International Journal of Humanities, Art and Social Studies
International Journal of Humanities, Art and Social Studies (IJHAS)
ISSN : 1832-624N 2974-5962 (Print)
https://flyccs.com/jounals/IJHASS/Home.html
*** July Issue***
Scope
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FAQ changelog |
International Journal of Humanities, Art and Social Studies (IJHAS)
ISSN : 1832-624N 2974-5962 (Print)
https://flyccs.com/jounals/IJHASS/Home.html
*** July Issue***
Scope
International Journal of Education (IJE)
ISSN : 2348 - 1552
https://flyccs.com/jounals/IJEMS/Home.html
*** July Issue***
Scope
International Journal of Humanities, Art and Social Studies (IJHAS)
ISSN : 1832-624N 2974-5962 (Print)
https://flyccs.com/jounals/IJHASS/Home.html
*** July Issue***
Scope
This in-person roundtable invites creative writing instructors to reflect on current challenges and opportunities in teaching the art and craft of poetry, fiction, non-fiction, and drama.
At a time when the humanities face increasing scrutiny, creative writing courses remain spaces where students actively engage in imaginative thinking, narrative experimentation, and the articulation of personal and collective experiences. But how do we design workshops and other course structures that are inclusive, innovative, and responsive to our students' needs and voices?
Imaginations of the Womb – Uterine Imaginaries
Graduate Student Workshop
Princeton University, November 20–21, 2025
Organized by Marie-Louise James and Erica Passoni (German Department)
The 57th Annual Northeast Modern Language Association Convention will be held in Pittsburgh, Pennsylvania, USA.
Conference Dates - March 5-8, 2026
Topic - Reclaiming History: Trauma, Memory and Resilience in the Narratives from Africa
Deadline for Abstract Submission - September 30th 2025
Modality - hybrid (in-person but accepting remote presentations)
Overview -
Since his debut inFantastic Four #48, the Silver Surfer has become an integral part of Marvel Comic’s sprawlinguniverse. In his six-decade existence, the character has been featured in merchandise and Marvel’s transmedia properties, including cartoons, movies, video games, and podcasts.
While there exists a smattering of academic research on the Silver Surfer, this edited collection welcomes differing perspectives on thischaracter. We welcome contributions from different disciplinary and interdisciplinary perspectives, including comics studies, film and media studies, communication, theology, literary criticism, and so on.
Écocritique Agricole: Tracing the Furrows of Farming in French and Francophone Literatures Tilling through the writings of Rousseau, Derrida reminds us in his Of Grammatology that writing and agriculture share a common origin. It is agriculture and the resulting sedentarization of our societies, he argues, that first opened nature to culture and to our writing upon it. Derrida goes so far as to compare writing to cultivation in the agricultural sense: “it is a matter of writing by furrows. The furrow is the line, as the ploughman traces it.” It makes sense, then, that the French “délirer,” meaning to babble, takes root in the Latin delirare, to veer from a furrow.
Call for papers: NeMLA 2026
This panel seeks to investigate the intersection of postmodernism and horror cinema in the 21st century, highlighting shifts in themes, the rise of new filmmakers, innovative production techniques, and the ways in which the genre has absorbed and requalified postmodernist conventions. Comparative studies among American, European, and/or non-Western cinema are encouraged.
Recovering late-colonial Malay(si)a:
Histories and Legacies of Resettlement
Dates: March 17–18, 2026
Imperial War Museum London, Lambeth Road, London SE1 6HX, UK
Overview
All papers submitted to this symposium must be related to results and research in or about English language; comparative, dissemination, multidisciplinary, etc. papers will also be accepted.
The proposed topics cover a variety of lines of work, including:
Call for Book Chapters
African Literature and the Resilience of Love: Indigenous Intimacies as Resistance in Historical and Global Contexts
Submission Email: africanliteratureandlovebook@gmail.com
Editor: Azzeddine Tajjiou
2026 NeMLA Annual Convention
March 5-8, 2026
Wyndham Grand Hotel, Pittsburgh, PA
Call for Papers for in-person panel:
On the eve of the 250th anniversary of the signing of the Declaration of Independence and the formation of the United States of America, this panel seeks papers that examine US national identity as it is represented in textual form. Specifically, we seek papers that analyze literary texts—novels, stories, poems, and plays—that speak to the characteristics of American identity and ultimately offer an answer to the question, “What does it mean to be ‘American’?”
Folk Songs in 21st Century: Ritual, Ceremony, and Euphoria
Deadline for Submissions:
4th August 2025
full name / name of organization:
Prof Shuchi Sharma
(Professor, Department of English, USHSS, Guru Gobind Singh Indraprastha University)
Ms. Shubhangi Srivastava
(Research Scholar, Department of English, USHSS, Guru Gobind Singh Indraprastha University)
Ms. Mitali Bhattacharya
(Research Scholar, Department of English, USHSS, Guru Gobind Singh Indraprastha University)
contact email:
folk.songs.2026@gmail.com
We would like to remind you that there are only a few days left to submit proposals for the I Cine Bárbaras – International Conference on Cinema and Audiovisual, which will take place on October 23–24, 2025, at Universidade Lusófona – Centro Universitário do Porto.
