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International Journal of Humanities, Art and Social Studies (IJHAS)
*** June Issue ***
https://flyccs.com/jounals/IJHASS/Home.html
Scope
International Journal of Humanities, Art and Social Studies (IJHAS)
*** June Issue ***
https://flyccs.com/jounals/IJHASS/Home.html
Scope
CONFERENCE CALL
MELOW 2021
THE 21st INTERNATIONAL CONFERENCE OF
MELOW (THE SOCIETY FOR THE STUDY OF THE MULTI-ETHNIC LITERATURES OF THE WORLD)
to be organized by
SHOOLINI UNIVERSITY, SOLAN, HP, INDIA, https://shooliniuniversity.com/
FROM 12 TO 14 NOVEMBER 2021
CONFERENCE THEME: ILLNESS, HEALING, AND THE LITERARY IMAGINATION
Dear Colleagues,
Whether we praise or deride it, we now live in its shadows and must reckon with what it has bequeathed us. Western thought is haunted by the Enlightenment
(Genevieve Lloyd, Enlightenment Shadows, 2013)
CFP NeMLA 2022 Baltimore March 10-13, 2022 Uses and Misuses of Care in a Critical Posthumanist Framework
Sìntesis - Revista de filosofia
https://sintesis.uai.cl/index.php/intusfilosofia/announcement/view/1
Dark academia is a recently emerging term of phrase describing not only an aesthetic within popular culture but also a type of genre involving an academic background, elements of the gothic, and the spectacular. Like the speculative supergenre, dark academia often borrows freely from other literary and cultural categorizations, in the way of crime fiction, classical Greek & British mythologies, artistic aesthetics, paranormalcy, romance, villainy, stoicism, and posthumanism. Oftentimes within dark academia, the Other represents a romanticized villain and/or monster with whom the reader and reviewer empathizes with. Through this romanticization, we often find that nostalgia for a colonial history takes centerstage.
ANZAMEMS 2022 CONFERENCE ON RECEPTION AND EMOTION
CFP - PANEL ON AESTHETICS IN MEDIEVAL AND EARLY MODERN POETRY
We invite scholarly proposals for papers on aesthetics in medieval and early modern poetry (c. 400 to 1800), as part of a panel or panels being established at ANZAMEMS 2022. The link to the main website and call for papers is here: https://www.anzamems2021.com/
The Nathaniel Hawthorne Review invites submissions for a special issue on Hawthorne and Religion, with guest editor Jonathan A. Cook. Over the course of his career, Hawthorne earned a reputation as the nation’s leading imaginative interpreter of New England Puritanism and its nineteenth-century cultural legacy, but the exact nature of his religious predilections remains open to debate. Was he a bona fide Christian? If he was, why didn’t he go to church? What credence did Hawthorne give to his ancestral Calvinism? What impact did his wife’s Unitarianism have on him? Did Hawthorne have a well-kept “secret” that influenced his depiction of repressed guilt? What did Hawthorne think of contemporary evangelical Protestantism, and of the nation’
South Atlantic Review Special Issue: “Post-Normative?”
Guest Editors: Horacio Sierra, Bowie State University & Austin Svedjan, Louisiana State University
NeMLA 2022: Baltimore, Maryland. March 10-13
Panel: Trans Visibility In A Time of Public Transphobia
This panel will explore the many existing and potential connections between video games and the literary world. Many leading games have explicitly referred to works of literature, either within their storyworlds or in their marketing (for instance, Bioshock’s interactive rebuttal of Ayn Rand’s ideas). More broadly, emerging video game theory has often defined itself either by analogy or by opposition to existing concepts from literary theory. Book genres such as the choose-your-own adventure format (eg. Steve Jackson’s Sorcery! series) have also anticipated video gaming, and in turn been remastered as games using the same text and narrative structure.
Our website: https://www.racismconference.info/Conference Online (via Zoom)
Scientific Committee:
Professor Wojciech Owczarski – University of Gdańsk, Poland
Professor Polina Golovátina-Mora - Universidad Pontificia Bolivariana (Colombia)
CFP:
Call for Papers
Routledge Volume
Planetary Health Humanities and Pandemics
Heike Härting and Heather Meek (eds.)
