This volume, which will be proposed to a leading independent academic publisher, seeks to explore the implications of crime writing in its narrative forms through essays that situate orientations fictional and non-fictional, past and present in relation to public perspectives. Just as real crime has served as inspiration for fictional accounts, Kieran Dolin reminds us in Fiction and the Law that crime literature has long influenced popular understanding of social institutions as well.
Call for Papers
Mean Streets: A Journal of American Crime and Detective Fiction
Topic: New York State of Crime
Proposals: October 31, 2020
Final essays: January 15, 2021
For the second issue of Mean Streets, the editors seek proposals focusing on crime literature of New York City or elsewhere in the Empire State.
The CEA Mid-Atlantic Review is the official publication of the College English Association Mid-Atlantic Group and is a peer-reviewed scholarly journal published annually. We specialize in literary and cultural criticism, discussions of pedagogy, public humanities work, book reviews, personal essays concerned with the teaching of English, and creative writing related to literature or teaching. The CEA Mid-Atlantic Review believes that scholars and creative writers should be paid for their labor. Authors of published pieces will receive a $20 honorarium.
We inhabit a post-critical moment. In literary and cultural studies, the post-critical turn has yielded new modes of reading, while galvanizing new efforts to think beyond—challenging or perhaps circumventing altogether—the limits of critique. These efforts are not limited, however, to the fields of literary and cultural studies; they track suggestively with new tendencies in contemporary philosophy, namely “New Realism” and its polemic antagonism towards the (loosely branded) legacy of critical theory, which has arguably held a theoretical monopoly in spheres of the humanities not taken with the scientific worldview.
Call for papersDOC On-line n. 29 (for march 2011 edition)
The Thematic Dossier will have as theme: Pandemic / confinement / isolation
This "thematic dossier" for the edition 29 intends to publish articles that focus on the connection between documentary and the pandemic and confinement. Although the focus is on the current nonfiction production, the editors also intend to cover past or present nonfiction films that adress isolation caused either by ideological, political, economic or cultural issues.
Deadline: December 11, 2020. Notifications: January 2021.
What are the major challenges to twenty-first-century flânerie?
Consider the effects of:
• the Coronavirus pandemic (lockdowns, empty streets, social distancing, masked flâneurs/flâneuses);
• the impediments to or dangers of urban strolling as a result of race, gender, sexual orientation, class, religion, citizenship (and protesting such limitations as in the case of the Black Lives Matter and other social justice movements);
• the difficulties posed by environmental degradation in cities (air pollution, waste management and global waste trading, congestion and overcrowding);
The Comics Arts Conference is now accepting 100 to 200 word abstracts for papers, presentations, and panels taking a critical or historical perspective on comics (juxtaposed images in sequence) for a meeting of scholars and professionals at WonderCon, in Anaheim, CA, March 26-28, 2021. We seek proposals from a broad range of disciplinary and theoretical perspectives and welcome the participation of academic and independent scholars. We also encourage the involvement of professionals from all areas of the comics industry, including creators, editors, publishers, retailers, distributors, and journalists. The CAC at WonderCon is presently scheduled to take place in person; however, this may change, and presenters should be prepared to adapt to a virtual f
CALL FOR ARTICLES
El objetivo de esta sección es promover la producción de conocimiento sobre la representación de los Estados Unidos desde perspectivas no nacionales en lengua española. En consecuencia, se privilegia el estudio de experiencias migrantes, viajeras y de exilio, así como las resultantes de intercambios educativos y científicos, por señalar algunos ejemplos.
We are a lively academic collective interested in investigating the articulation of the numerous and heterogeneous representations which have been constructing images of the US. Our research delves into how the US—their history, society, and diverse cultures—have been represented in popular media and cultural creations. Our blog aims at providing a collaborative, engaging, and fair environment for any interested scholar, promoting the sharing of knowledge, experience, and ideas across disciplines and thematic fields. We’re also working to foster a stimulating space for early career researchers and postgraduate students in North American studies, thus we’ll warmly welcome their proposals as well.
Call for Participants:
Syncopation, Synchrony, and the Art of Listening to Others
The Existential Psychology Group with the Performance Philosophy International Network seeks participants to create a Key Group for the 5th biennial Performance Philosophy conference, which will be held in Helsinki, Finland, from June 9-12, 2021.
The Performance Philosophy network aims to create a non-hierarchical and inclusive conference. Instead of individual keynote speakers, the conference invites proposals from key groups.
Call for Participants
Scenes of Struggle: Rethinking the Politics of Performativity Today
Organized by Ryan Anthony Hatch (Cal. Poly.-San Luis Obispo) and Joseph Cermatori (Skidmore College)
CFP: Essays for The Journal of West Indian Literature November 2021 Special Issue, “Movements and Moments: On Dub Poetry”
South Asian Disasters in 20th and 21st Century Literature, Film, and Culture:
a seminar at the American Comparative Literature Association meeting on April 8-11, 2021.
Co-organized by Liam O'Loughlin (Capital University) and Pallavi Rastogi (Louisiana State University)
This panel examines travel and emplacement in response to crises. Interruptions to normative modes of travel in the ongoing wake of COVID-19 reveal fault-lines in the ways such norms are understood--how travel bans and exclusionary rhetoric extend national borders inward and outward, from the targeting of racialized international students, to the upheaval of the global passport rankings, to travel advisories crossing settler-state and tribal boundaries. Recent approaches to travel writing, mobility, and place studies have emphasized dwelling, emplacement, and urban exploration as a way of engaging with the seeming shifts in discussion towards travel within rather than across space.
