Where and how does African American culture begin?

Every story has a beginning, yet every beginning is a choice: a conscious decision about where, when, and how to start. Beginnings are contextual constructions as are endings.

Childhood is often imagined as a period of innocence, protection, and dependence. However, across many historical and contemporary contexts, children experience various forms of violence, including interpersonal abuse, structural inequality, displacement, war, and environmental harm. Recent scholarship in childhood studies has challenged the tendency to view children solely as vulnerable victims, emphasizing their capacity for agency, resilience, and political engagement. Understanding how cultural narratives represent these experiences is essential for examining broader questions of justice, rights, and social belonging.

The Teaching with Media and Technology session welcomes proposals on any topic related to the use of media and technology in any modern language, composition, or literature classroom. Papers that engage with this year’s conference theme, "Our Ruling Classes: Culture, Power, Conflict," are welcome but not required.  PAMLA's annual conference is being held in Seattle, WA, 12-15 November 2026. 

 For submissions and more information, please visit https://pamla.ballastacademic.com/Home/S/20030

Mid-Atlantic Popular & American Culture Association (MAPACA) 2026 Annual Conference, November 5-7, 2026 in Baltimore, MD

Congreso Estética(s) del Horror: Filosofía, Cine y Literatura.

Invitación a envío de propuestas. Congreso presencial

 (English version below)

En los últimos años, el terror ha experimentado una renovada visibilidad cultural. El éxito del cine reciente, la consolidación de una auténtica edad de oro de las series televisivas y la aparición de nuevas voces literarias, impulsadas también por el trabajo de editoriales especializadas, evidencian que el horror ocupa hoy un lugar central en el imaginario colectivo y mantiene una extraordinaria capacidad para dialogar con las preocupaciones estéticas, sociales y políticas de cada época.

Resurgens Theatre Company, along with the Georgia State University Department of English, is pleased to announce our fourth biennial conference on early modern verse drama by Shakespeare and his contemporaries, “Shakespeare’s Apocrypha Now.” We’re calling for papers that examine some aspect of Shakespeare’s non-canonical plays, i.e., those dramatic works that have been or are currently attributed to Shakespeare (as a whole or in part) that have yet to receive widespread scholarly and/or theatrical recognition. We particularly welcome topics on canonicity, collaboration, and performance-oriented concerns regarding Renaissance drama and/or early modern print culture.

Call for Chapters
Edited Volume: Rethinking M.R. James: Antiquarianism, Horror, and the Supernatural

Editor: Dr. Sakti Sekhar Dash, Fellow of Social Science Research Council

Introduction

As we meet in Newport, an island at the edge of the Atlantic, this panel invites papers about ocean-based horror media. Oceans, seas, and other waterways have been central to human culture throughout history, offering both opportunities to build communities across the waves and the threat of lonely, painful death through drowning or isolation through shipwrecks.

Panel Proposal for the NeMLA Convention, Newport, RI, March 6–9, 2027

Planetary crises—climate change, toxic pollution, biodiversity loss, and energy transition—are profoundly uneven in their distribution. Their material consequences are shaped by infrastructures of class, race, colonial histories, state power, and global capitalism. Increasingly, literary, artistic, and cultural texts across the world foreground these asymmetries, framing ecological crisis not only as environmental catastrophe but as a question of justice: Who breathes polluted air? Who profits from green transformation? Who consumes melting ice? Who bears the social and environmental costs of planetary change?

Italian Teaching Symposium 2026 - II edition

“Creative Pathways in Italian Language and Culture Teaching”

September 25-26, 2026

St. Jerome’s University (University of Waterloo) & online

This is a CFP seeking panelists for the 2027 Annual Conference of the Association for Asian Studies. We invite papers that examine racialization and ethnicization across Sinophone and Asian contexts in which local projects of improvement and rule are entangled with colonial and imperial systems and epistemologies, both Western and non-Western, external and internal, often sustained by local elites and intermediaries. We understand these contexts in broad terms, including transnational, diasporic, and colonial aspects. Processes of racialization and ethnicization, as well as resistance to and negotiation of such processes, could involve, but are not limited to, discussions of care, gender, and sexuality.

This special issue will highlight new work in queer ecology that engages and extends concepts of queer time developed by theorists such as Lee Edelman, Jack Halberstam, Elizabeth Freeman, José Muñoz, Kathryn Bond Stockton, Carolyn Dinshaw, and others.

https://cfplist.com/nemla/Home/S/22362

How is everyone doing?

At a routine meeting of the Editorial Board of this journal in March 2026, this innocuous question erupted into disquiet, tension, unease. Speaking from vastly different parts of the world, there was an unmistakable sense of a planet slipping beyond available comprehension and unplugging us from work and life routines. As wars in the Middle East expand and fires spread from apartment blocks reduced to rubble to bombed oil refineries and shipping corridors, profound geopolitical, personal, even psychic rifts leave us grasping for the language and feel of the moment, the falling apart of things, the zeitgeist of an endangered now.

Cuteness is a twenty-first-century sensation—from the global expansion of Sanrio fandom to the rise of social capital around Labubu and Jellycat, from K-Pop stars (real or animated) to cute animals like the quokka and Fennec fox. This issue explores a “cuteness turn” found in many public realms around the world. The adoration of attractive or cheerful objects associated with childishness and youthfulness is part of the human experience. However, this issue does not examine cuteness as a transcultural aesthetic or psychological condition, but we focus on its larger political implications. Throughout history and around the world, this “universal” sentiment has often been manipulated for commercial and ideological purposes.

Call for Papers

The 2026 Multi-ConTEXT International Graduate Conference

“Interweaving Voices and Worlds:
English Studies in Transformative Contexts”

Call for Proposals for papers, possibly for the ACLA Seminar in Houston March 2027 and for a possible collection of published essays.

Women’s Writings against Oppression in the Middle East and South Asia

This panel explores how Latin American and Latine writers, filmmakers, and artists engage environmental elements as dynamic forces shaping human experience, identity, and social life. Grounded in the environmental humanities, the panel examines how cultural production renders visible the entanglements between ecological conditions and forms of movement, including migration, displacement, circulation, and transformation across human and more-than-human worlds.

This CFP seeks submissions for a Just-in-Time session proposed for the 2027 MLA conference.  If accepted, this panel will analyze the recent slew of literary and genre fiction about "trad wives." Caro Claire Burke's Yesteryear, Saratoga Sch

“I must be mad!” cries Elizabeth Costello at the close of J.M. Coetzee’s The Lives of Animals (1999). An author and animal advocate, Costello cannot reconcile how the atrocities of factory farming that keep her awake at night do not likewise haunt her peers. When picking up the character again over two decades later in The Pole and Other Stories (2023), Coetzee presents Costello in the grips of early dementia, which has brought her into even greater communion with the suffering of animals. As she discloses to her son, “I can’t put the image out of my mind, John.

In India, the displacement of Adivasis, tribals, poor, farmers, forest-dwelling and land-based people, and other marginalized communities for development and infrastructure projects like dams, railways, power projects, and bridge construction, or for capitalist accumulation like mining, resource extraction, tourism, and industry, is a common occurrence. The trajectory of such displacement has a long history, starting in the colonial period and being aggravated in the postcolonial period under the Nehruvian model of development. Although such projects are implemented for the sake of the ‘greater common good’ for all, only a few elites enjoy the benefit of these projects, depriving millions of displaced, marginalized people (Roy 1999).

In bell hooks’ Belonging: A Culture of Place (2009), she posits that “many folks feel no sense of place” (1). She continues by explaining her personal experience with this spatiality, noting that, “Like many of my contemporaries I have yearned to find my place in this world, to have a sense of homecoming, a sense of being wedded to a place” (2). To that end, a commonality shared between all humans is a searching for a place in which we belong, and this is particularly evident in literature that is produced during times of major societal events.

CALL FOR PAPERS

In giving visible form to the “crisis of cartographic reason” (Farinelli 2009), the notion of border has become a central concept of the contemporary spatial turn (Guglielmi, Pala 2011), for disciplines such as geography (Winders, Johnson, Schein 2016), cultural anthropology (Wilson 2023), philosophy (Cooper, Tinning 2019), literary theory (Youngs 2019), and political studies (Konrad, Amilhat Szary 2023), emerging as an autonomous field of study.

About the Book

Indian Cultural Heritage: Perspectives is an edited volume that invites interdisciplinary scholarship on the diverse and dynamic dimensions of India's cultural heritage. The volume welcomes original contributions exploring tangible and intangible heritage, indigenous knowledge systems, languages, literature, folklore, performing arts, architecture, material culture, cultural memory, museums, heritage conservation, digital heritage, and contemporary issues of identity, sustainability, and cultural preservation. By bringing together diverse academic perspectives, the volume seeks to advance critical understanding of India's rich cultural traditions and their continuing significance in a rapidly changing world.