(Dis)embodied Forms
By all accounts, we are living in a new age of form in literary criticism: the last decade has seen a slew of monographs, articles, and special issues devoted to what Jonathan Kramnick and Anahid Nersessian have called “the millennial reboot of formalism,” (Kramnick and Nersessian 2017, 652) one largely devoted to the political revivification of form. While these projects vary widely, they are united, in some ways, by a major omission: the body.