By considering antifascism’s historical aspirations to destroy fascism alongside Derrida’s neologistic distinction of deconstruction from Heidegger’s phenomenological Destruktion of metaphysics, the organizers of this seminar seek papers that probe the possibilities and limits of conceptualizing deconstruction as/toward an anti-fascism. Among questions to consider are: Is there room in anti-fascism for a deconstruction that both semantically and philosophically distances itself from outright destruction? Must a deconstruction of fascism specify the “anti” of “anti-fascism,” perhaps through an analysis of deconstruction’s critique of dialectical thinking (à la Deleuze)?
Call for Papers -- Translat Library is accepting submissions.
Translat Library is a new open access journal devoted to the literary culture of Europe (1200-1600), with an emphasis on vernacular translations, the Romance letters, and the Latin tradition. Translat Library publishes short rigorous essays contributing new documentation and editions of unpublished texts.
Genocides, Deportations and Massacres: Experiences, (hi)stories and interpretations
14-15 November 2020(Zoom sessions:2 days-Virtual platform:5 days)
The new International Conference,orgnized by GIRES-Global Institute for Research, Education & Scholarhip, opens the discussion on a highly interesting and complex issue. We live in the most technologically advanced era in human history, offering the unique privilege of access to limitless knowledge and information. Despite the knowledge we have gained from the painful lessons of the past, in many ways we face challenges similar to those of previous generations.
Call for Papers
Special Latin American Issue of Journal of Foreign Languages and Cultures
Guest Editor: João Cezar de Castro Rocha (Full Professor of Comparative Literature at State University of Rio de Janeiro—UERJ)
Deadline Extended for Call for Book Chapters for Edited Volume
‘The Gendered Subaltern and the Urban Theatre Space’
deadline for submissions:
30 November, 2020
full name / name of organization:
Dr Shuchi Sharma
Research articles are being invited for a peer reviewed edited book to be published by a reputed publisher tentatively in early 2021.
The Gendered Subaltern and the Urban Theatre Space
Vernon Press has shown interest in the proposed book.
Kind attention: We seek representations of minority and refrigerated cultures from Europe, Africa, Australia, and New Zealand, as we have received ample representations from other parts of the world.
“No Culture can live if it attempts to be exclusive.” - Mahatma Gandhi
Literature in France has always had the potential to become a form of popular entertainment. However, what delighted families in La Bibliothèque Bleue has been forgotten or classified as literary “classics.” But popular literature, or “genre literature,” is more recent. Born in 19th-century newspapers when writers like Méry, Balzac, or Sue published their novels in serial form, its most emblematic writer is Alexandre Dumas. Unlike conventional works, where historical characters are magnified (epic tales) or relegated to the background (La Princesse de Clèves), Dumas’ novels staged characters who marked the history of France.
I invite chapter proposals on Marguerite Henry’s Newbery-winning novel King of the Wind for the first in a series of edited collections about Henry’s individual works, edited by Rachel L. Carazo (Northwestern State University).
All areas of study, with a common goal of representing the cultural, social, philosophical, and material significance of King of the Wind are invited to participate.
While writing my graduate thesis, “Conflicting Views of Culture and Power: The Arab World in Marguerite Henry’s King of the Wind”, Dawn Heinecken also published an article about the absence of scholarship on Henry’s works. These proposed collections therefore seek to increase the scholarship available about Marguerite Henry.
After completing four essays (two with a co-author), which are set to be published in different collections, on COVID-19 Internet memes, this edited collection seeks to include novel perspectives in addition to these to be gathered in a meme-focused volume, especially since online practices and behaviors have become the critical forms of expression during the pandemic.
Topics include but are not limited to:
Contagions and Non-Human Animals: (Re)Viewing Disregarded Species in Real and Imagined Pandemics
The impact of COVID-19 and the threat that it poses to future human experiences has been well-documented in news reports during the past few months. However, now that non-human animals are possible carriers and becoming infected, their experiences, while often overlooked, are nevertheless integrated into the worldwide pandemic.
Thus, this collection seeks to balance essays about non-human animals during real-world pandemics, such as the COVID-19 one, with those of their experiences during literary or cinematic ones. The scope of this call for papers is broad and can include topics such as:
Call for Book Chapters on Mythological Equines in Children’s Literature
Vernon Press invites chapter proposals on the theme: Mythological Equines in Children’s Literature for an edited collection of the same name in the series Equine Creations: Imagining Horses in Literature and Film, edited by Rachel L. Carazo (Northwestern State University).
Call for Papers
Writing the Pandemonium: Perspectives on Pandemic Literature
Proposals for an edited book/ anthology of chapters on Pandemic Literature i.e. novels, poetry, short fiction pertaining to Pandemic Literature.
According to Walter Benjamin, “the art of storytelling is coming to an end”; we are losing “the ability to share experiences.” Without storytelling, which was once “a capability that seemed inalienable to us, the securest among our possessions,” we are fragmented into a piece of “information” and isolate ourselves in what is believed to be subjectivity (“The Storyteller”). And yet, in exceptional situations, storytelling appears still possible. For example, when the northeast Japan was struck by the earthquake and tsunami disaster, after initial muteness and banal narrativization by the major media (which was indeed a disaster for storytelling), there emerged stories among the survivors.