The 17th Annual Louisiana Studies Conference will be held September 13, 2025, at Northwestern State University in Natchitoches, Louisiana. The conference committee is now accepting presentation proposals for the upcoming conference. Presentation proposals on any aspect of the 2025 conference theme “Louisiana Dramas,” as well as creative texts by, about, and/or for Louisiana and Louisianans, are sought for this year’s conference.
Decolonial Philosophies Collaboratory
presents the conference
Decolonization & Global Justice
22nd, 23rd, 24th of January, 2026
University of Oregon
Eugene, Oregon
Call For Participation
Decolonization and Global Justice will be a three-day, transdisciplinary conference that brings together decolonial, postcolonial, anticolonial, Indigenous and anti-imperial feminist perspectives on contemporary global crises.
This session seeks to explore the intersections of embodiment and environment in the Middle Ages, considering how bodies—organic and inorganic, human and non-human, material and immaterial—constitute, shape, and envelop one another. By “naturing” bodies, we seek to erode neat divisions between humans and the natural world to uncover the earthy entanglements linking humans to the environments they shape and are shaped by. Attuning to John Scotus Eriugena’s claim that nature is the name “for all things, for those that are, and those that are not,” we invite papers that reflect on the fundamentally relational ontology of humans, non-humans, and environments.
CFP Performing Wilderness Volume
<DEADLINE EXTENDED>
The wilderness appears to be a place devoid of theatre. As perhaps the most social of artistic forms, theatre and performance seem to sit in opposition to the solitude of wilderness, natural areas supposedly untouched by human activity. That is, wilderness and the performing arts are often thought as part of separate spheres, opposites even, situated firmly on either side of the imaginary divides between “nature” and “culture.”
The International Toy Research Association (ITRA) invites proposals for the 10th ITRA World Conference to be held in Augsburg Germany 5-7 August, 2026. The overarching conference theme is The Zeitgeist in Toys & Games.
Proposal Submission Deadline: 31 December, 2025
Throughout recorded history, toys and games have shaped and reflected who we are. They inspire our play and fuel our development, both as individuals and members of society. As both carriers and changemakers of culture, toys represent and influence the collective spirit of their times – the Zeitgeist.
Located at the juncture of philosophy and the arts, mimesis is one of the most ancient concepts of literary theory and may not initially appear new, let alone original. It was indeed marginalized and forgotten in the Romantic and modernist periods haunted by the myth of originality. Yet, in recent years, scholars across the humanities, social sciences, and even the neurosciences, have returned to the ancient, yet strikingly contemporary, realization that humans are an imitative species, or homo mimeticus (www.homomimeticus.eu).
FIRST FORUM CONFERENCE 2025—CALL FOR PROPOSALS
DIVISION OF CINEMA AND MEDIA STUDIES
UNIVERSITY OF SOUTHERN CALIFORNIA
OCTOBER 17TH AND 18TH 2025
This year’s keynote presentation will be given by Dr. Silpa Mukherjee (University of California, San Diego).
SPEED
Call for papers: Women’s Studies: An Inter-disciplinary Journal (A&HCI)
Special Issue: Quilting and Women's Storytelling
Guest Editor: Hairong Chen
CALL FOR PAPERS
Cinema’s First Epics in Focus: Silent Epic Film from Literary Adaptation to Contemporary Epic Narratives
(Edited Volume)
Call for Chapterrs
Edited Volume on Can I Believe?: Postcolonial Religiosity in the Post-Truth Era
Edited by Fardun Ali Middya & Md Ujan Ahmad
“What’s the name of the game?” ABBA, Northernness and Pop Culture
19-20th March 2026, Université de Lorraine, Nancy
This session seeks papers that examine points of contact between different languages in Layamon’s Brut and in other prose and verse Bruts. Papers that focus on instances within the text where speakers of different languages interact are welcome, as are papers that take examine Layamon’s and other Brut authors’ methods of translating sections of source texts and/or incorporating other languages into their text. The session hopes to advance critical understanding of relationships between language and cultural or ethnic identity, language as a source of power or prestige, and translation as a way of conveying history to different audiences. What do perceptions of language tell us about the writers and readers of historical texts
This session seeks papers that examine points of contact between different languages in Layamon’s Brut and in other prose and verse Bruts. Papers that focus on instances within the text where speakers of different languages interact are welcome, as are papers that take examine Layamon’s and other Brut authors’ methods of translating sections of source texts and/or incorporating other languages into their text. The session hopes to advance critical understanding of relationships between language and cultural or ethnic identity, language as a source of power or prestige, and translation as a way of conveying history to different audiences. What do perceptions of language tell us about the writers and readers of historical texts
Concept Note: