Annulet seeks proposals for a Spring 2025 folio: “American Poetry & Poetics, 2008–2025”

Deadline for Proposals: September 11
Session: 2:00 pm (Central) October 18

In the last few decades, courses on the Middle Ages and medieval studies programs have been either cut or severely restricted in the United States. In fact, recently a variety of humanities programs have been on the chopping block, forcing and providing an opportunity for specialists in medieval studies to integrate our specialties into other courses. This year’s Illinois Medieval Association Symposium seeks to explore issues incorporating medieval studies into our curricula. We seek papers that deal with problems/solutions, opportunities, and innovations. Single papers (20-minute length) and, especially, full sessions are encouraged.

“NOVEL LANGUAGES” The Biennial Conference of the Society for Novel Studies

Hosted by Duke University (Organizers: Aarthi Vadde and Sarah Quesada)

Location: Durham Convention Center in beautiful Downtown Durham, North Carolina!

Dates: May 29-June 1, 2025

SUBMISSION DEADLINE: Abstracts due November 15, 2024 to the conference website https://sites.duke.edu/sns2025/cfpsubmissions/

The Rupkatha Journal on Interdisciplinary Studies in Humanities invites submissions on Creative Technologies in Art and Literature and the General Areas. This issue aims to explore the intersection of technology and creativity and examine how technological advancements are reshaping artistic practices, cultural production, and human expression.

The Theme

Special Issue Call for Papers 

Bandung: Journal of the Global South  

Link to download the CFP: https://brill.com/fileasset/downloads_products/37598_BJGS_CfP_2024.pdf 

Coloniality, (In)justice, and the literature of the Global South

Goutam Karmakar (lead guest editor)

Honorary Research Associate

Faculty of Arts and Design

Durban University of Technology

A special issue of Gothic Studies guest edited by the Internet Ghost Collective (Chera Kee, Erika Kvistad, Line Henriksen, and Megen de Bruin-Molé)

Greetings.

As the editor of the digital edition of the Encyclopedia of Hispanic-American Literature (Facts on File), I'm inviting scholars to contribute essays of approximately 1500-2000 words on one of the authors listed below. The digital edition has been contracted with Facts on File and is a peer-reviewed volume scheduled to be published in 2025. Much of the volume is completed, with a few outstanding biographies that need to be assigned.

Call for Papers

ASAT's 67th Annual Conference

“Harmony & Discord”

Now Open: Submissions of abstracts for presentations and panels are now open for the 2024 ASAT conference, which will take place from November 14 - 16 on the campus of Midwestern State University in Wichita Falls, Texas. 

Entries are invited for the 2024 Forum Essay Prize, on the subject of: ‘The Art(s) of Delight’

Forum for Modern Language Studies are looking for bold, visionary and persuasive essays that use academic research to pursue innovative questions. The winning essay will be that judged by the panel to have best addressed the topic with flair, ambition and resonance.

Call for papers: 

For the first edition of Epitaphs, we invite writers, artists and academics to submit their short form Gothic or Horror work on the following theme: 

Dark Ecologies. 

Archives have become a site of contestation because of their status as “an imperial project of domination and affirmation” (Ištok 2016). It is specifically the case in the English-speaking world. The revelation in 2011 of the hiding and culling by British colonial authorities of “incriminating documents from former colonies in the months before each one became politically independent” (Diptée 2024) is a case in point. In this deliberate and pernicious meddling with archives, now known as “Operation Legacy”, the “mother country” aimed to tone down — if not silence — colonial violence and display a more humanist facet that was supposed to undergird the liberation of British territories from colonial shackles (Cobain 2016).

Being good makes one a target. History rattles off instances of virtuous individuals cracked by circumstance and at the mercy of a world that seeks its own ends apart from a universal pattern anchored in the Divine. Should one register shock, then, at the violence directed at those whose faces reflect the goodness of God, for the world “hated me first” Christ reminds his disciples. No, we cannot feign surprise. Nor can we fail to act. When Mordecai implored Esther to approach the king on pain of death, he did so with the assurance that God would provide regardless of her choice, and yet, he asked her, “... who knows whether you have not come to the kingdom for such as time as this?” Yes, God will provide, and perhaps we are that provision.

The Belvedere Research Journal (BRJ), a peer-reviewed, open-access e-journal, invites new submissions. We are interested in articles that shed light on the visual culture of the former Habsburg Empire and Central Europe broadly defined from the medieval period to the present. Contributions that position Austrian art practices within a wider international framework are particularly welcome. We value innovative art historical approaches, such as challenging established narratives or exploring transnational exchanges that highlight the interconnected and cross-cultural nature of the art world.

The origin myths of nations, regions, and cities provided an obvious appeal in the Middle Ages and Renaissance to those interested in the deep histories of the places where they lived and were born. While such stories were used to bolster local or national prestige, many origin myths also stretch across borders, inscribing deep connections between places: Britain claimed Trojan origins through Brutus’ foundation, but so too did the French, the Norse, and even the Dutch; and Noah’s offspring were believed to have been the originators of different peoples across Europe.