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UPDATE: Larry Neal Conference (4/10/06; 10/19/06-10/21/06)

updated: 
Tuesday, March 7, 2006 - 11:21pm
cmathes_at_duke.edu

??Don?t Say Goodbye to the Pork Pie Hat?: Re ?Evaluating Larry
Neal?s Creative and Critical Vision of the Black Aesthetic,? an
international conference originally scheduled for February 10-12 of 2006 at
UNC-Chapel Hill, has been moved and re-scheduled. We are pleased to announce
that ?Don?t Say Goodbye to the Pork Pie Hat,? will now be hosted by
Brooklyn College from October 19-21, 2006.

CFP: Mothering as/in Text (5/15/06; collection)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Pegeen Reichert Powell

Call for Papers for an edited collection: Mothering as/in Text

The editors of a new collection are looking for submissions that
explore the ways that motherhood—as a practice, a set of beliefs, a
political and cultural category—gets written and distributed through a
wide variety of texts.

The collection will feature a variety of disciplinary perspectives and
methodological approaches to this topic, and "text" should be
understood broadly here. For example, submissions might include studies
of

CFP: Mothering as/in Text (5/15/06; collection)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Pegeen Reichert Powell

Call for Papers for an edited collection: Mothering as/in Text

The editors of a new collection are looking for submissions that
explore the ways that motherhood—as a practice, a set of beliefs, a
political and cultural category—gets written and distributed through a
wide variety of texts.

The collection will feature a variety of disciplinary perspectives and
methodological approaches to this topic, and "text" should be
understood broadly here. For example, submissions might include studies
of

CFP: Mothering as/in Text (5/15/06; collection)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Pegeen Reichert Powell

Call for Papers for an edited collection: Mothering as/in Text

The editors of a new collection are looking for submissions that
explore the ways that motherhood—as a practice, a set of beliefs, a
political and cultural category—gets written and distributed through a
wide variety of texts.

The collection will feature a variety of disciplinary perspectives and
methodological approaches to this topic, and "text" should be
understood broadly here. For example, submissions might include studies
of

CFP: Mothering as/in Text (5/15/06; collection)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Pegeen Reichert Powell

Call for Papers for an edited collection: Mothering as/in Text

The editors of a new collection are looking for submissions that
explore the ways that motherhood—as a practice, a set of beliefs, a
political and cultural category—gets written and distributed through a
wide variety of texts.

The collection will feature a variety of disciplinary perspectives and
methodological approaches to this topic, and "text" should be
understood broadly here. For example, submissions might include studies
of

CFP: Southwestern Literature and Art (4/30/06; 10/24/06-10/26/06)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Southwest Literature

The First Annual Southwest Writers and Artists Festival, hosted by Texas
A&M University, is seeking papers, panel proposals, and creative works
to be presented at the Festival, October 24-26, 2006, in College
Station.
 
The Festival will celebrate the arts of the Southwest by inviting
notable poets, novelists, essayists, scholars, filmmakers,
photographers, painters, songwriters and musicians to the campus for
three days of performances, readings, panels, and discussions. Critical
and creative submissions may touch on areas relating to the humanities,
such as painting, sculpture, literature, history, film, and folklore and

UPDATE: Fashioning Fiction (grad) (UK) (3/10/06; 5/27/06-5/28/06)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Elizabeth Andrews

UPDATED INFORMATION:
The organisers of the following conference are delighted to inform
prospective attendees that a publisher has expressed an interest in
releasing a collection of edited essays or proceedings from the
Fashioning Fiction conference. We also have organised a celidh in The
Queen's Hotel: http://www.queenshotelscotland.com/ . Please remember
that the closing date for abstracts is 10th March (deadline may be
extended). For further information visit
www.fashioningfiction.stir.ac.uk .

UPDATE: Fashioning Fiction (grad) (UK) (3/10/06; 5/27/06-5/28/06)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Elizabeth Andrews

UPDATED INFORMATION:
The organisers of the following conference are delighted to inform
prospective attendees that a publisher has expressed an interest in
releasing a collection of edited essays or proceedings from the
Fashioning Fiction conference. We also have organised a celidh in The
Queen's Hotel: http://www.queenshotelscotland.com/ . Please remember
that the closing date for abstracts is 10th March (deadline may be
extended). For further information visit
www.fashioningfiction.stir.ac.uk .

CFP: Southwestern Literature and Art (4/30/06; 10/24/06-10/26/06)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Southwest Literature

The First Annual Southwest Writers and Artists Festival, hosted by Texas
A&M University, is seeking papers, panel proposals, and creative works
to be presented at the Festival, October 24-26, 2006, in College
Station.
 
The Festival will celebrate the arts of the Southwest by inviting
notable poets, novelists, essayists, scholars, filmmakers,
photographers, painters, songwriters and musicians to the campus for
three days of performances, readings, panels, and discussions. Critical
and creative submissions may touch on areas relating to the humanities,
such as painting, sculpture, literature, history, film, and folklore and

CFP: Southwestern Literature and Art (4/30/06; 10/24/06-10/26/06)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Southwest Literature

The First Annual Southwest Writers and Artists Festival, hosted by Texas
A&M University, is seeking papers, panel proposals, and creative works
to be presented at the Festival, October 24-26, 2006, in College
Station.
 
