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This panel welcomes submissions on any aspect of drama during the long eighteenth century. Submissions can address the conference theme--the quixotic eighteenth century--but do not have to. Please send abstracts of 250 words to Ashley Bender at abender@twu.edu by November 15, 2022.
The 45th Comparative Drama Conference welcomes Lucas Hnath as its Keynote Speaker.
Abstract Submission Deadline: 15 October 2022
REVISED CALL FOR PAPERS
https://www.mdpi.com/journal/humanities/special_issues/sound_studies
Dear Colleagues,
ARTICLE DEADLINE FEBRUARY 21, 2023
CFP: Sound Studies in African American Literature and Culture – Special Issue of Humanities. Guest Editor: Nicole Brittingham Furlonge (Deadline: Ongoing until February 21, 2023)
Special Issue Information
Dear Colleagues,
54th Annual Convention, Northeast Modern Language Association (NeMLA)
March 23-26, 2023
University of Buffalo
Niagara Falls, NY
Environmental Justice Pedagogies: Performance and Activism in the Humanities; ASLE Session
Sponsored by the Association for the Study of Literature and the Environment (ASLE)
Postcoloniality, Religion and Nation:
The creative work of historical fiction brings a prior time and place, one known but unfamiliar, into the present. Jerome de Groot considers one purpose of historical fiction is to “challenge the orthodoxy and potential for dissent [which will] challenge mainstream and repressive narratives.” Its characters and settings represent the cultural issues and struggles of their own time while also asking readers to recognize that many of the same situations still exist and need attention. The social and racial marginalization of women in the United States has been gaining that attention in popular culture outlets, including a recent Saturday Night Live cold open.
Edited Collection: Cancer in Young Adult Literature
Deadline for Submission:
December 31, 2022
Full Name/Name of Organization:
Stephen M. Zimmerly, University of Indianapolis
Contact Email:
Narrative:
Continually being transformed, the humanities have expanded into a discursive field of trends, movements, and methodologies that have appropriated the thoughts, ideas, and viewpoints from social and other sciences by transgressing and crossing traditional boundaries, limitations, and demarcations. The humanities which traditionally include the study of disciplines such as language, literature, arts, history, culture, and philosophy rarely prove to be “disciplined” as each one often tends to encroach upon prescribed and reserved territories of other disciplines not traditionally humanities labeled.
American Comparative Literature Association (ACLA) - Chicago, Illinois, March 16-19, 2023
Video games and environmental imaginaries of the Anthropocene
From cold, creeping survival in the Canadian tundra to neon-cathode dreams of a geoengineered utopia, from the weed-choked ruins of far distant future cities to the shattered landscapes caught under the shadow of nuclear annihilation, numerous video game titles across multiple platforms have in recent years contended with the political ecologies, environmental implications, and apocalyptic manifestations of the Anthropocene.
The goal of this seminar is to provide a forum in which to discuss how TV shows (reality shows, true crime, documentary broadcasts, docufictions, and web series) bridge the gap between factual knowledge and myths, and how they facilitate the transfer of ordinary knowledge into the implausible, especially in Iberia and Latin America. Entertainment business and journalism intertwine to engage an audience-oriented to the consumption of serialized narratives.
Call For Papers
27th-28th April 2023, Institute for English Studies, University of Luxembourg
Before Maastricht: Identity and Place in European Writing before the EU
Virtual papers welcome!
OPEN CALL FOR PAPERS AND (AUDIO)VISUAL ESSAYS.
NEW DEADLINE: 10TH OF OCTOBER, 2022
Animation and Comics: In-between Panel and Frame
Editors: Editors: Sahra Kunz (UCP-EA/CITAR); Ekaterina Cordas (UCP-CECC); Ricardo Megre (UCP-EA/CITAR).
This call aims to pioneer a cross-disciplinary discussion platform that would initiate a fruitful dialogue between the fields of Animation and Comics. Responding to a growing artistic and academic interest in these two media and to the new conceptual, practical and theoretical challenges they pose, we feel the need to provide a space for academics and artists to share ideas about these subjects.
We are pleased to announce our call for book proposals for the new Methuen Drama Agitations Series.
Please read below for more information and if interested, please contact one of the editors at the email below.
To confront literary institutions means to confront paradoxes at every level. Institutionalization is the enemy of “real” literature and art, avant-gardists and critical theorists will tell you. Institutions standardize, constrain, and exclude while they assign value and invite critique. Conversely, there is no literature without institutionalization: it is only through institutional frameworks that we can communicate about literature as an observable phenomenon at all. And often, the fiercest critics of institutions are in turn the savviest institution-builders.
Conference Online
17-18 November 2022
CALL FOR PAPERS:
South Asian texts and cultures offer a panoply of terms that are difficult to translate. Consider bhāva — a keyword in premodern philosophy, dramaturgy, and poetics — which may refer to an emotion, a meaning, an essential characteristic, a physical object, a living being, or existence itself. In contemporary South Asia, numerous colloquial terms such as timepass, jugaad, and aunty evoke nuanced existential states, techniques, and relationships that call for careful (and playful) theorization.
To whom does aestheticism belong? Traditionally critiqued as an outgrowth of western bourgeois culture, aestheticism, with its assorted attributes (including aesthetic detachment, disinterestedness, and autonomy) seems ill equipped to respond to our contemporary concerns with marginalization, power imbalances, and the reproduction of hegemonic structures. And yet, the commitment to aesthetic detachment continues to pop up in seemingly unlikely places—in various corners of postcolonial literary production and in the writings of political exiles and Holocaust survivors. We therefore ask to whom aestheticism belongs today, who makes use of it, to what ends, and under what circumstances?
