This panel aims to provoke discussion of “trauma” and the critical paradigm that has grown up around it in our time. Especially since the publication of Cathy Caruth’s Unclaimed Experience in 1996, “the traumatic” has grown from a specialist analytic discourse to a catch-all framework that informs how we talk about everything from politics, to art, to personal relationships. In short, the concept of trauma today enjoys a culturally dominant status. In recent years, however, the narrative trope of trauma has served as a target for critics increasingly frustrated with its seeming omnipresence.

                                           INSAP 2025 – Celestial Connections Across Time and Space  

Dates: 8-13 June 2025  
Location: Queen’s University Belfast, Northern Ireland, UK  

Subject Fields: Art, Art History & Visual Studies, Environmental History / Studies, History of Science, Medicine, and Technology, Humanities, Literature, Anthropology, Cartography, Geography

Abstract Deadline: 22 December 2024

Representing Bridgerton:

Intersectional Perspectives on the Popular Phenomenon

Edited by Lorna Piatti-Farnell, Lisa J Hackett, Jo Coghlan and Huw Nolan

Editors:

• Dr. Muhsin Yanar, Visiting Researcher, School of Creative Arts, Culture and Communication, Birkbeck, Birkbeck, University of London
• Dr. Grace Halden, Senior Lecturer, School of Creative Arts, Culture and Communication, Birkbeck, University of London
• Dr. Pelin Kümbet, Department of Literatures in English, Visiting Researcher, Cornell University
• Dr. Russell Kilbourn, Professor, Department of English and Film Studies, Wilfrid Laurier University

 contact email:

sciencesandfictions@gmail.com

 Presentation

Deadline now extended to December 14, 2024.

[W]e need to contest this understanding of emotion as ‘the unthought’, just as we need to contest the assumption that ‘rational thought’ is unemotional…
Sara Ahmed, The Cultural Politics of Emotion

CALL FOR PROPOSALS

CAPS (formerly CACLALS) 2025 from June 1 to 3, 2025
Proposals due: January 15, 2025

Keynote Speakers: TBA

Conference Theme: Postcolonial Studies, Sustainability, and Shared Futures

The Canadian Association for Postcolonial Studies (formerly CACLALS) will host its annual conference from June 1 to 3, 2025, at (TBA) in Toronto, Ontario, Canada.

The editors of Translation Review are inviting submissions. We are particularly interested translations of contemporary international writers into English and submissions that discuss the process and practical challenges of translating.

We would also be happy to consider and interviews with translators, manuscripts that address the concept of translation in the visual and musical arts (intersemiotic or multimodal translations), as well as submissions that address issues of machine translation, AI translations, and translation in the digital age in general. Proposals for special issues are also welcome.

Call For Papers

The 2nd International Conference on Global Plant Humanities

Date of Conference: 2–3 May 2025 (Friday-Saturday)

Mode:                         Hybrid

Host:                           Tribhuvan University, Kathmandu, Nepal

Partners:                    Nulungu Institute, University of Notre Dame, Australia

Sadhan Chandra Mahavidyalaya (affiliated with the University of Calcutta)

Gifts from the Sentient Forest (project supported by the Kone Foundation, Finland)

Location:                    Kathmandu, Nepal

On behalf of the Canadian Society for Digital Humanities, we invite all interested parties to submit proposals for the annual conference, hosted at George Brown College in Toronto this summer as part of the 2025 Congress of the Social Sciences and Humanities. 

Call for Submissions 

The Janovics Center Award for Outstanding Humanities Research in Transnational Film and Theatre Studies 

The Janovics Center for Screen and Performing Arts Studies and the Faculty of Theatre and Film at Babes-Bolyai University invite submissions for their annual award for outstanding humanities research in transnational film and theatre studies. The award will be offered to contributions in the fields of film or theatre studies. The award consists of an invitation to give a talk at the Center and an honorarium.  

Dickinson and Ecologies deadline for submissions: November 30, 2024 full name / name of organization: Li-hsin, Hsu / National Chengchi University  contact email: johsu@mail2.nccu.tw 

Dickinson and Ecologies

Emily Dickinson International Society + Wenshan Conference (Hybrid)

Department of English, National Chengchi University (NCCU), Taiwan

19-22 June 2025

(1 Day Critical Institute + 3-Day International Conference)

Call for Papers 

Abstract Submission Deadline: 30 November 2024

Call for Papers5th Spiral Film and Philosophy Conference “Rise of the Machines”Toronto, Canada

May 23-24, 2025

We are pleased to invite proposals from UK-based postgraduate and early-career researchers to participate in a twelve-person, interdisciplinary research workshop, ‘Genres of Revolt: Cultural Afterlives of 1848’, to be held on 12-13 June 2025, at Gonville & Caius College, University of Cambridge.

In the history of revolutions, 1848 has often stood as a marker of utopian aspirations—but also a symbol of thwarted hopes. More recently, vibrant scholarly debates on the significance of this crucial year have begun to prompt a new reckoning and to revise a longstanding consensus that the revolutions simply ‘failed’, in part by looking beyond the European scene alone.

Perspectives in Architecture and Urbanism

Call for Papers: Studies in Materialistic Historiography

Virtual issue

Guest Editor: K. Michael Hays