After decades of failed attempts at interpreting the comic that many fans believed couldn’t be adapted, the Netflix series Sandman is now enjoying richly deserved critical and commercial success. The explosive popularity of the series follows on the heels of other recent television adaptations of Neil Gaiman’s work, most notably Good Omens (2019 Amazon) and American Gods (2017-2021 Starz). It is also fueling ongoing discussions about representation, social justice, and art's role in responding to and reflecting upon historical and cultural movements. This edited book collection seeks essays that delve into these issues and more.
Journal of Contemporary PoeticsCall for Papers
Deadline for submissions: Submission permitted throughout the year.
Full name / name of organization: International Islamic University, Islamabad
Contact email: email@example.com
Decolonizing Visuality: Looks, Minds, Ways of Thinking and Acting
Editors : Teresa Mendes Flores (Université Nova de Lisbonne et ULHT), Filipa Duarte de Almeida (Université Omar Bongo) and Joseph Tonda (Université Omar Bongo)
In Sam Raimi’s Spider-Man 2 (2004), the hospital scene has been paid special attention for seeming “more at home in a horror movie than a superhero sequel,” according to Bloody Disgusting’s Meagan Navarro: it depicts Dr. Octopus’ mechanical tentacles as they slaughter the surgeons who are about to remove them from his body. The scene is rife with the imagery of gaping screams, fingernails clawing into the floor, and limbs going limp, evoking an atmosphere of terror which even Dr. Octopus recognizes once he awakens to the carnage before him.
As we figure out what new social configurations look like, and whether or not we want to be a part of them, it seems we are at a point in queer and feminist theory where the futurity of our current conceptions of the social is also being called into question.
Co-editors Michael Dango, Erin Spampinato, and Doreen Thierauf invite original chapter-length contributions for a volume on New Rape Studies: Humanistic Interventions, under contract with SUNY Press. Final chapters are due February 1, 2023, and should be no longer than 8,000 words, inclusive of Chicago-style footnotes. We strongly encourage interested contributors to be in touch with abstracts by December 1, 2002, to ensure a fit before submissions of full drafts. We are committed to boosting the voices of graduate student, early career, and contingently employed writers. All queries can be sent to Michael Dango at firstname.lastname@example.org.
Please consider submitting an abstract for the following panel at the 2023 Northeast Modern Language Association Conference to be held on March 23-26, 2023 at Niagara Falls, NY.
Submit abstracts at the NeMLA portal:
While fantasy fiction has become incredibly popular and prolific in these last few decades, the appeal of fantastical literature dates back to antiquity, as mythologies, legends, and encounters with the supernatural have formed a large part of narrative traditions in every culture and language. This companion seeks to update and address underexamined areas of fantasy fiction, with the chief aim to provide a global introduction to English-language and English-translation fantasy fiction. This collection will focus on the contemporary written word (narrative prose) produced in late 20th and early 21st century.
deadline for submissions:
full name / name of organization:
Dr Terence McSweeney & Dr Stuart Joy, Solent University (UK)
Reframing Hollywood series at Mississippi University Press
Looming ecological and economic catastrophe has lent urgency to calls for “concrete utopian” solutions to capitalism’s excesses and to global governments’ failure to constrain those excesses—or to constrain them in ways that are consistent with democratic principles and international solidarity. In this issue, we would like to prioritize articles that address the humanities’ role(s) in articulating and implementing real solutions to the political and economic issues of the twenty-first century. We are interested in articles that emphasize the constructive over the diagnostic.
“Dramatic Fictions / Fictional Dramas”
Comparative Drama Conference
Orlando, FL, March 30 – April 1, 2023
Deadline: October 12, 2022
I am organizing a comparative panel that crosses and combines genres: works of fiction that contain plays, playwrights, actors, or dramatic performances; or plays that contain writers, fictional texts, or acts of literary composition. Alternately, presenters may set up intertextual conversations between the work of a playwright and an artist or character from another genre. For instance, I will be presenting a paper on Samuel Beckett and Bartleby the Scrivener. I am seeking two other papers to complete the panel. Only in-person presentations will be considered for this panel.
Material fragments such as a scrap of ancient poetry, a fractured sculpture, a torn diary page, or a partially written novel warranted increasing attention during the eighteenth century. The unfinished aesthetic of fragments offered an experience that was contrary to the sense of completion provided by whole and polished texts, and provided access to voices that would be otherwise inaccessible and lost. How do we understand this fascination with fragments in their various aesthetic, material, and political conditions? This panel invites contributions of papers on any aspect of the fragment. Papers may consider a single work, author, or artist; a theoretical approach; individual fragments or their role in larger works.
The Heidelberg Center for American Studies (HCA) invites applications for its annual Spring Academy on American Culture, Economics, Geography, History, Literature, Politics, and Religion to be held from March 20-24, 2023.
The HCA Spring Academy provides 20 international Ph.D. students with the opportunity to present and thoroughly discuss their Ph.D. projects. Additionally, it offers workshops held by visiting scholars.
Learning of Castiglione’s death in 1529, Charles V declared “one of the finest gentlemen in the world has just died.”
