Narrative essays about life in rural Pennsylvania sought for an anthology to be edited by Jerry Wemple, a PA-native and award-winning poet and creative nonfiction writer. Outside of settings in Philadelphia or Pittsburgh, the idea of rural is open to the writer’s interpretation. However, a sense of place must be at the forefront of the work. (Julia Spicher Kasdorf’s essay “Mountains and Valleys” in her publication The Body and the Book is an example of the type of focus sought.) Rural Pennsylvania has a diverse history dating back hundreds of years. However, the breadth of that diversity is sometimes unacknowledged. Therefore, we are especially interested in considering essays by writers of Indigenous, Black, Latinx, and Asian ancestry.

Chapters for The Poetics of Grief and Melancholy in East-West Conflicts and Reconciliations

We are inviting chapter proposals for the edited book The Poetics of Grief and Melancholy in East-West Conflicts and Reconciliations. It is a collection of academic essays that examines the representation, aesthetics, dilemma and/or dichotomy of the notions of grief and melancholy in East-West exchanges and cultural dialogues. Contributors can explore the topic in the dimensions of individual behaviors under specific social norms and cultural products such as literature, film, music, art, theatre performance and any other forms of arts/genres etc.

Though many Confessional poets lived and/or ended their lives tragically, their writing often speaks of resilience, survival, and their struggles to overcome depression. For such poets as John Berryman, Robert Lowell, Sylvia Plath, Anne Sexton, and W.D. Snodgrass, writing can be seen as, in the quote in the title from Sexton, a form of personal salvation. This panel aims to examine how Confessional work demonstrates resilience in the face of the poets' own personal struggles, including such personal traumas as mental health, failing marriages and relationships, and the difficulties some faced as women writers. Papers on any of the listed writers or others who may be broadly construed as Confessional will be considered.

TITLE: TEACHING WITH SOCIAL MEDIA AND TECHNOLOGY: GLOBAL DOSSIERS

Technology and social media are transfiguring the twenty-first-century classroom.  After COVID 19, the use of technology in the classroom has not only  multiplied but has become core to course delivery and instruction This  collection brings together scholarly discussions by teachers worldwide about how instruction and assessment methods are revised while incorporating new technologies and new learning spaces in the classroom for successfully engaging and preparing post-millennial students for the increasingly technological and global workplace 

Call for papers

Call for Papers

 Collective Volume

Digital Games and/as Theatre: Retooling Entertainment, Art, Learning

Vernon Press invites book chapter proposals to be included in a forthcoming scholarly volume on “Resilience and the Wandering Subject”.

What are the different contours of defining a subject? How does a subject form in the act of resilience? 

Double Helix has introduced a new section of the journal--"The Lower Frequencies"--devoted to exposing inequities in critical thinking and writing pedagogy.  For more infomation on submitting to this section, please visit DH at the WAC CLearinghouse: https://wac.colostate.edu/double-helix/policies/. 

Jacques Derrida: L'écriture et la différence – Writing and Difference (2023) is a one-day conference to be held on February 20, 2023 regarding the work of Jacques Derrida (July 15, 1930 – October 9, 2004).

Please visit the conference website for further information.

https://intertheory.org/leecritureetladifference2023.htm

IL PARLAGGIO

ISSN 2280-6849

This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.

“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.

Less is more. Unclutter the mind. Spark joy. More than a generation has passed since Columbia University’s 1988 Summer Writers’ Festival brought together a roundtable for “Throwing Dirt on the Grave of Minimalism,” but it seems minimalisms are alive and well both in aesthetics and in lifestyles in the twenty-first century. What are the forms, styles, and genres of minimalism today? What is their relation to the heyday of minimalist sculpture, music, literature, and architecture in the 1960s through 1980s? Who are the practitioners of minimalism, and how are various minimalisms gendered, racialized, sexualized, and classed? And under what social, political, and economic conditions are these practitioners drawn to minimalism now?

Conference: 25-26 August 2022 (online)

​All details: https://www.inmindsupport.com/freedom-conference

CFP: 

Conference: 25-26 August 2022

Conference online (via Zoom)

All details: 

 https://www.inmindsupport.com/freedom-conference

Scientific Committee:

Professor Wojciech Owczarski – University of Gdańsk, Poland
M.A. Marlena Hetman - Nicolaus Copernicus University in Toruń, Poland  

​

CFP:

James Joyce’s Ulysses first appeared in its entirety on February 2, 2022, on the occasion of his fortieth birthday. In this its centenary, as we naturally celebrate its remarkable literary achievement, we just as naturally take note, given the state of the world a hundred years on, of the circumstances of its composition and earlier appearance.

The Routledge Companion to Ecopoetics offers comprehensive coverage of the vital and growing movement of ecopoetics. We understand the term ecopoetics as including innovative approaches to the entanglement of individuals, cultures, and languages with the natural systems that permeate and envelop them. We begin with the assumption that ecopoetics is not a genre such as ecopoetry or nature poetry, but rather a dynamic field of inquiry and a laboratory for new ways of knowing. The collection will be global in scope, with contributors drawn from a wide range of nations, ethnicities, and gender identities.