Women and Power: Call for Papers

As part of our forthcoming Women and Power festival at Shakespeare’s Globe, we are bringing together scholars and practitioners for a one-day, online symposium to be held on Friday 10 December.

Penn State University invites applicants for its annual Global Asias Summer Institute, to be held June 6-10, 2022.

CALL FOR ABSTRACTS: EARLY MODERN ASEXUALITIES

Write It Out

THE 2022  WRITING INNOVATION SYMPOSIUM 

February 3-4 • Marquette University • Milwaukee, WI • Proposals due 10/15

Sponsored by Marquette’s Social Innovation Initiative, University Libraries, Center for Teaching and Learning, and Haggerty Museum of Art with Mount Mary University and Bedford/St. Martin’s

Overview

The Politics of Faith and Secularism in Writing Centers and Writing Studies

Literary multilingualism studies is a relatively new but burgeoning area of research. With the impact of translation studies, the ‘transnational turn’ within literary studies, and the growing relevance of the ‘postmonolingual condition’ in the contemporary world, multilingual and translingual writing practices – considered in the past to be exceptional and unusual – are now at the forefront of literary studies.

The 2022 Call for the Queer Caucus is centering on topics surrounding queerness and the body: the effects of the Pandemic. The call wants to ask questions like "How has the queer community experience the devastating and last effects that have arisen out of pandemics?" "What happens with the lost of queer geography?" This call also seeks papers that explore how the queer community has continued to find creative ways to maintain communities, connections, and support when their physical spaces, their livelihoods, and their health have been threathened. How do you find community, other queer bodies? The recent closure of gay bars has also taken a toll and what does this mean for the future?

CALL FOR CO-PANELISTS  - Miss America Pageant

2022 Popular Culture Association Conference

Seattle, Washington April 13–16 2022

ChLA International Committee Call for Papers, ChLA 2022 Conference

Decay as a state of nature is inevitable, yet it is something that could be at least postponed: decay in art as the main decadent idea has been on the cultural front row long enough to make certain conclusions about its essential characteristics. Decay as a philosophical issue is much more complex than its natural incarnation: French Symbolists and, later, fin de siecle authors regarded decay as an inseparable part of any type of cultural cognition. Its original interpretations can be found in the ideas of Schopenhauer, Hartmann, Nietzsche, Wagner, Bergson's intuitivism, modern scientific discoveries and folklore. The art of decay feels the need to justify its aesthetic principles, to explain to the public audience its goals and tasks.

This panel seeks original contributions to the study of the Italian Spaghetti Western, its filmmakers, and their production through perspectives such as Feminist theory, Men’s Studies and Queer Studies, (De-)Coloniality, and Auteur Theory. Politics, the Mexican Revolution, the invention of an American Civilization through the experience of the Wilderness, and Western Symbolism are lenses that can be applied to the analysis. Original approaches that emerge from a specific ideology and/or iconography are also welcome. Particular attention will be given to those papers that examine how the Italian Spaghetti Western satirizes both American and Italian cultures through the representation of a world destabilized by violence and death.

Where and why do we find examples of “embodied rhetoric” in the eighteenth century? We might think of Defoe’s description of Friday’s gesture placing his head beneath Robinson Crusoe’s foot signifying voluntary servitude and its relation to the supplicating figure of “Am I not a Man and a Brother” emblem, memoralized by Wedgewood. Or we might consider Trim’s gesture with his hat in Tristram Shandy describing how we pass from life to death, and onwards to Gilbert Austin’s Chironomia as a handbook for speaking gesture (building upon Bulwer’s Chirologia) as figures for something like “embodied rhetoric” or an emphasis on gesture and persuasive or signifying postures.

Eliza Haywood represents The Female Spectator as part of a coterie that acts as “several Members of one Body, of which [she is] the mouth.” Through this writing club, Haywood encapsulates the important role that such coteries played in circulating women’s writing in the long eighteenth century. Lady Mary Wortley Montagu circulated her travel writing for feedback in a letter-book within a close circle of friends and family members. This correspondence between women represented an opportunity to share work in a safe space. Co-writing groups remain a safe space and an essential resource for women to share work today.