These edited collections are part of the upcoming series Equine Creations: Imagining Horses in Literature and Film. Now that the mythological equines volumes are nearly full and ready for being finalized, this CFP addresses the next volumes in the process.

The scope of the present call is broad. All topics regarding the themes and impact of horses in film will be considered. 

1) Horses in Film Through the 1950s

2) Horses in Film in the 1960s and 1970s

3) Horses in Film in the 1980s and 1990s

4) Horses in Film since 2000

Deadline for proposals: November 26, 2021

Proposals for papers and panels are now being accepted for the 43rd annual SWPACA conference. One of the nation’s largest interdisciplinary academic conferences, SWPACA offers nearly 70 subject areas, each typically featuring multiple panels.  For a full list of subject areas, area descriptions, and Area Chairs, please visit http://southwestpca.org/conference/call-for-papers/

Benvenuti! The Italian American Culture(s) area of the conference will consider proposals from the following suggested topics (the list of topics is suggested but not limited to):

We are pleased to announce our next essay-writing competition. The award is open to all post-graduate research students and to all early career researchers (up to five years after the completion of your PhD) who have yet to find a full-time or tenured position. The prize is guaranteed publication in Foundation (winter 2022).

To be considered for the competition, please submit an original 6000-word article on any topic, period, theme, author, film or other media within the field of science fiction and its academic study. All submitted articles should comply with the guidelines to contributors as set out on the journal pages of the SF Foundation website. Only one article per contributor may be submitted.

Call for Papers

Apocalyptica is an interdisciplinary, international, double-blind peer-reviewed academic journal published by the Käte Hamburger Centre for Apocalyptic and Post-Apocalyptic Studies (CAPAS) at Heidelberg University. The journal publishes incisive analyses and diverse perspectives regarding the end of worlds.

We are seeking submissions that actively explore the apocalypse as a forceful figure of thought in order to grapple with the historical experiences, present confrontations, and future possibilities of (up)ending worlds.

Article length: 8,000-9,000 words

Deadline: 15 November 2021 

“Hope Mirrlees’s Paris: A Poem at 100”

Modernism/modernity Print Plus Cluster Proposal

Call for Papers

2020 marked the 100th anniversary of “modernism’s lost masterpiece,” Hope Mirrlees’s Paris: A Poem. Published by Hogarth Press in the spring of 1920, and typeset by Virginia Woolf, this ground-breaking long poem maps the range of continental avant-garde aesthetics of the 1910s even as it both engages and anticipates the mythical methods and epic conventions of James Joyce, Ezra Pound, and T.S. Eliot.

During the pandemic, creative writing classes, like most of academia, moved online. Traditional creative-writing pedagogies and practices were forced to reinvent themselves on Zoom. This emergency process provided opportunities for re-examination, experimentation, and growth. This panel invites practitioners of creative writing and its pedagogies to explore ways that creative writing instruction and praxis were altered by the pandemic.

Possible questions to consider:

· What changes to teaching and writing did you experience during the pandemic?

· How did the pandemic change perspectives on creative writing and creative writing instruction?

Ninth Biennial Graduate Student Conference Department of French, Hispanic and Italian Studies University of British Columbia DATE: 29-30 October 2021 Vancouver, Canada In-between normalities: Care, persistence and the (re)imagination of life Keynote Speaker: Dr. Susan Antebi, University of Toronto As we slowly go back to “normal,” this international graduate student conference invites young scholars to investigate Francophone and Hispanic literature, cinema and culture under the paradigm of care, persistence, and the (re)imagination of life. The sudden outbreak of a pandemic makes us revisit what “normal” is comprised of. We saw this recently and now “new normal” has become integral part of our conversations.

The taste of festivals forms a significant part of our life, and many festivals are associated with religion, remembrance, and prayer. Food during the religious holiday of Christmas can either make or break the holiday spirit; for example, the memory of having the best turkey, the best mince pies, and sitting around the Christmas tree warms many a heart. Carnival, another religious festival that is also a cultural event, has its own traditions regarding festival food.

The global COVID-19 pandemic has forced all of us to rethink the ways in which we teach and study literature and the arts. It has also forced us to reconsider the place of the arts during periods of extreme physical and social crisis. Our current pandemic is also a unique occasion to reconsider literature and the arts in previous historical and cultural dispensations. For instance, the flourishing of English drama during the early modern period coincided with almost yearly visitations of the plague, while the Spanish Flu of the early twentieth century proved an important inspiration for many artists—especially the Dadaist movement.

Please consider submitting an abstract for the following panel at the 2022 Northeast Modern Language Association Conference to be held from March 10-13, 2022, in Baltimore, MD.

Submit abstracts at the NeMLA portal:
https://www.cfplist.com/nemla/Home/S/19379

Engaging the Audience: From Antiquity to the Renaissance

In The Presentation of Self in Everyday Life (1959), Erving Goffman likens social interaction to theatre, describing “performance” as “all the activity of an individual which occurs during a period marked by his continuous presence before a particular set of observers and which has some influence on the observers.” The individual coming into contact with other people is like an actor on stage, who will employ available theatrical devices in order to manage the impression made on the audience.

PILOT ISSUE of the research platform In VIVO: “CRISIS”

New deadline: 31st October 2021

(for French see below)

In Vivo (http://invivoarts.fr/) is a bilingual online platform (French and English) specialized in multidisciplinary research on contemporary artistic creation, with an (almost) exclusive preoccupation with Performing Arts (theatre, choreography and dance, circus, performance art, opera) and Cinema.

Call For Papers

Renaissance Society of America

Annual Conference, 30 March -2 April, 2022, Dublin, Ireland

“Inglese Italianato e un diabolo incarnato” 

Translation and the Appropriation of Italian Culture in Early Modern England 

This is a general announcemebt of a08n online conversaton with Tiffany Stern of the Shakespeare Institute, University of Birmingham. This talk covers Professor Stern's past research in Shakespeare and looks forward to work that is forthcoming:  See: https://youtu.be/2p5NI7yMqo8.