The Many Hands of Book History
Conference of the Bibliographical Society of Canada / Société bibliographique du Canada
8-9 June 2026, University of Toronto

This collection gathers essays centered on how the performance of early modern drama has provided a method both for engaging with the problem of tyranny and for acts of resistance across different periods and in global contexts. How can the staging of early modern drama help us better understand ideas about, and responses to, repression, persecution, totalitarianism, and opposition? In what ways do early modern plays, when performed at particular historical moments and in particular cultural contexts, provide a means both for reflecting political attitudes and anxieties and for shaping political change? What role does early modern drama in performance have to play—if any—in helping diagnose, confront, and challenge tyranny? 

This special issue of Frontiers investigates how feminism, even as a discourse of resistance, participates in hegemonic projects. We invite papers that examine the connections between feminism, conservatism, and conservative ideologies during the long twentieth century within the context of the Americas (including North, Central, and South America, the Caribbean, as well as indigenous lands and communities). We welcome crosstemporal and transgeographic approaches, since we aim to put together a comparative, humanistic interdisciplinary analysis that explores how culture articulates and mobilizes notions of femininity, conservative politics, and complex ideological affiliations in transnational, local, border, and/or oceanic frameworks.

Steeped in the primal discomfort of the uncanny, dolls and the houses they inhabit are an especially fluid and perennially creepy motif within popular culture. Revealing historical and on-going tensions between what it means to be human and what it means to only perform those attributes, these remnants of childhood carry with them specific cultural messaging that has been particularly fertile ground for the horror genre.

For special issue #10 (spring 2026) of Horror Homeroom, we’re diving into the world of creepy dollhouses and their inhabitants. We’re interested in abstracts about the dolls and dollhouses of horror - or of horror adjacent narratives (thrillers, mysteries, science fiction etc.). 

The Incredible Nineteenth Century: Science Fiction, Fantasy, and Fairy Tale (I19) seeks to publish the best scholarship on the century that was, in many ways, the time period in which the modern genres of science fiction and fantasy began, and in which the academic study of fairy tale and folklore has its roots. 

Call for Papers: (SPECIAL ISSUE) Digital Education for All (SCOPUS)

We are excited to announce a Special Issue of the SCOPUS Indexed Journal "Quality Education for All" titled "Digital Education for All,” which invites contributions exploring how digital technologies can foster inclusive, equitable, and high-quality learning for communities worldwide.

Why this Special Issue?

The global shift to digital education has opened new opportunities but also exposed deep-rooted inequalities. From infrastructure and affordability to teacher readiness, inclusivity, and ethics—digital education today is as much a socio-cultural and policy challenge as it is a technological one.

As part of the 10th International Conference on the State of Mark Twain Studies, the American Humor Studies Association (AHSA) invites proposals for either a panel or a roundtable discussion. The Elmira conference will expand its traditional focus on Mark Twain by including sister organizations such as AHSA. The conference theme is “Irreverence, Rebellion, and Resilience.”

In Traditional African Festival Drama in Performance, Austine Anigala(2006)draws on the Ukpalabor festival of the Ebedei people in Southern Nigeria to argue for the performance and dramatic potential of the indigenous African festival. This provocative work is against the backdrop of polemics initiated by scholars such as Ruth Finnegan (2012) and Michael J. C. Echeruo (1973) about the dramatic limits of indigenous African festivals. Recall that Echeruo (1973) called for a re-examination of how indigenous festivals are referred to as drama.

Proposals are invited to a Special Issue of Feminist German Studies on “Intersections of Gender and Disability in German Studies”

Guest Editors: Judith Bierwolf, Hanna Bingel-Jones, Rachel MagShamhráin, Michaela Schrage-Früh

ALA 2026: Politics in American Fiction

ALA Annual Conference (May 20-23, Chicago, IL)

The 2026 International Conference on Human Rights: Youth in Asia is the 4th ICHR series. ICHR has been co-organized by East Asia Young Scholars Association (EAYSA), Young Professionals in Foreign Policy (YPFP) Tokyo, and the Graduate Program on Human Security (HSP) and Research Center for Sustainable Peace (RCSP), the University of Tokyo.

The San Francisco State University CINE Colloquium is proud to announce the call for papers for Chronically Online, the 27th Annual Graduate Research Conference, hosted by the San Francisco State University CINE Colloquium. Submit your work and join us April 24th and 25th, 2026 in person and online for a multidisciplinary deep-dive into all things nerd. See below for conference description and instructions to submit proposals.

DEADLINE EXTENDED: Proposals must be submitted by January 9th, 2026 to be considered.