The Festival will celebrate the arts of the Southwest by inviting
notable poets, novelists, essayists, scholars, filmmakers,
photographers, painters, songwriters and musicians to the campus for
three days of performances, readings, panels, and discussions. Critical
and creative submissions may touch on areas relating to the humanities,
such as painting, sculpture, literature, history, film, and folklore and

UPDATE: Fashioning Fiction (grad) (UK) (3/10/06; 5/27/06-5/28/06)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Elizabeth Andrews

UPDATED INFORMATION:
The organisers of the following conference are delighted to inform
prospective attendees that a publisher has expressed an interest in
releasing a collection of edited essays or proceedings from the
Fashioning Fiction conference. We also have organised a celidh in The
Queen's Hotel: http://www.queenshotelscotland.com/ . Please remember
that the closing date for abstracts is 10th March (deadline may be
extended). For further information visit
www.fashioningfiction.stir.ac.uk .

CFP: Southwestern Literature and Art (4/30/06; 10/24/06-10/26/06)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Southwest Literature

The First Annual Southwest Writers and Artists Festival, hosted by Texas
A&M University, is seeking papers, panel proposals, and creative works
to be presented at the Festival, October 24-26, 2006, in College
Station.
 
The Festival will celebrate the arts of the Southwest by inviting
notable poets, novelists, essayists, scholars, filmmakers,
photographers, painters, songwriters and musicians to the campus for
three days of performances, readings, panels, and discussions. Critical
and creative submissions may touch on areas relating to the humanities,
such as painting, sculpture, literature, history, film, and folklore and

CFP: The Talk of the Town: Gossip, News, and Secrets (4/15/06; MMLA, 11/9/06-11/12/06)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Paula Jean Reiter

This panel invites writers to consider how gossip and its related forms
negotiate the distance between high and low culture and public and private
spheres. Does gossip function as a conservative or subversive force? What
happens when scandalous talk circulates in print? How do "high" literary
genres (such as biography) mimic the content or strategies of "low" forms
(such as scandal sheets)? Does gossip function as a trope or a threat for
authorship? How can scandal be commodified--as news, talk shows, published
diaries, scandal sheets, even blackmail? When a secret becomes public
knowledge, whose story is it? We hope these questions serve as a

CFP: The Talk of the Town: Gossip, News, and Secrets (4/15/06; MMLA, 11/9/06-11/12/06)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Paula Jean Reiter

This panel invites writers to consider how gossip and its related forms
negotiate the distance between high and low culture and public and private
spheres. Does gossip function as a conservative or subversive force? What
happens when scandalous talk circulates in print? How do "high" literary
genres (such as biography) mimic the content or strategies of "low" forms
(such as scandal sheets)? Does gossip function as a trope or a threat for
authorship? How can scandal be commodified--as news, talk shows, published
diaries, scandal sheets, even blackmail? When a secret becomes public
knowledge, whose story is it? We hope these questions serve as a

CFP: The Talk of the Town: Gossip, News, and Secrets (4/15/06; MMLA, 11/9/06-11/12/06)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Paula Jean Reiter

This panel invites writers to consider how gossip and its related forms
negotiate the distance between high and low culture and public and private
spheres. Does gossip function as a conservative or subversive force? What
happens when scandalous talk circulates in print? How do "high" literary
genres (such as biography) mimic the content or strategies of "low" forms
(such as scandal sheets)? Does gossip function as a trope or a threat for
authorship? How can scandal be commodified--as news, talk shows, published
diaries, scandal sheets, even blackmail? When a secret becomes public
knowledge, whose story is it? We hope these questions serve as a

UPDATE: Commensurate with Experience (3/20/06; MLA '06)

updated: 
Tuesday, March 7, 2006 - 11:21pm
Collaborative_Anthology

Deadline Extended: 3/20/06

Original CFP Below:

Commensurate with Experience: Work and the Next
Generation of English Scholars
 
Citing findings from the National Center for
Educational Statistics (NCES), Louis Menand points out
in his 2005 contribution to MLA's _Profession_ that
between 1970 and 2001 the number of English majors has
dropped, roughly, by a third; however "the system is
producing the same number of doctorates in English
that it was producing back in 1970. These Ph.D.s have
trouble getting tenure-track jobs because fewer
students major in English, and therefore the demand
for English literature specialists has declined"
(12-13).

CFP: Octopus, Journal of Visual Studies (4/3/06; journal issue)

updated: 
Saturday, March 4, 2006 - 9:13pm
Ginger Hill

Call for Papers: The Dark

Octopus (Volume 2) Fall 2006

www.octopusjournal.org

Deadline for Submissions: April 3, 2006.

 

To follow in the success of our inaugural issue on "Synaesthesia" the Visual
Studies Graduate Student Association and the editors of Octopus are proud to
announce the topic of our second issue - "The Dark."

 

UPDATE: Resistance to Tyranny: Representing the Struggle for Human Rights (3/16/06; NYCEA, 4/28/06-4/29/06)

updated: 
Saturday, March 4, 2006 - 9:13pm
jgriffiths_at_fordham.edu

Deadline extended:

In an interview with Amnesty International , Chilean writer and activist Ariel Dorfman explains that, despite efforts to
silence survivors of human rights violations, "Somehow the stories do come out, those voices do come out. I am not their
voice: I make a space for those voices, a bridge." Dorfman's insights raise questions about the role of literature in the
struggle for human rights. How do writers represent often unspeakable crimes against humanity and create a cultural memory
that recognizes the forgotten or marginalized voices from the past? What does it mean to bear witness through literature?

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