Edited Collection: Cancer in Young Adult Literature

Deadline for Submission:

December 31, 2022

Full Name/Name of Organization:

Stephen M. Zimmerly, University of Indianapolis

Contact Email:

zimmerlys@uindy.edu

Narrative:

Continually being transformed, the humanities have expanded into a discursive field of trends, movements, and methodologies that have appropriated the thoughts, ideas, and viewpoints from social and other sciences by transgressing and crossing traditional boundaries, limitations, and demarcations. The humanities which traditionally include the study of disciplines such as language, literature, arts, history, culture, and philosophy rarely prove to be “disciplined” as each one often tends to encroach upon prescribed and reserved territories of other disciplines not traditionally humanities labeled.

The goal of this seminar is to provide a forum in which to discuss how TV shows (reality shows, true crime, documentary broadcasts, docufictions, and web series) bridge the gap between factual knowledge and myths, and how they facilitate the transfer of ordinary knowledge into the implausible, especially in Iberia and Latin America. Entertainment business and journalism intertwine to engage an audience-oriented to the consumption of serialized narratives.

Demographic concerns fundamentally shape programming and advertising on television, in the U.S. and globally, as they have since the advent of the medium, although many of these concerns have shifted significantly in the post-network era. Youth—defined broadly for these purposes as children (3-8), tweens (9-12), teens (13-19) and young adults (18-25)—comprise vital market groups offering complex and varied challenges to networks, platforms, creators, and advertisers. These challenges are especially heightened given the shifts in media consumption habits, the content restraints (mandated or otherwise) governing media for younger viewers, and the precarity of many aspects of social, cultural, and political life in the 21st century.

We are pleased to announce our call for book proposals for the new Methuen Drama Agitations Series.

Please read below for more information and if interested, please contact one of the editors at the email below.

Conference Online

17-18 November 2022

CALL FOR PAPERS:

To whom does aestheticism belong? Traditionally critiqued as an outgrowth of western bourgeois culture, aestheticism, with its assorted attributes (including aesthetic detachment, disinterestedness, and autonomy) seems ill equipped to respond to our contemporary concerns with marginalization, power imbalances, and the reproduction of hegemonic structures. And yet, the commitment to aesthetic detachment continues to pop up in seemingly unlikely places—in various corners of postcolonial literary production and in the writings of political exiles and Holocaust survivors. We therefore ask to whom aestheticism belongs today, who makes use of it, to what ends, and under what circumstances?

Though “posthumousness” takes a variety of forms, the texts within its ambit share a quality that Jean-Christophe Cloutier, in Shadow Archives, calls “a belated form of timeliness.” The editorial apparatus of posthumously published texts, such as Claude McKay’s Amiable with Big Teeth or Muriel Rukeyser’s Savage Coast, foregrounds these novels’ prior lostness and subsequent belated arrival in forms and contexts that their authors could not have foreseen.

Migration is broadly defined as the movement of people from one place to another and the people pursuing this journey are called migrants. However, there are various distinctions within the concept of migration that relates to factors that define if an individual should be considered a migrant, immigrant, refugee, or asylum seeker depending on their length of stay and motivation to migrate. Two major distinctions overarch all forms of movements that individuals make. First, voluntary, and involuntary; second, short term versus long term. Voluntary migrants include sojourners such as people who go abroad to study or visit for business purposes whereas involuntary migrants include refugees and asylum seekers seeking haven from ideology-based persecution.

The University of Maryland’s Graduate English Organization invites proposals on the topic of “Binaries” for our 16th annual conference, to be held hybrid/in-person on March 3rd, 2023.

Coming from the Latin bīnārius, the Oxford English Dictionary defines “binary” as “Of, pertaining to, characterized by, or compounded of, two; dual.” While this can be seen on one hand as collaborative and additive, binaries are also often understood as oppositional or dichotomous.These competing definitions, then, form a complicated interpretational binary.

University of Toronto Quarterly (UTQ) is currently seeking submissions. Established in 1931, UTQ publishes innovative and exemplary scholarship from all areas in the humanities. The journal welcomes articles, in English or French, on art and visual culture, gender and sexuality, history, literature and literary studies, music, philosophy, theory, theatre and performance, religion, and other areas of the humanities not listed here. As an interdisciplinary journal, UTQ favours articles that appeal to a scholarly readership beyond the specialists of a given discipline or field.

      In H.G. Wells’s A Modern Utopia (1905), the botanist declares to the utopia-planning narrator: “I do not like your utopia, if there are to be no dogs.” Yet humanity’s civilizations have often been in tension with nonhuman animals: the dog-loving botanist imagines friendly, amenable pet animals bred and reared to emotionally service human needs while the utopianist envisions packs of mangy, diseased strays terrorizing a metropolis.

Tales of explorers and adventurers often blur the line between science and fiction, with chronicles of the exotic and the unknown becoming the stuff of legends and the building blocks of history. Explorer’s tales spin heroic stories of adventures that cross borders, shatter boundaries, develop new knowledge, and, in so doing, depict the causes and consequences of seeking dominion over people and places.

Last Night’s Fun: Ciaran Carson: A Conference and Commemoration
13th—16th September 2023
The Seamus Heaney Centre, School of Arts, English and Languages at Queen’s University, Belfast.  

This conference and commemoration will celebrate the work of Ciaran Carson, esteemed poet, writer and musician, Professor and founding Director of the Seamus Heaney Centre at Queen’s, whose high standards of excellence, and high-spirited blend of local rootedness and global openness (in poet Alan Gillis’s words) he personified.  The conference will provide an opportunity for an extended discussion of his contributions to literature, and of his legacy for future generations of poets, critics and general readers.