something shocking. / Now, heaven knows, Anything goes.” This epigraph begins Chris Jenks’ 2003 work Transgression, exemplifying the sense in which acts of transgression can have real, tangible, palpable effects on society. Jenks defines “transgression” as violating, infringing upon, or going beyond the limits set by a boundary or convention (2). Transgressive fiction, then, is the genre of literature that depicts various acts of boundary-crossing in order to analyze and criticize them for the purpose of reflecting upon the ideological constructions that its characters react against or wholly reject.

CFP: Heritage Tourism and Race in Early America

Panel for the Society of Early Americanists’ Biennial Conference

University of Notre Dame

June 5-8, 2025

READING NOTHING ACROSS LITERATURES: A HANDBOOK

“No friend is He who to his friend and comrade who comes imploring food, will offer nothing.” (Rig Veda CXVII)

“Did you rise to the crisis? Not a word, you and your birds, your gods – nothing.” (Oedipus the King)

“Nothing will come of Nothing. Speak again.” (King Lear 1.1)