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Midnapore College (Autonomous)
International Seminar
on
“Aestheticism in Art and Literature” (সাহিত্য ও শিল্পে নন্দনতত্ত্ব)
To be organized by
Department of Bengali & Cultural Section
in collaboration with IQAC
on 13 January 2026
Mode: Hybrid(Online & Offline)
“The purpose of art is the realization of aesthetic bliss (Ānanda)” - Abhinavagupta.

Edited Collection – Critical Perspectives on the “Flanaverse” of Mike Flanagan 

In recent decades, research on authority and trust in the US has seen a considerable increase across various disciplines (cf. Leypoldt and Berg 2021). However, in comparison, there has been much less scholarship on aspects of gender since Anette Baier dedicated her influential 1994 collection of essays Moral Prejudices on trust (and related issues)to her “women students, past, present, and future.” Our workshop addresses this lacuna, both from a theoretical perspective, and in the light of current cultural, social, and political developments in the US, and of (once again) contested definitions of gender(ed) identities, practices, performances, and ethics.

Spectral Boundaries: Gender and Sexuality in Asian Horror Cinema

Dr. Soumyarup Bhattacharjee

CALL FOR CHAPTERS

The British Association for Contemporary Literary Studies (BACLS) is pleased to announce our first graduate conference, New Work in Contemporary Literary Studies, which will take place at the University of Leeds on May 20th 2026. This will be a hybrid conference.

Participants will be invited to contribute to a special issue of the soon-to-be relaunched journal Alluvium, to be published after the symposium. 

In Traditional African Festival Drama in Performance, Austine Anigala(2006)draws on the Ukpalabor festival of the Ebedei people in Southern Nigeria to argue for the performance and dramatic potential of the indigenous African festival. This provocative work is against the backdrop of polemics initiated by scholars such as Ruth Finnegan (2012) and Michael J. C. Echeruo (1973) about the dramatic limits of indigenous African festivals. Recall that Echeruo (1973) called for a re-examination of how indigenous festivals are referred to as drama.

Wednesday 17th to Friday 19th June 2026

Falmouth University, UK

This in-person conference will launch the new International Women’s Writing Association (IWWA), offering a global celebration of women’s writing in all its forms, mediums, and expressions at the gorgeous Woodlane campus in Falmouth, Cornwall.

Mimbres School Monsoon Session 2026, Aug 10-14.Slavery’s Domestic Economy

The Mimbres School for the Humanities invites applications to participate in our first in-person Monsoon Session Symposium. This symposium takes recent historical and theoretical work on slavery in the Americas as an occasion to ask what it would mean to take the family and the household, rather than labor or industrial profits, as the primary point of departure for understanding the slave power and its various afterlifes in the present.

CFP: E. E. Cummings Sessions at the American Literature Association’s 37th Annual Conference, Chicago, Illinois, May 20-23, 2026 

The E. E. Cummings Society will sponsor a session (or two) at the 2026 American Literature Association conference in Chicago [ https://americanliteratureassociation.org/ ]. We invite proposals for papers on any aspect of Cummings’ life and/or work. Proposals that touch upon the following topics will be especially welcome: 

It is with great pleasure that we announce the opening of applications for the 2026 Feminist Decolonial Politics Workshop.

The workshop will be held in a hybrid format, with both in-person and online participation options. We are especially excited to centre this year’s workshop on reading the work of Hortense Spillers, one of the most influential theorists of our time. Spillers is the Gertrude Conaway Vanderbilt Professor at Vanderbilt University, and her scholarship has been foundational to feminist, Black, and decolonial thought.

Participation in the workshop is by application only, and applicants must be accepted in order to attend.

The Institute for Research on Women (IRW) at Rutgers University is seeking guest editors for the Spring 2027 issue of its online journal, Rejoinder (https://irw.rutgers.edu/rejoinder). Rejoinder features work at the intersection of scholarship and activism that reflects feminist/queer and social justice perspectives and is currently published once a year. Guest editors will be responsible for the overall shape of the issue, and Rejoinder staff will advise on the process.

The Comics Arts Conference is now accepting 100 to 200 word abstracts for papers, presentations, and panels taking a critical or historical perspective on comics (juxtaposed images in sequence) for a meeting of scholars and professionals at Comic-Con International, in San Diego, CA, July 23–26, 2026.  We seek proposals from a broad range of disciplinary and theoretical perspectives and welcome the participation of academic and independent scholars.  We also encourage the involvement of professionals from all areas of the comics industry, including creators, editors, publishers, retailers, distributors, and journalists.  The CAC is presently scheduled to take place in person and does not accept virtual presentations.  The CAC is designed to bring together