Though “posthumousness” takes a variety of forms, the texts within its ambit share a quality that Jean-Christophe Cloutier, in Shadow Archives, calls “a belated form of timeliness.” The editorial apparatus of posthumously published texts, such as Claude McKay’s Amiable with Big Teeth or Muriel Rukeyser’s Savage Coast, foregrounds these novels’ prior lostness and subsequent belated arrival in forms and contexts that their authors could not have foreseen.
The panel intends to explore the depiction of Muslim American identity across various discourses and works of Muslim American authors, filmmakers, novelists, and musicians who draw upon such identities. The diverse emergence of Muslim American identity calls for insights that examine such identities depicted in various forms of text and talk. Keeping in context the theme of NeMLA’s 54th convention “resilience” the session draws on the theoretical underpinnings of Edward Said’s notion of Orientalism in order to further investigate discursive constructions of Muslim identities along with various discourses and the role Muslim Americans play in shaping these identities.
Migration is broadly defined as the movement of people from one place to another and the people pursuing this journey are called migrants. However, there are various distinctions within the concept of migration that relates to factors that define if an individual should be considered a migrant, immigrant, refugee, or asylum seeker depending on their length of stay and motivation to migrate. Two major distinctions overarch all forms of movements that individuals make. First, voluntary, and involuntary; second, short term versus long term. Voluntary migrants include sojourners such as people who go abroad to study or visit for business purposes whereas involuntary migrants include refugees and asylum seekers seeking haven from ideology-based persecution.
Conference Online (via Zoom)
27-28 October 2022
All details: https://www.inmindsupport.com/memory-guilt-and-shame-conference
CFP:
Paper proposals on any aspect of biography, autobiography, memoir, and personal narrative are welcome. Literary papers as well as creative works will be accepted. Send a 500 word abstract by November 14, 2022, to to conference's database at
Directions: Once you have accessed the above web site, you will have to creat an account. After creating you account, on the web sicte choose Conference, then from the drop-down menu click Call for Papers/Submit Proposal. Scroll down to the Language and Literature section to Biography, Autobiography, Memoir, and Personal Narrative. Click the + sign under the Biography area, then choose Submit Proposal.
University of Toronto Quarterly (UTQ) is currently seeking submissions. Established in 1931, UTQ publishes innovative and exemplary scholarship from all areas in the humanities. The journal welcomes articles, in English or French, on art and visual culture, gender and sexuality, history, literature and literary studies, music, philosophy, theory, theatre and performance, religion, and other areas of the humanities not listed here. As an interdisciplinary journal, UTQ favours articles that appeal to a scholarly readership beyond the specialists of a given discipline or field.
In a world gradually opening itself to diversity, cultural perceptions are greatly influenced by translation of emotions, and their expressions in public discourse and art. But what happens when humor is translated? Humor in literary discourse harnesses amusement arising from perception of differences and/or contrasts, and as such, it is especially challenging to ensure that it retains its amusing quality despite the change in linguistic and cultural registers of perception.
In H.G. Wells’s A Modern Utopia (1905), the botanist declares to the utopia-planning narrator: “I do not like your utopia, if there are to be no dogs.” Yet humanity’s civilizations have often been in tension with nonhuman animals: the dog-loving botanist imagines friendly, amenable pet animals bred and reared to emotionally service human needs while the utopianist envisions packs of mangy, diseased strays terrorizing a metropolis.
A One-Day International Interdisciplinary Conference
on
Postcolonial Ecospheres: Principles, Policies & Politics
Conducted by
Department of English, Sadhan Chandra Mahavidyalaya
(Date of Conference- 15 November, 2022 (Tuesday))
Concept Note:
Tales of explorers and adventurers often blur the line between science and fiction, with chronicles of the exotic and the unknown becoming the stuff of legends and the building blocks of history. Explorer’s tales spin heroic stories of adventures that cross borders, shatter boundaries, develop new knowledge, and, in so doing, depict the causes and consequences of seeking dominion over people and places.
MEMORY AND REPRESENTATION
CALL FOR PAPERS
The Memory and Representation area of the Popular Culture Association/American Culture Association invites submissions on any pertinent topic (see description below) for the 2023 National Conference in San Antonio, Texas, April 5-8, 2023.
Memory and Representation: Area Description
Last Night’s Fun: Ciaran Carson: A Conference and Commemoration
13th—16th September 2023
The Seamus Heaney Centre, School of Arts, English and Languages at Queen’s University, Belfast.
This conference and commemoration will celebrate the work of Ciaran Carson, esteemed poet, writer and musician, Professor and founding Director of the Seamus Heaney Centre at Queen’s, whose high standards of excellence, and high-spirited blend of local rootedness and global openness (in poet Alan Gillis’s words) he personified. The conference will provide an opportunity for an extended discussion of his contributions to literature, and of his legacy for future generations of poets, critics and general readers.
Our seminar “A Ponderous Hush: the Poetics and Politics of Silence” approaches silence in a way that can synthesize and deconstruct the overlaps between silence as a concept and as an act, aiming to confront silence's poetics and politics. In an attempt to disengage the topic from views which forefront silence's negativity (as in the "unsayable" or semantic contents which lie outside the sufficient operations of language), we want to interrogate silence as "tacere"/"Schweigen" (the voluntary act of remaining quiet) and "silere"/"Stille" (the absence of sound).