This panel will analyze autofiction and autotheory as contemporary literary genres still on the rise, with particular interest in putting the two in conversation with each other. 

Autofiction and autotheory continue to grow in popularity as forms of contemporary life writing. Despite their differences, these two genres share a concern in representations of selfhood and subjective experience that explicitly engage and are shaped by other literary and philosophical texts. Moreover, by emphasizing the intertextuality of lived experience, they both challenge (1) the perceived conventionality of more established life writing genres, such as memoir, and (2) everyday assumptions of unmediated, individual self-expression. 

Call for Papers

Transcending Boundaries – Interdisciplinary Insights in Transpacific Studies

TPSN Hybrid Conference

February 9-10, 2024 at Johannes Gutenberg University Mainz, Germany and Online

Terisa Siagatonu knows a thing or two about not being afraid to rile up her audience. The Samoan American poet and Pacific Islander activist pushes listeners to reflect on what it means to come from a region of the world that is often misunderstood, if not altogether ignored. In “Atlas” (2018) she memorably writes:

If you open up any atlas

“To the uncultivated eye a forest appears simply as uncultivated land—an expanse of woodland and heath which has been left ‘wild’ ... But a forest has its own complex economy.” —E.P. Thompson, Whigs and Hunters

Call for papers:

Conference in education, linguistics, and digital technology

Possibility for Scopus indexed publication.

Venue: Grigol Robakidze University, Tbilisi- Georgia ( also on-line session)

Date: 22 September 2023

https://emf.euinstitute.net/

 emails: contact@eujournal.org Subject: EMF 2023

The editor of Batman… Also Starring is seeking abstracts for essays that could be included in the upcoming collection. Many academic texts focus on Batman as a cultural figure in comics as well as in films, television programs, and video games. However, like all great superheroes, Batman is as much defined by his supporting cast as he is by his costume, abilities or origin. While there is no shortage of scholarship devoted to his most famous sidekicks — such as Nightwing, Batgirl or the many Robins — and his most popular villains — like Joker, Catwoman, and Harley Quinn — little critical attention has been paid to the majority of his cast.

During a roundtable discussion (now published in Journal18), scholars pointed out that visual culture emerged as a distinct methodology. Visual culture aims to problematize the Eurocentric, colonialist, racist, heteronormative, and patriarchal assumptions that enforced and continue to enforce the art historical discipline. This panel continues and expands these crucial conversations by exploring the relationship between art history and visual culture during the long eighteenth-century.

Session will present: Hybrid 
Affiliated Society or Committee Name: Services to Artists Committee 

Something has changed about the way we watch reality TV. For example, Selling Sunset, a show about selling luxury homes in the Hollywood Hills area, is the new platonic ideal of reality TV. It presents the glamorous, unattainable Hollywood lifestyle but is grounded by the viewers’ social media engagement with the subjects online. These viewing practices facilitate a novel method of watching reality TV. Engagement is now self-reflexive: drama on many of the shows has its roots in Instagram, TikTok, or Reddit feuds about the show, rather than actual conflicts that unfold on-camera. Other series, such as Vanderpump Rules, Indian Matchmaking, and Too Hot to Handle similarly thrive in this social media economy.

From the Yucatán Peninsula to the Florida Keys, the many cultures of the greater Gulf have inscribed the region with their distinctive architectures, re-formed landscapes, and imagined spaces. Where once the Karankawas constructed the ba’ak, the petroleum complex sprawls with its refineries, tank farms, and pipelines.

Session Title: Beowulf the Monster 

Session#5331

Importance:

Although Beowulf has long held place as a praise poem, a rising tide of critique has noted various elements that frame the central protagonist and other heroic figures in the poem as monstrous in key respects (Greenfield, 1982; Griffith 1995; Orchard 1995; Köberl 2002; Sharma 2005; Gwara 2009). Despite these critiques, however, the hero’s virtuous standing remains intact—particularly, in his reputation for exceptional loyalty in a poem replete with inter-tribal feuds and intra-tribal treachery.

Description for Call for Papers:

Seeking Contributors for MLA volume, Approaches to Teaching the Works of Colson Whitehead

Edited by Stephanie Li

CRES Justice Conference 2024: Movements and Migrations

#cresjustice2024

March 7 and 8, 2024

Department of Comparative Race and Ethnic Studies

Texas Christian University

Fort Worth, TX

Abstract Deadline: Monday, October 16, 2023

Conference Keynote Speaker: Dr. Karma Chávez, The University of Texas at Austin

William Wells Brown as a Man of Letters  

Time is running out! Please pass the following along to colleagues/students who you think might be interested:

 Apply to the New Scholars Program by September 5

The Bibliographical Society of America (BSA) New Scholars Program strives to welcome researchers who have not previously published, lectured, or taught on bibliographical subjects by nurturing and promoting their scholarship. Each year, three New Scholars receive a cash award of $1,000, a $500 travel stipend, and the opportunity to present their work by participating in a two-pronged program: