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CFP: Composition and Rhetoric (grad) (2/10/06; (dis)junctions, 4/7/06-4/8/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
AWModz_at_aol.com

CFP: Composition and Rhetoric: The Personal Narrative (grad) (2/1/06;=20
4/7/06-4/8/06). =20
University of California Riverside=E2=80=99s 13th Annual Humanities Confere=
nce=20
(dis)junctions 2006: lost in translation
April 7-8, 2006
Deadline for Abstracts: February 10, 2006.
_http://english.ucr.edu/gsea/disjunctions_=20
(http://english.ucr.edu/gsea/disjunctions) =20
Graduate students of the University of California, Riverside, are seeking=20
papers for their 13th annual humanities conference, (dis)junctions. In=20

CFP: Historical Shakespeare (grad) (2/1/06; (dis)junctions, 4/7/06-4/8/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Amanda Uvalle

This call for papers is for a proposed panel to be held at the University of California, Riverside's 13th Annual Humanities Conference
  (dis)junctions April 7-8, 2006
   
  Historical Shakespeare:
  We invite papers on any aspect of Shakespeare's work as it pertains to history. Papers from all disciplines are welcome, including: Literature, Political Science, Social Science, History, Cultural Studies, Theater Studies, and Geography. Areas of interest include, but are not limited to:
  -Shakespeare's sources
  -The monarchy
  -Religion/religious change
  -Imperialism
  -Political power/ strategies/alliances
  -War
  -Authority
  -Class structure
   

CFP: Historical Shakespeare (grad) (2/1/06; (dis)junctions, 4/7/06-4/8/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Amanda Uvalle

This call for papers is for a proposed panel to be held at the University of California, Riverside's 13th Annual Humanities Conference
  (dis)junctions April 7-8, 2006
   
  Historical Shakespeare:
  We invite papers on any aspect of Shakespeare's work as it pertains to history. Papers from all disciplines are welcome, including: Literature, Political Science, Social Science, History, Cultural Studies, Theater Studies, and Geography. Areas of interest include, but are not limited to:
  -Shakespeare's sources
  -The monarchy
  -Religion/religious change
  -Imperialism
  -Political power/ strategies/alliances
  -War
  -Authority
  -Class structure
   

CFP: Class, Reportage and War (3/15/06; MLA '06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Todd Vogel

Class, Reportage and War
The MLA Division on Non-fiction Prose, Excluding Auto-biography is hosting a
panel on class, reportage and war that is designed to plumb the class
underpinnings of supposedly factual reporting. Whether in a straight news
story, a feature article or a longer non-fiction piece, for years reporters
have made their journalistic reputations on their war correspondence. These
reports, like other cultural texts in society, are larded with class-based
ideologies that say much about power and social organization. Papers for
this panel may focus on a writer, a piece or a publication. It may seek
comparisons between a distant war and the current war in Iraq or a

CFP: Class, Reportage and War (3/15/06; MLA '06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Todd Vogel

Class, Reportage and War
The MLA Division on Non-fiction Prose, Excluding Auto-biography is hosting a
panel on class, reportage and war that is designed to plumb the class
underpinnings of supposedly factual reporting. Whether in a straight news
story, a feature article or a longer non-fiction piece, for years reporters
have made their journalistic reputations on their war correspondence. These
reports, like other cultural texts in society, are larded with class-based
ideologies that say much about power and social organization. Papers for
this panel may focus on a writer, a piece or a publication. It may seek
comparisons between a distant war and the current war in Iraq or a

CFP: Class, Reportage and War (3/15/06; MLA '06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Todd Vogel

Class, Reportage and War
The MLA Division on Non-fiction Prose, Excluding Auto-biography is hosting a
panel on class, reportage and war that is designed to plumb the class
underpinnings of supposedly factual reporting. Whether in a straight news
story, a feature article or a longer non-fiction piece, for years reporters
have made their journalistic reputations on their war correspondence. These
reports, like other cultural texts in society, are larded with class-based
ideologies that say much about power and social organization. Papers for
this panel may focus on a writer, a piece or a publication. It may seek
comparisons between a distant war and the current war in Iraq or a

CFP: American Humor Studies Association (3/1/06; SAMLA, 11/10/06-11/12/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Edwin Arnold

The American Humor Studies Association at SAMLA seeks papers on "The
Unspeakable as a Laughing Matter." As the recent film "The Aristocrats"
shows yet again, dirty can be funny. So can the shocking, the horrid,
the appalling, the repulsive, and the unspeakable, which can be spoken
if there is the right balance of absurdity, wit, and (perhaps) horror
behind it. This panel is open to studies of such humor, whether in
popular jokes, in literature, in film, on television, or the internet.
Presentations may range from discussions of specific authors whose works
trangress through humor, of films or television shows that revel in bad
taste for satiric or moral purposes, of the need for offensive jokes to

CFP: American Humor Studies Association (3/1/06; SAMLA, 11/10/06-11/12/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Edwin Arnold

The American Humor Studies Association at SAMLA seeks papers on "The
Unspeakable as a Laughing Matter." As the recent film "The Aristocrats"
shows yet again, dirty can be funny. So can the shocking, the horrid,
the appalling, the repulsive, and the unspeakable, which can be spoken
if there is the right balance of absurdity, wit, and (perhaps) horror
behind it. This panel is open to studies of such humor, whether in
popular jokes, in literature, in film, on television, or the internet.
Presentations may range from discussions of specific authors whose works
trangress through humor, of films or television shows that revel in bad
taste for satiric or moral purposes, of the need for offensive jokes to

CFP: American Humor Studies Association (3/1/06; SAMLA, 11/10/06-11/12/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Edwin Arnold

The American Humor Studies Association at SAMLA seeks papers on "The
Unspeakable as a Laughing Matter." As the recent film "The Aristocrats"
shows yet again, dirty can be funny. So can the shocking, the horrid,
the appalling, the repulsive, and the unspeakable, which can be spoken
if there is the right balance of absurdity, wit, and (perhaps) horror
behind it. This panel is open to studies of such humor, whether in
popular jokes, in literature, in film, on television, or the internet.
Presentations may range from discussions of specific authors whose works
trangress through humor, of films or television shows that revel in bad
taste for satiric or moral purposes, of the need for offensive jokes to

CFP: Second Language Research (4/15/06; 10/6/06-10/8/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
SHAWNA SHAPIRO

SLRF 2006 at the University of Washington (Seattle)

The Second Language Research Forum (SLRF) is a prestigious and internationally
renowned conference which brings together researchers in second language
acquisition (SLA) from all over the world. It is the premier conference on SLA
in North America providing a venue for established scholars and graduate
students to present work on a wide variety of theoretical and empirical issues
in SLA including cognitive, linguistic and sociolinguistic SLA research
conducted in both laboratory and classroom settings.

Dates of the Conference: October 6th-8th, 2006
Deadline for Abstracts: April 15th, 2006

CFP: Ashgate Series in Nineteenth-Century Transatlantic Studies (no deadline; book series)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Ann Donahue

Announcing a new book series from Ashgate Publishing

Ashgate Series in Nineteenth-Century Transatlantic Studies

Series Editors:

Kevin Hutchings, Canada Research Chair in Romantic Studies and Associate
Professor of English, University of Northern British Columbia

Julia M. Wright, Canada Research Chair in European Studies and Associate
Professor of English, Dalhousie University

CFP: Ashgate Series in Nineteenth-Century Transatlantic Studies (no deadline; book series)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Ann Donahue

Announcing a new book series from Ashgate Publishing

Ashgate Series in Nineteenth-Century Transatlantic Studies

Series Editors:

Kevin Hutchings, Canada Research Chair in Romantic Studies and Associate
Professor of English, University of Northern British Columbia

Julia M. Wright, Canada Research Chair in European Studies and Associate
Professor of English, Dalhousie University

CFP: Ashgate Series in Nineteenth-Century Transatlantic Studies (no deadline; book series)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Ann Donahue

Announcing a new book series from Ashgate Publishing

Ashgate Series in Nineteenth-Century Transatlantic Studies

Series Editors:

Kevin Hutchings, Canada Research Chair in Romantic Studies and Associate
Professor of English, University of Northern British Columbia

Julia M. Wright, Canada Research Chair in European Studies and Associate
Professor of English, Dalhousie University

CFP: Contemporary Gothic (grad) (2/1/06; (dis)junctions, 4/7/06-4/8/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Nowell Marshall

CFP: Contemporary Gothic (grad) (2/1/06; disjunctions, 4/7/06-4/8/06)

This call for papers is a proposed panel to be held at Disjunctions, the
University of California,
Riverside's 13th Annual Humanities Conference, April 7-8, 2006. In keeping
with this year's
theme, Lost in Translation, this panel attempts to investigate how
contemporary Gothic authors
translate, deviate, and/or innovate the Gothic form.

Papers addressing Shirley Jackson, Neil Gaiman, Caitlin R. Kiernan, Anne
Rice, Poppy Z. Brite,
and Anne Bishop, as well as others are welcome as are all theoretical
approaches.

CFP: Contemporary Gothic (grad) (2/1/06; (dis)junctions, 4/7/06-4/8/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Nowell Marshall

CFP: Contemporary Gothic (grad) (2/1/06; disjunctions, 4/7/06-4/8/06)

This call for papers is a proposed panel to be held at Disjunctions, the
University of California,
Riverside's 13th Annual Humanities Conference, April 7-8, 2006. In keeping
with this year's
theme, Lost in Translation, this panel attempts to investigate how
contemporary Gothic authors
translate, deviate, and/or innovate the Gothic form.

Papers addressing Shirley Jackson, Neil Gaiman, Caitlin R. Kiernan, Anne
Rice, Poppy Z. Brite,
and Anne Bishop, as well as others are welcome as are all theoretical
approaches.

CFP: Afro-American Historical & Genealogical Society (2/28/06; 10/26/06-10/29/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Dwillautho_at_aol.com

 CALL FOR PAPERS

Afro-American Historical & Genealogical Society (AAHGS)

 Annual Conference 2006
"The Legacy of our Roots: A Heritage for the Future"

    The Afro-American Historical & Genealogical Society (AAHGS)
     announces the 2006 Conference Call for Papers to be presented at our=20
next annual Conference in Salt Lake City, Utah, 26-29 October
     2006.

   The AAHGS Conference endeavors each year to provide the premier> =20
opportunity to explore standard and innovative methods, resources,
     and strategies centered around African-American, Caribbean, Native
     American genealogy and the expansive history of the African in the
     Diaspora.

CFP: Afro-American Historical & Genealogical Society (2/28/06; 10/26/06-10/29/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Dwillautho_at_aol.com

 CALL FOR PAPERS

Afro-American Historical & Genealogical Society (AAHGS)

 Annual Conference 2006
"The Legacy of our Roots: A Heritage for the Future"

    The Afro-American Historical & Genealogical Society (AAHGS)
     announces the 2006 Conference Call for Papers to be presented at our=20
next annual Conference in Salt Lake City, Utah, 26-29 October
     2006.

   The AAHGS Conference endeavors each year to provide the premier> =20
opportunity to explore standard and innovative methods, resources,
     and strategies centered around African-American, Caribbean, Native
     American genealogy and the expansive history of the African in the
     Diaspora.

CFP: Afro-American Historical & Genealogical Society (2/28/06; 10/26/06-10/29/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Dwillautho_at_aol.com

 CALL FOR PAPERS

Afro-American Historical & Genealogical Society (AAHGS)

 Annual Conference 2006
"The Legacy of our Roots: A Heritage for the Future"

    The Afro-American Historical & Genealogical Society (AAHGS)
     announces the 2006 Conference Call for Papers to be presented at our=20
next annual Conference in Salt Lake City, Utah, 26-29 October
     2006.

   The AAHGS Conference endeavors each year to provide the premier> =20
opportunity to explore standard and innovative methods, resources,
     and strategies centered around African-American, Caribbean, Native
     American genealogy and the expansive history of the African in the
     Diaspora.

CFP: Afro-American Historical & Genealogical Society (2/28/06; 10/26/06-10/29/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Dwillautho_at_aol.com

 CALL FOR PAPERS

Afro-American Historical & Genealogical Society (AAHGS)

 Annual Conference 2006
"The Legacy of our Roots: A Heritage for the Future"

    The Afro-American Historical & Genealogical Society (AAHGS)
     announces the 2006 Conference Call for Papers to be presented at our=20
next annual Conference in Salt Lake City, Utah, 26-29 October
     2006.

   The AAHGS Conference endeavors each year to provide the premier> =20
opportunity to explore standard and innovative methods, resources,
     and strategies centered around African-American, Caribbean, Native
     American genealogy and the expansive history of the African in the
     Diaspora.

CFP: Editing, Publishing, and Transmitting Meaning (grad) (2/1/06; 4/7/06-4/8/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Maggie Gover

  CFP: Editing, Publishing, and Transmitting Meaning
   
  (dis)junctions: lost in translation
  April 7-8, 2006
  University of California, Riverside
   
  This panel will explore bibliographical problems surrounding editing and publishing texts. Many changes are made to works from manuscript form to published material. How is meaning translated from an author's original work to its published form.
   
  Possible topics include but are not limited to:
  -How are early modern texts which are reprinted with modernized language and grammar affected by these changes? How are these "updates" useful?

CFP: Editing, Publishing, and Transmitting Meaning (grad) (2/1/06; 4/7/06-4/8/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Maggie Gover

  CFP: Editing, Publishing, and Transmitting Meaning
   
  (dis)junctions: lost in translation
  April 7-8, 2006
  University of California, Riverside
   
  This panel will explore bibliographical problems surrounding editing and publishing texts. Many changes are made to works from manuscript form to published material. How is meaning translated from an author's original work to its published form.
   
  Possible topics include but are not limited to:
  -How are early modern texts which are reprinted with modernized language and grammar affected by these changes? How are these "updates" useful?

CFP: Neil Gaiman (grad) (2/1/06; (dis)junctions, 4/7/06-4/8/06)

updated: 
Tuesday, January 10, 2006 - 2:33pm
Nowell Marshall

CFP: Neil Gaiman (grad) (2/1/06; disjunctions, 4/7/06-4/8/06)

This call for papers is a proposed panel to be held at Disjunctions, the
University of California,
Riverside's 13th Annual Humanities Conference, April 7-8, 2006. In keeping
with this year's
theme, Lost in Translation, this panel attempts to investigate how Neil
Gaiman's work translates
into academia.

Although he is probably best known for his Sandman series of graphic novels,
Gaiman is
also an acclaimed novelist. In an attempt to unify Gaiman's canon, this
panel welcomes readings
of both the Sandman and of his novels: Neverwhere, Good Omens, Stardust,
American Gods,
Coraline, and Anansi Boys.

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