CFP: "Blame Canada"? Queer Canadian Cinema.
Special Session Proposal
MLA 2006, Philadelphia

Papers exploring extra-ordinary desires, refractory subjectivities, unruly
narratives, curious genre
crossings, subversive genders and sexualities, or other queer provocations
in Canadian feature films.
1-page abstracts by 15 March 2006 to Julia Mendenhall (
julia.mendenhall_at_utoronto.ca).

Julia A. Mendenhall
Temple University, English
 juliam_at_temple.edu
University of Toronto, Cinema Studies
julia.mendenhall_at_utoronto.ca

CFP: "Blame Canada"? Queer Canadian Cinema.
Special Session Proposal
MLA 2006, Philadelphia

Papers exploring extra-ordinary desires, refractory subjectivities, unruly
narratives, curious genre
crossings, subversive genders and sexualities, or other queer provocations
in Canadian feature films.
1-page abstracts by 15 March 2006 to Julia Mendenhall (
julia.mendenhall_at_utoronto.ca).

Julia A. Mendenhall
Temple University, English
 juliam_at_temple.edu
University of Toronto, Cinema Studies
julia.mendenhall_at_utoronto.ca

Call for Papers:

For a collection of essays and reflections on the Annie Proulx story and/or the
Ang Lee film.

Please send 300-500 word abstracts (or questions) to:

William Handley <handley_at_usc.edu>
or
Jesse Matz <matzj_at_kenyon.edu>

Deadline: March 31, 2006

William James. WILLIAM JAMES STUDIES, a peer-reviewed online publication of
the William James Society, welcomes papers from scholars in any field on the
life, work, and influence of William James. Submission guidelines may be found
at www.williamjamesstudies.press.uiuc.edu. Papers may be sent electronically
to Mark Moller (moller_at_denison.edu) or Linda Simon (lsimon_at_skidmore.edu).
Deadline for the second issue is April 7, 2006.

Thank you!

Call for papers for ALA session sponsored by the William Carlos
Williams Society, 25-28 May 2006, San Francisco.

"William Carlos Williams and Traditions of 'hygenic writing'"

eSharp is the online journal for social sciences, arts and humanities postgraduates based at the University of Glasgow. It is a peer-reviewed journal that aims to provide a critical but supportive entry into the world of academic publishing.

The first six issues are currently online at www.sharp.arts.gla.ac.uk and we are now looking for submissions for the seventh edition to be launched in May 2006. We welcome papers from postgraduates working in all areas.

The theme of the seventh edition is:

Faith, Belief and Community

Topics may include but are not limited to:

eSharp is the online journal for social sciences, arts and humanities postgraduates based at the University of Glasgow. It is a peer-reviewed journal that aims to provide a critical but supportive entry into the world of academic publishing.

The first six issues are currently online at www.sharp.arts.gla.ac.uk and we are now looking for submissions for the seventh edition to be launched in May 2006. We welcome papers from postgraduates working in all areas.

The theme of the seventh edition is:

Faith, Belief and Community

Topics may include but are not limited to:

Abstracts are invited for the MLA 2006 panels sponsored by the Association for the Study of Literature and the Environment. MLA will be held in Philadelphia in December 2006 and all presenters must be member of MLA at the time of acceptance of their proposals for the panel, i.e. April 2006.

Intersections: Literature, Science, Nature.

Abstracts (250-300 words) are invited that discuss relationships between literature, science, and nature and/or scientific theory and literary theory. Submit by March 1, 2006 to bcook_at_mtaloy.edu.

The University of West Georgia

CALL FOR PAPERS 2006

21^ST ANNUAL INTERNATIONAL LITERATURE CONFERENCE

Suggested theme: FEAR AND AWE

For the 2006 conference, papers and sessions may be presented on any
conception of fear and awe in literature, visual arts, and/ or cinema.
Papers may be in English, French, German, Italian or Spanish.

  <>
We welcome also proposals for papers on _any topic_ of interest to
literature, culture, and art scholars.

  <>*
When: *November 2-4, 2006 <>
*Where*: Sheraton Colony Square Hotel-Midtown, Atlanta, Georgia <>
*Deadline for one-page abstracts*: May 30, 2006 <>

FACS Literary Journal

Florida Atlantic University Comparative Studies=20

=20

Call for Papers: Catastrophe and Representation

=20

Images of catastrophe increasingly assault us through the media. The =
world is reeling from the effects of war, natural disasters, famine, and =
disease. Violence - natural and unnatural - has become a standard motif =
in contemporary storytelling, cultural documentation and sociopolitical =
reportage. How, then, is such representation captured and =
characterized? What is being said and unsaid, and why? Is catastrophe a =
comparative experience?

=20

FACS Literary Journal

Florida Atlantic University Comparative Studies=20

=20

Call for Papers: Catastrophe and Representation

=20

Images of catastrophe increasingly assault us through the media. The =
world is reeling from the effects of war, natural disasters, famine, and =
disease. Violence - natural and unnatural - has become a standard motif =
in contemporary storytelling, cultural documentation and sociopolitical =
reportage. How, then, is such representation captured and =
characterized? What is being said and unsaid, and why? Is catastrophe a =
comparative experience?

=20

Arabesques Press Call for Submissions
http://www.arabesquespress.org/
http://www.arabesque-international.com/

Trans --: Negotiations and Resistance

19th Annual Interdisciplinary Conference
Association of English Graduate Students
University of Southern California, Los Angeles
April 7 - 8, 2006

UPDATES:
* Keynote speakers
* Abstract deadline extension
* Conference website
* CFP

***KEYNOTE SPEAKERS***

We are pleased to announce critical keynote speaker Juana Maria Rodriguez, and creative keynote speaker Pireeni Sundaralingam, with Colm O'Riain.

Modern Language Association Annual Convention
December 27 - 30, 2006
Philadelphia, Pennsylvania

The MLA Discussion Group on Science Fiction and Utopian and Fantastic
Literature invites submissions for a panel titled "The Place of Music in
Science Fiction and Fantasy."

Topics might include (but are not limited to):

* Defining "science-fiction music." What makes a work of music
"science-fictional"? Possible subtopics: micropolyphony, symmetrical
divisions of the octave, experimental musical technologies (e.g., the
Ondes Martenot).

* The relationship of music to other nonverbal arts (e.g., painting,
architecture, photography) in science fiction and fantasy.