Wednesday 18th June 2025 to Friday 20th June 2025

Falmouth University, UK

The Contemporary Women’s Writing Association’s 2025 conference will be an interdisciplinary and global exploration of the role and impact of women’s writing. This conference is dedicated to the discussion of a broad range of women’s writing, including the popular and the literary; bestsellers and genres; poetry and prose; screen and script; writing for games and digital spaces; creative non-fiction; life-writing, biography, and memoir; and journalism and other forms of cultural production.

The study and analysis of creative fan production (e.g., fanfiction, fanart, cosplay, etc.) is a cornerstone of fandom studies. These practices enable fans to assert a level of authorship over their favorite media – to reimagine, recontextualize, and reconceptualize their canons to better reflect their desires, wants, interests, and demands. They provide voice to individuals who cannot necessarily shape source texts directly (Vinney & Dill-Shackleford, 2018), allowing fans to carve out space for themselves within the pop-culture landscape that celebrates/embraces their identities. This is particularly poignant for marginalized fans.

Eco-environmental criticism has now become a staple presence in the interdisciplinary and transdisciplinary landscape, calling for ongoing reflections on the human impact on the environment. A distinct aspect of these conversations has been the growing focus on the concern of ecological destruction for the planet, with all the inevitable consequences that this entails.  Within changing contexts that feel increasingly more precarious, conceptualisations of the ‘eco-futures’ have become central to our cultural discourses,  from film to television series, from literature to comics, from animation and video games to digital narratives, from architecture to design, from socio-ecology to animal studies. 

Late submissions being accepted until 15 December 2024.

Call for Paper for the Monsters, Monstrosities, & the Monstrous area of the PCA for the 2025 PCA Conference in New Orleans

 CFP: 59th Annual Comparative World Literature Conference 

Ecocriticism and Popular Culture: Cool Trends in a Warming ClimateVenue: California State University, Long Beach. Hybrid Dates: 23-25 April 2025; two days of in-person and one day of Zoom panelsKeynote Speaker: Kaniehtiio Horn.

Robert Lowell session, American Literature Association, 21-24 May 2025 in Boston

The Robert Lowell Society welcomes proposals for one session at the American Literature Association's annual conference (Boston, MA, 21–24 May 2025).

We are especially interested in proposals that consider Lowell's work in light of today's "death studies." For example: Lowell’s own elegies, his memories of and reconstructions of predecessors and peers, his cemetery poems, his care poems, his commemorative publishing projects, his imitations of elegies by others, his prose about others. Panelists might also consider poems about Lowell, including but not limited to elegies. 

OGOM Conference 2025: CFPSea changes: The fairytale Gothic of mermaids, selkies, and enchanted hybrids of ocean and river

Conference page: https://www.opengravesopenminds.com/sea-changes-2025/

Venue: The British Library, London, UK (and online) Date: 5–6 September 2025

American Literature Association

May 21-24, 2025

The Westin Copley Place, Boston, MA

The Richard Wright Society announces two sessions on Wright to take place at

the 36th Annual American Literature Association Conference.

Roundtable: Richard Wright’s Contributions to Postcolonial Studies

In his introduction to AfroAsian Encounters: Culture, History, Politics, Vijay Prashad tells

the story of how Richard Wright came to attend the historic Bandung Conference in

Recent developments in the study of theatre festivals (Knowles 2020) highlight the importance of investigating festivals as key events, both for the field of theatre and, more broadly, for cultural life. These contributions demonstrate the value of examining festivals from transnational perspectives and exploring their impact on the artistic and social communities that have designed, produced, and hosted them. As recurring events that create a distinct time and space, festivals can be seen as a lens through which processes of negotiation between socio-political positions and artistic perspectives can be investigated, often within a context that is simultaneously local and global.

Call for Proposals: Conference on Creativity, Creative Arts, and Neurodivergence, June 2025

Hybrid in-person/Online: June 18 - 20, 2025 (dates tentative at this stage, will be confirmed)

Online pre-sessional: Thursday, June 18 (2 - 6pm GMT)

In person: Friday & Saturday, June 19-20 (2 - 5pm and 9am - 5pm)

Call for Papers: ‘Nordic Film Culture in the 21st Century’

Special Issue of Journal of Scandinavian Cinema 

Guest editors: Eva Novrup Redvall (University of Copenhagen), Anders Grønlund (Lund University) and Pietari Kääpä (University of Warwick)

View the full call here>>

https://www.intellectbooks.com/journal-of-scandinavian-cinema#call-for-papers

2025 WAR AND MEDIA STUDIES GRADUATE STUDENT WRITING AWARD 

The War and Media Studies SIG is holding its annual graduate student writing award competition to showcase innovative work in the field by our graduate student members. We will again be partnering with the Sage journal Media, War & Conflictand the winning author will have the opportunity to be published in the journal in addition to receiving a $100 cash prize.  

This panel aims to provoke discussion of “trauma” and the critical paradigm that has grown up around it in our time. Especially since the publication of Cathy Caruth’s Unclaimed Experience in 1996, “the traumatic” has grown from a specialist analytic discourse to a catch-all framework that informs how we talk about everything from politics, to art, to personal relationships. In short, the concept of trauma today enjoys a culturally dominant status. In recent years, however, the narrative trope of trauma has served as a target for critics increasingly frustrated with its seeming omnipresence.

                                           INSAP 2025 – Celestial Connections Across Time and Space  

Dates: 8-13 June 2025  
Location: Queen’s University Belfast, Northern Ireland, UK  

Subject Fields: Art, Art History & Visual Studies, Environmental History / Studies, History of Science, Medicine, and Technology, Humanities, Literature, Anthropology, Cartography, Geography

Abstract Deadline: 22 December 2024