Chinese Fandoms
Chinese fandoms are a growing area of interest attracting attention from groups as diverse as academia, industry, and even government. Although the foci of these groups vary, at the core are questions related to the function, organization, interests, and activities of fan groups. As Chinese media and entertainment industries mature and transnational collaborations increase, content and celebrity figures both inside and outside the Chinese context are increasingly distributed, consumed, and implicated in the formation (or extension) of fan communities.
In his 1962 essay, “The Creative Process,” James Baldwin writes, “A society must assume that it is stable, but the artist must know, and he must let us know, that there is nothing stable under heaven. . .The artist cannot and must not take anything for granted, but must drive to the heart of every answer and expose the question the answer hides.” The link between artist and activist illustrates the import of black public voices that challenge institutions of white supremacy, gender oppression, and systemic dehumanization. Historically, artists have critiqued, documented, and contextualized racial violence to ensure that the past is not forgotten and to reshape the nation’s consciousness.
“The complex relation between the private, the individual and loneliness is unique and necessary to Adorno’s work, despite the rich annoyance of his particular mode of provocation.” (Fred Moten, “The Phonographic mise-en-scene” 2004)
As Anis Bawarshi and Mary Jo Reiff argue in Genre: An Introduction to History, Theory, Research, and Pedagogy, genres are not mere “text types,” buckets that writers fill with familiar conventions, but dynamic “social actions” that exist in activity systems (3, 78). And as suggested by contemporary texts across modes and media, for instance Alison Bechdel’s Fun Home (which blends features of comics, autobiography, comedy, and tragedy) or Ana Lily Amirpour’s A Girl Walks Home Alone at Night (which merges conventions of horror movies and westerns), contemporary authors and artists appear to be increasingly invested in the work of challenging genre conventions and meshing genres.
CALL FOR PAPERS
Streaming #MeToo:
Rape Culture in American Television
Edited by Ralph Beliveau and Lisa Funnell
Call for Papers
Title: Peer Review and the Pandemic
Deadline: 1 September 2021
JNT: Journal of Narrative Theory solicits submissions that address the intersection of narrative, history, ideology, and/or culture, all broadly defined. Of particular interest are narrative and history; cultural studies and popular culture; discourses of class, gender, sexuality, race, nationality, subalternity, and ethnicity; film theory and media studies; post-structural, postcolonial, and ecocritical approaches to narrative forms (literary or otherwise); along with essays that span or subvert epistemic and/or disciplinary boundaries.
"Ecofeminist Readings of Life on Earth"Lecture and Workshop8 July 2021 – London/Online10am-1pm (London Time)
organised by
London Centre for Interdisciplinary Research
and
Heroes, Rebels and Outlaws: Escapism and 19thC Literature
International Seminar
1st & 4th Sunday (July,August,September 2021)
Course Facilitator: Olga Akroyd , Ph.D
Abstract:
Although academia’s interest in disability studies emerged in the late 1980s, an ever-growing body of research has emerged since then, mainly from Anglo-Saxon and Nordic countries.
WinC Magazine is the official publication for Women in Comics Collective International (WinC), which was founded in May 2012.Autumn 2021 Issue Submissions CallSeptember 2021 | Theme: Changes...When you think of Autumn, what words come to mind? Cool nights, foliage colours, warm cider, crisp breezes, new weather events, pumpkins?
Contact|Touch
Plenary Speakers:
Hussein Fancy, Department of History, Yale University
Elina Gertsman, Department of Art and Art History, Case Western Reserve University
Contact|Touch
Plenary Speakers:
Hussein Fancy, Department of History, Yale University
Elina Gertsman, Department of Art and Art History, Case Western Reserve University
CFP: Modern Drama special issue -- 'Teaching Modern Drama'Abstracts due June 15 Send abstracts of ~ 300 words to guest editor Jennifer Buckley (jennifer-buckley@uiowa.edu)Since its founding in 1958, Modern Drama has offered innovative scholarship on dramatic literature to higher education professionals in theatre, literature, language, and adjacent disciplines.