The Spanish emperor’s praise is evidence of the depth and scope of the influence of Il Cortegiano during the
sixteenth century, appearing in Spanish translation by Juan Boscán in 1534 and in an Elizabethan translation by
Thomas Hoby in 1561. Yet Castiglione’s Courtier—read at times as a book of manners, and other times as
representative of Renaissance ideals—continued to influence writers, poets, and literary critics well into the
seventeenth century and for long after. Whether interested in sprezzatura, the art of conversation, the persistence of
Disability Studies in Dramatic Texts and Performance
Papers are sought for a special panel series on the subject of disability in dramatic texts and performance for the 45th Annual Comparative Drama Conference in Orlando, FL. We invite research on representation, image, symbolism, societal regulation or construction of disability as it pertains to casting and depictions of those with disabilities in playtexts and dramatic performance. The conference will allow hybrid attendance and presentations.
Call for Submissions to ROMARD: Research on Medieval and Renaissance Drama.
ROMARD is currently seeking submissions for publication in Volume 60. Anyone may submit original work to be considered for publication provided that they hold the authorized copyright for the work. ROMARD welcomes submissions of:
Transcendentalism is readily understood to have been an American—and even a transatlantic—social reform movement, having played a significant role in antislavery efforts, women’s rights, and labor and educational reform. But reform is markedly different than radicalism. For this edited collection, we are interested in what nineteenth-century radicalism looked like, and the ways in which the Transcendentalist movement was intertwined with radical social practice and thought. We are interested in, for example, the historiographic and philosophic connections between radical workers’ movements in Europe and the rise of Transcendental social critique in the United States.
This edited volume examines how sexual violence and feminist interventions in South Asia and the Diaspora have been articulated in literature and popular culture in the context of and in opposition to the #MeToo Movement. The #MeToo has significantly impacted how we understand sexual harassment, rape, and gendered violence, especially in the US. However, the movement was taken up only briefly by the media and entertainment industry in South Asia and the Diaspora.
2023 will mark the hundredth anniversary of Wallace Stevens’s debut poetry collection, Harmonium. To celebrate the occasion, the Wallace Stevens Society is organizing a panel about this landmark publication for the American Literature Association Conference in Boston (May 25-28, 2023). All approaches welcome, including fresh readings of individual poems, archival discoveries related to the book’s composition and publication history, discussions of new literary theories and their relevance to the poems, or reflections on the volume’s enduring impact on contemporary poetry.
CFP: Routledge Companion to Cultural Text and the Nation
We invite prospective contributions for the forthcoming Routledge Companion to Cultural Text and the Nation, an exciting new addition to the growing, dynamic book series.
This project aims to provide the first global history of cultural studies as a field, with a particular focus on its institutional manifestations and the ways in which cultural studies has been taken up in different cultural and geographical settings to various ends.
I am looking for papers for our panel at the Annual Convention of the Northeast Modern Languages Assocation (NEMLA) to be help at Niagra Falls, Buffalo, NY March 23-26, 2023.
'The Social Hieroglyphic': Modernist Reading Practices and their Afterlives
Asia in popular media was predominantly represented as sexually conservative with heterosexual narratives culminating in marriage. The 21st century, however, witnessed a surge of queer depictions that challenged the dominance of the heteronormative. This panel invites papers exploring representations of non-normative sexualities and genders from media industries within Asia. We are seeking in-depth discussions about queer narratives in films – independent as well as mainstream, television programs, and webseries. How do these different media formats shape the queer? To what extent does censorship affect these depictions? What roles do studios/production houses play in crafting queer subjectivities? How is the queer embodied in these narratives?
NeMLA 2023 Roundtable: The Mindful Intersection of Pedagogy and Scholarship
This roundtable session invites you to discuss practical strategies for implementing techniques of mindfulness in both the classroom and our scholarly work, considering especially their intersection.
In a memorable scene from Questlove’s award-winning documentary, Summer of Soul about the Harlem Cultural Festival (1969), singer Nina Simone performs “Backlash Blues,” a poem by her friend Langston Hughes. Five decades later, Beyonce performed a rousing version of “Lift Every Voice and Sing,” for her Homecoming tour in 2019. The poem, affectionately called the Black National Anthem, was originally written by James Weldon Johnson in 1900. Across these multiple decades, (and long before) African American musicians have invoked Black Literature, while African American writers have referenced Black music.
In 2021, Nella Larsen’s novel Passing was made into a Hollywood film, before premiering on Netflix in fall of that year. The film garnered many prestigious awards, with critics praising the producer, script, and of course, the acting. Yet the film did not receive any Oscar nominations. To some, this omission is quite surprising, given the unanimous acclaim the movie has already received. To others, this exemplifies Hollywood: they often award golden statuettes to Black movies that are rooted in stereotypical Black images of slavery, violence, and the white savior complex, among many others.
Where were you when you got an email from your institution in spring 2020 that you would have to move your courses online? How do you address trauma perpetrated against marginalized groups without further traumatizing your students?
Two years into our unprecedented new normal, this round table seeks a clearer understanding of what makes a classroom resilient in the face of unanticipated challenges. Internationally, we face inequity regarding healthcare access, racial disparity in law enforcement and economic standing, and culture wars waged against marginalized identity groups, among an unfortunately long list of other inequities.
This panel is sponsored by the Kurt Vonnegut Society and seeks presentations that address the conference theme of RESILIENCE as it relates to any aspect of Vonnegut's work, including novels, short stories, essays, and public appearances. We also welcome presentations that situate Vonnegut's work in conversation with his contemporaries and/or later twenty-first-century American authors.