International Journal of Humanities, Art and Social Studies (IJHAS)
International Journal of Humanities, Art and Social Studies (IJHAS)
ISSN : 1832-624N 2974-5962 (Print)
http://vingcs.com/journals/hass/index.html
***September Issue ***
Scope
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International Journal of Humanities, Art and Social Studies (IJHAS)
ISSN : 1832-624N 2974-5962 (Print)
http://vingcs.com/journals/hass/index.html
***September Issue ***
Scope
*** DEADLINE EXTENDED TO OCTOBER 1, 2023 ***
The response to our earlier CFP was so strong that we are expanding our edited volume into The Handbook of Transgender Science Fiction, and we welcome additional chapters examining science fiction novels, short stories, YA literature, graphic novels, comics, films, television, games, material culture, and other media.
Interested authors should submit a 300-word abstract, a 200-word biography, and a sample of a previously published chapter or article to the Dropbox folder at https://bit.ly/Transgender_Science_Fiction no later than October 1, 2023.
Critical Plant Studies, a book series published by Lexington Books, an imprint of Rowman & Littlefield, calls us to re-examine in fundamental ways our understanding of and engagement with plants, drawing on diverse disciplinary perspectives. A sampling of topics appropriate for this series includes but is not limited to:
• Representations of plants in literature, art, film, and popular culture
• Relationships between humans and plants
• Boundaries and distinctions between plants and animals
• Plants and the environmental crisis
• Phytosemiotics and plant communication
• Plant sensation and consciousness
• Vegetal agency
In keeping with NeMLA's theme on “Surplus,” this roundtable will interrogate the works of Richard Wright and Ann Petry and how they have been interpreted as “excessive.” It seeks to examine how their work has been understood as excessively: masculine, feminist, violent, Communist, leftist, assimilationist, naturalist, realist, etc. This roundtable seeks to look at two major African American authors of the twentieth century whose boundary pushing were seen as "excessive."
Abstract:
The Early Modern Center at the University of California, Santa Barbara, invites paper proposals for its 2024 conference, “Body Matters!: Disability in English Literature to 1800,” to be held at UCSB on March 1 and 2, 2024. Attending to the presence of disability in the premodern world, this interdisciplinary conference invites proposals that address medieval, early modern, and eighteenth-century literary and cultural texts. We are thrilled to announce our keynote speakers, Dr. Rachael King (UCSB), Dr. Bradley Irish (Arizona State University), and poet Jos Charles.
This panel invites submissions on literature and media from the U.S. Virgin Islands and Puerto Rico.
Papers can respond to a wide range of questions, including (but not limited to):
Call for papers for a Special Cluster in a/b: Autobiography Studies
Spaniards across the Americas after the Spanish Civil War: “I am from the Country Called Exile” / Españoles en las Américas después de la Guerra Civil: “Soy del país del exilio”
ACLA 2024 CFP: The Postcolonial Elite and Neo-Orientalising India
International conference: Streaming in the Global South
Institute of Asian and Transcultural Studies, Vilnius University, Lithuania
Vilnius, 18-20 January 2024
The Institute of Asian and Transcultural Studies (Vilnius University) and the Centre for Creative and Cultural Practice (University of East London) invite proposals for conference papers on streaming and video online distribution in the Global South.
Leadership is a subject of different studies and analyses that attempt to understand what makes a person a leader and how it is different from management. Indeed, social sciences, management studies, and even Humanities manifest great interest in leadership, its characteristics, roles, importance, and primordiality for companies and businesses' success. Hence, the important number of studies and analysis.
What can be said about epic today? Although M.M. Bakhtin famously declared the impossibility of epic in a modern, polyphonic world in 1941, the category has remained a dynamic source of artistic and critical interest. The works considered in studies like Franco Moretti’s Modern Epic (1994), Sneharika Roy’s Postcolonial Epic (2018), or Václav Paris’s Evolutions of Modernist Epic (2021) re-evaluate epic as a multifarious category capable of shedding light on the global, postcolonial, and postmodern condition of contemporary literature—either as a site of resistance or as a form of cultural domination. Yet even in its new, polyphonic forms, the idea of epic is rarely severed completely from its classical roots.
BOOK SERIES: South Asian Literature in Focus (Routledge, Global Edition)
Series Editors: Goutam Karmakar, Puspa Damai, Payel Pal, Deimantas Valančiūnas
In this roundtable session, we intend to prompt a conversation about the prevailing beliefs concerning “digital natives” in the context of the pandemic-era college writing classroom. As most current college writing students have had some experience, typically for the first time, with online learning in high school during the pandemic, we want to foster a discussion about college instructors’ experiences of their students’ abilities, including the associated opportunities and pitfalls, in attempting to navigate these online academic environments.
We would like to invite proposals for chapters for a forthcoming edited collection on animals, fashion, and colonialism. Our project investigates the way that colonialism was inscribed on the female body through animal fashions in the long nineteenth century and beyond. Contributions are welcome from a wide variety of fields, with interdisciplinary approaches preferred.
Potential topics include but are not limited to the following:
This creative panel will be dedicated to nonfiction stories of excess and loss, of fear and humiliation. Through personal accounts that unfold around moments of trauma—of violences big and small—we will explore the place of resilience and revelation amid a surplus of pain.
This session highlights interdisciplinary scholarship on contemporary Black satire from roughly 2013 to the present, such as how the TV series Atlanta and related texts serve as microcosmic exemplars for Black satirists’ commentary on life in the United States after Obama.
Abstracts are encouraged to take an interdisciplinary approach to their engagement with literary and cultural works that speak to the state of Black satire and American society since 2011. Please submit a 200-300 word abstract and a brief bio (50-100 words) by October 15, 2023. All abstracts must be submitted via https://www.cfplist.com/nemla/Home/S/20616.
CFP: Irish Women’s Genre Fiction / Special Issue of _LIT: Literature Interpretation Theory_
Deadline for abstract submissions: Nov 3, 2023
Deadline for paper submissions: May 15, 2024
Editors: Somasree Sarkar (Assistant Professor, Ghoshpukur College, University of North Bengal) and Agnibha Maity (Senior Research Fellow, University of North Bengal)
Concept Note
Abstract Deadline: December 15, 2023
Chapter Drafts Deadline: June 15, 2024
Essays sought for an edited collection focused on Universal Pictures’ The Mummy franchise.
As the concept of plasticity has travelled across feminist science studies and new materialisms to Black, queer, and trans studies, its meaning has itself become unstable—or plastic. Jules Gill-Peterson and Kyla Schuller offer an appropriately plastic definition: “plasticity refers to the capacity of a given body or system to generate new form” (1). Many feminist and queer theorists have sung the praises of plasticity, which promises to destabilize fixed forms of power relations, across the registers of gender/sex, race, and (neuro)biology (from Catherine Malabou to Karen Barad to Judith Butler).
Palgrave Studies in Global Literatures and Religions Series
Series Editor: Heather Ostman
The Palgrave Studies in Global Literatures and Religion Series invites book proposals for essay collections or monographs that align with the Series’ intention:
This year, the Annual Meeting of the South Central Society for Eighteenth Century Studies will be held in one of the most thought-provoking cities in contemporary America: Portland, Oregon. The meeting will be held on Friday, March 1, and Saturday, March 2, 2024. While papers on all aspects of the long eighteenth century are welcome, the theme of the conference will be "The Book and the City."
NeMLA 2024
Indifferent Realisms of 20th-century Black Diasporic Writing (Panel)
Dear Colleagues,
We have the pleasure to invite you to submit articles for our next issue, due March-April 2024. We receive papers on Literature (not that of ancient Greece or Rome), Media Studies, Film Studies, Visual and Performative Arts, and Teaching (Language and Literature). Papers in said areas need to focus on the following themes: Nationalism/ Post-nationalism, Colonialism/Postcolonialism/Decolonization, Race, Gender Studies, Ethnicity, and Identity.
We are indexed by: CEEOL, Ulrichsweb, MLA Directory of Periodicals, DOAJ, EBSCO, ERIH PLUS, and SCOPUS. And visible through WorldCat.
Call For Chapters
Songlines and Lifelines: Women and Muslim Vernacular Cultures on the Malabar Coast
Volume 1, Issue 2
[The Apollonian is an open access, peer-reviewed journal that is published bi-annually.]
The Apollonian: A Journal of Interdisciplinary Studies seeks submissions for its sophomore issue (since its revival). The journal welcomes Academic Essays (within 5000 words), Short Essays (within 1500 words) and Book Reviews (within 2000 words). For the forthcoming issue, the submissions can be interdisciplinary, but must fall within the broader definition of humanities (and this also includes areas such as STEM and medical humanities, new media, visual cultures etc).
Book Reviews:
French and Francophone Theater Panel
Contact email: imacdona@bowdoin.edu
Comparative Drama Conference
Orlando, FL, April 4-6, 2024
Deadline: October 12, 2023
This panel welcomes submissions on the broad theme of "French and Francophone Theater." The intention of this panel is to create a space at the Comparative Drama Conference for the presentation of current research on French and Francophone theater by both rising and established scholars. All time periods of French and Francophone dramatic literature and performance are welcome.
Topics might include, but are not limited to, the following:
"Theater and Memory" Panel
Contact email : imacdona@bowdoin.edu
Comparative Drama Conference
Orlando, FL, April 4-6, 2024
Deadline: October 12, 2023
This panel welcomes papers about "Theater and Memory" broadly construed. Actors struggle to remember their lines. Playwrights write against forgetting. Audience members selectively recall their favorite moments from performances. Memory is imperfect and flawed yet is also an essential part of the theater and the practices that surround it.
Topics might include, but are not limited to, the following:
‘Music, Domesticity, and British Identity’ – Call for Articles (deadline 20 October 2023), Nineteenth-Century Music Review
Dear all,
I am delighted to announce the call for articles for ‘Music, Domesticity, and British Identity’, a special issue of Nineteenth-Century Music Review<https://www.cambridge.org/core/journals/nineteenth-century-music-review> (General Editor: Prof. Bennett Zon).
The call is available here: <https://musicdomesticbritain19.hcommons.org/sample-page/>
"Beyond the Capitals of Decadence" - Seminar @ ACLA 2024
Organizers: Florian Zappe &James Dowthwaite