Dancing, perhaps most famously of the Tik Tok variety, has helped many cope and adapt to the past year’s pandemic, making people feel connected in an almost choreographed way. Not only infiltrating certain web sites, site-specific dance—choreographed work inspired by a specific space or place—is becoming increasingly relevant, especially in environmental terms. Recent projects such as Karole Armitage’s “On the Nature of Things” or Jody Sperling’s “Polar Rhythms” have taken nature, and more specifically climate change and other environmental issues, as their source of inspiration. A transformative art, dance offers the possibility of intimate connection and even continuous metamorphosis.

Update: the deadline for this CFP has been changed to October 15, 2021.

NeMLA's 53rd convention will be held March 10-13, 2022, in Baltimore, MD. Please submit an abstract of 200-300 words through the NeMLA website [https://www.cfplist.com/nemla/Home/CFP] and any questions to Kathryn Hendrickson at kraehendrickson@gmail.com.

Whether he parodied, plagiarized, appropriated, translated, borrowed, or critiqued, Oscar Wilde’s work contains a web of references that vigorously engages with the voices of others. The way Wilde spoke with and through his sources may reveal not only his own influences and allegiances, but also aspects of larger conversations within late Victorian culture involving artistic production, Decadence, theater, journalism, scholarship, poverty, gender issues, sexuality, prison reform, and more.

This panel aims to explore how writers and filmmakers have articulated questions of Blackness and Europeanness, migration and cultural belonging, colonial histories and decolonial futures.

In recent decades, artists, scholars, and activists from all over Europe have interrogated and problematized wishful narratives about Europe as a democratic stronghold and a multicultural, borderless space. Working in different media, forms, and genres, these works address urgent questions, such as the racialization of migration, the persistent social and economic inequalities of urban spaces, and the legacies of repressed colonial histories.

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Pindar and Pindarics: Translation, Imitation, Transformation

In recent years there has been increased attention to conversations concerning consent, sexual violence, and rape. The stories of survivors have been an important tool for informing the public about these issues and providing healing. First-hand nonfiction accounts of sexual violence like A Woman in Berlin, Know My Name, and Willow Weep for Me have helped to destigmatize conversations about rape and sexual assault and problematized mainstream understandings of these concepts. Novels like The Handmaid’s Tale have also been able to question what sex and pleasure could look like within a rape culture.

Although academia’s interest in disability studies emerged in the late 1980s, an ever-growing body of research has emerged since then, mainly from Anglo-Saxon and Nordic countries.

Girlhood Studies, as an academic discipline, is still growing. Since some educational institutions do include girls’ studies as part of a special curriculum, an academic program, a certificate course, a minor, or as part of Women’s Studies or Gender Studies, Girlhood Studies does have a presence in academia although at this stage rarely in an autonomous department. This interest in the pedagogies and practices of teaching Girlhood Studies is an important aspect of its growth as a field of study at university level, at school, and outside of formal academic settings.

As one of the most versatile genres in long 19th Century American literature, the sketch appears in a variety of forms, including short stories, parts of longer novels, essays, biographies, brief plays, poetry, and more. What characteristics, if any, unite this breathtakingly diverse genre? Without a common theme or style, sketches change radically over time and between authors. Some sketch writers endeavor to render characters, scenes, or events from real life, like Louisa May Alcott when she recounts her experiences as a Civil War nurse in Hospital Sketches. Similarly, regionalist writers such as Francis Parkman, George Washington Cable, or Bret Harte present impressions of people and places.

Call for Submissions

The Faculty of Women for Arts, Science and Education is pleased to announce the launch of its newest peer-reviewed academic journal, an international Journal of Childhood and Women's Studies (IJCWS), open for submission for the first issue, April 2021!  IJCWS is published quarterly (January, April, July and October), beginning in April 2021. Its official languages are Arabic, English, and French.

The journal now welcomes submissions via the on-line portal (http://ijcws.journals.ekb)

2021 Midwest PCA/ACA Conference

Southern Literature and Culture

Deadline for submissions:

June 1, 2021

Dr. Ashley Goulder, Midwest Popular Culture/American Culture Association

contact email (for questions only, submissions must be made through the website): agoulder@utm.edu

CALL FOR PAPERS, ABSTRACTS, AND PANEL PROPOSALS

Midwest Popular Culture Association/Midwest American Culture Association Annual Conference

Friday-Sunday, October 7-10, 2021 Westin, Minneapolis Minneapolis, MN

Topics may include but are not limited to: 

--Southern food studies 

--Slavery and the American South; slave narratives 

--Civil War narratives 

Where do we find important archives for the study of the Global Anglophone? How were their materials accumulated and how are they now arranged? What do these collections record, and what do they omit? Who can access them, particularly in this ongoing pandemic season?

This panel invites papers which explore the archives, personal or institutional, that enrich our understanding of literatures in English—and that provide material resources for research and teaching in the rising, disputed discipline of the Global Anglophone. Both established and lesser-known centers of archival study will make for welcome subjects. Papers may examine a whole institution, a particular collection, or even a single document.

The critical (re)turn to negation has provoked unprecedented attention to hope and hopelessness as key terms of contemporary living and dying. In her monograph on ecological crisis and political theology, Catherine Keller argues that hope must be decoupled from optimism. Where optimism and pessimism determine their outcomes in advance, hope takes root in uncertainty and remains there. The point of hope is, after all, that we cannot know how something will go.